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	<title>The Publisher's Post &#187; the publisher&#8217;s post</title>
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		<title>The Publisher&#8217;s Post &#8211; Nov-Dec 2011</title>
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				<category><![CDATA[Newsletters]]></category>
		<category><![CDATA[Globalocal]]></category>
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Nov &#8211; Dec. 2011
Happenings
On what’s  been happening. If there’s news you have heard of and think it would  make for interesting reading, please share it with us.
A Play of Words, Art &#38; Music
Source: Times of India
A report on the recently-concluded Goa Arts and Literary Festival
Instead,  the five-day event was a celebration of [...]]]></description>
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<td style="font-size:12px;color:#000000;line-height:150%;font-family:trebuchet ms;" width="600" valign="top" bgcolor="#FFFFFF"><span style="font-size:12px;font-weight:bold;color:#0F8385;font-family:tahoma;line-height:80%;">Nov &#8211; Dec. 2011</span></p>
<p><span style="font-family: tahoma,sans-serif;font-weight:bold;color:#ff0000;font-size:1.3em;">Happenings</span><br />
<span style="font-family: tahoma,sans-serif;color: #006600;">On what’s  been happening. If there’s news you have heard of and think it would  make for interesting reading, please share it with us.</span></p>
<p><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">A Play of Words, Art &amp; Music</span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: Times of India</span><br />
A report on the recently-concluded Goa Arts and Literary Festival</p>
<blockquote style="background-color:#F9F5E1; margin: 1em 0.5em; border-left: 2px solid #999; padding-left: 0.5em; padding-right: 0.5em;"><p>Instead,  the five-day event was a celebration of great works by lesser-known  writers. It gave pride of place to locals, and uniquely, also featured  several writers, poets and musicians from the north-east, that  oft-ignored part of India that usually comes into the  national  consciousness only in the event of some unpleasant occurrence there.</p>
<p>The  festival conjured up a finely balanced cocktail of both the ingredients  that are usually characteristics of a successful literature  festival-scholarship and performance, although some argued that a third-  scheduling-was in short supply.</p>
<p>While veterans such as Gulzar,  Amitav Ghosh and Kiran Nagarkar were the star draws for panel  discussions and book-signings, the walls that separate a writer from his  reader were slowly chipped away as the festival progressed; by the  final day, most attendees, by now familiar with their fellow-delegates,  pleasantly greeted each other in a friendly manner of camaraderie  consistent with the spirit of the host state.</p>
<p>Informality aside,  another highlight of the festival was the spotlight on the younger  brigade, led by three writers who stood out throughout the festival.  Their works comprise long, hard looks at the cities they&#8217;ve lived in.</p>
<p>Nigerian-American  novelist Teju Cole wrote &#8216;Open City&#8217;, about an African psychiatry  resident who takes long walks around New York City. It has been listed  as one of Time magazine&#8217;s top-10 fiction books of the year. Sonia  Faleiro&#8217;s &#8216;Beautiful Thing&#8217;, which takes a look at Mumbai through the  lens of a bar dancer, is a formidable work of narrative journalism and  its title regularly features in several international best-of lists.</p>
<p>Naresh  Fernandes&#8217;s &#8216;Taj Mahal Foxtrot-The Story of Bombay&#8217;s Jazz Age&#8217;, though  released at the festival, is already being looked at as a significant  chronicle of the city through the perspective of the defining musical  genre of that era. During their sessions, Cole, Faleiro and Fernandes  exhibited extraordinary mastery of their material, presenting it in a  way that held captive the fickle attention of the small, scattered  audience.</p></blockquote>
<p><a href="http://bit.ly/vtL7x7" target="_blank">Read more »</a><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">Globalocal 2011</span><br />
GLOBALOCAL  2011- a two day conference for professionals in the content industry &#8211;  Publishing, Printing, Digitization, Film and more, was held on the 24th  and 25th November 2011. The theme of the conference was &#8220;Crossing  Currents&#8221;  &#8211; looking at how content is being produced, packaged, sold  and consumed differently in the current world of increasing  digitization. The two day conference started  on  24th November with  Juergen Boos, President of the Frankfurt Book Fair presenting the  opening speech. In Juergen&#8217;s words &#8220;I am very pleased to be here today  because India currently finds itself in a unique position as it shifts  into the spotlight of the media world. It is one of the largest  English-speaking markets in the world. Print runs are still increasing,  even as interest is growing in digital publishing.&#8221; He then handed the  podium to Dr.  Shashi Tharoor, eminent writer and Member of Parliament  to present the keynote speech. Dr.  Tharoor spoke eloquently, on how the  subject of the conference &#8211; &#8220;Crossing Currents&#8221; had intrigued him, he  went on to tell us of his personal journey with &#8216;the book&#8217;, how when he  was young and asthmatic, reading was his only and best entertainment.  Since then, there has been a sea change in terms of what is available  for entertainment. Though this digital variety must pose quite a  challenge for publishers, Dr. Tharoor insisted that publishers should  not see it as such, but rather that all the new technology can only  enhance the reader experience.</p>
<p>The first presentation was aptly  on Cross media storytelling &#8211; presented by Holger Volland who heads the  Digital Initiative of the Frankfurt Book Fair, there was rapt attention  as Holger expounded on the subject which is at the heart of the  discussion on how content is being redefined today. This was followed by  a lively panel discussion on the subject with various experts a lively  round of questions and input from the audience. The other sessions of  the day saw subject experts on retail, film, and social media giving  informative and thought provoking presentations and lectures. The second  day started with the Keynote Speech by Octavio Kulesz from Argentina.  Octavio gave an overview of the state of digitisation in the world  today, he spoke of how digitisation can be viewed simply as that which  has happened/is happening and is controlled by the developed world and  the big players, and digitisation in the rest of the world/ developing  world. Setting the tone for the rest of the day&#8217;s sessions all focussed  on the digital to an engaged and curious audience, the current state of  confusion in the industry at present, was especially apparent from the  number of questions from the participants &#8211; especially in the session on  E-Reader/ Tablet platforms and on Cloud Computing. The conference ended  with an intense workshop on Digital Practice.</p>
<p><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">Writers&#8217; conclave at book fair</span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: Times of India</span><br />
At  a conclave held at the 13th North East Book Fair, noted writers from  the city stated that authors&#8217; stand to lose their originality if they  let their publishers amend their composed works in accordance with the  taste of readers.</p>
<p>&#8216;North East Writers&#8217; Conclave &#8211; an open  platform: A conglomeration of Creative Minds&#8217; was a gathering of  professional and amateur writers held with the objective of discussing  issues concerning writers ranging from writing styles and influences,  new-age tools for writers, integrity of the writer, understanding of a  community, publishing woes of writers etc. The conclave was attended by  writers cutting across professional lines.</p>
<p>&#8220;Different writers,  both from the classical and from the contemporary genre, may influence  us and our writings, but as writers we need to have a sensitivity to  respond and react and have to touch upon us. All we need is to be open  to moments that might range from the beautiful to the ugly and we need  to grasp it no matter what,&#8221; said Srutimala Duarah, associate professor  and writer.<a href="http://bit.ly/uf8qiY" target="_blank">Read more »</a></p>
<p><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">The Seagull School of Publishing launched</span><br />
The  Seagull Foundation for the Arts in association with Seagull Books  supported by the Royal Norwegian Embassy of New Delhi, launched The  Seagull School of Publishing in Calcutta today. The inauguration was  done by Her Excellency Ms. Ann Ollestad, Ambassador of Norway in the  presence of Mr. Naveen Kishore, Publisher, Seagull Books, Mr. Samik  Bandopadhyay, Founder Editor, Seagull Books and Dean of Editing, The  Seagull School of Publishing, and Ms. Sunandini Banerjee, Senior Editor  and Graphic Designer, Seagull Books and Dean of Design &amp; Production,  The Seagull School of Publishing and Professor Gayatri Chakravorty  Spivak, eminent scholar, University Professor at Columbia University,  New York, and Seagull Books author.</p>
<p>The inaugural year will  conduct a single session from April to July 2012 and thereafter Spring  (January-April) and Autumn (Juneâ€“September) sessions from 2013. The  course will include a one-month compulsory overview covering the art,  science and business of publishing, editing, marketing and distribution  of books followed by three months of specialization in Editing or Design  and Production. The selection procedure will include a national online  test (www.seagullschool.org) whereby candidates will be shortlisted for  another round of written test and final interview to be held in Kolkata.  The academy will admit 40 qualified students per batch. The course fee  will be Rs. 20,000 per session.</p>
<p>The curriculum is enriched with  special Saturday sessions comprising master classes and field trips to  publishing houses, printing presses, book fairs, bookstores as well as  lectures by guest faculty from mainstream and independent presses,  universities, authors and designers who will share their insights gained  from their long years in this field. The School will be offering a  selection of national and international internships for its students as  well as a few fellowships for those aspiring entrepreneurs who wish to  set up their own publishing venture.</p>
<p><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">Oxford Press to continue printing Ramayana essay</span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: Economic Times</span><br />
Oxford  University Press (OUP) has gone back on an earlier move to stop  printing a controversial essay suggesting that the Ramayana has many  versions, and now said that it will, after all, continue to publish A K  Ramanujam&#8217;s <em>Three hundred Ramayanas</em>. The essay was removed somewhat hurriedly from the Delhi University&#8217;s History syllabus in October this year.</p>
<p>OUP on Friday said; &#8220;Given the current concerns expressed by members of the scholarly community over the availability of <em>The Collected Essays and Many Ramayanas</em>, we have decided to immediately reprint both titles and make them available in India and beyond. We are also making <em>Questioning Ramayanas</em> available again.&#8221;</p>
<p>The  publishing house came under an unprecedented attack from scholars  worldwide, including powerful and influential alumni of Oxford  University (OUP is closely connected with the University) for having  &#8216;apologised&#8217; to those wanting the Ramanujam essay on the diversity in  the versions of the Ramayana removed from the Delhi University syllabus.  Those protesting against the inclusion of the essay had used a  statement reportedly made by OUP&#8217;s India office stating that OUP has  decided to desist from publishing the controversial essay. <a href="http://bit.ly/soxuU2" target="_blank">Read more »</a></p>
<p><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">Wolters Kluwer Health acquires Medknow</span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: Indian Express</span><br />
Wolters  Kluwer Health acquired Medknow, a leading scientific, technical and  medical journal publishing operation headquartered in Mumbai and one of  the largest open access publishers in the world.</p>
<p>The acquisition  expands Wolters Kluwer&#8217;s medical research business presence in key  developing markets and supports its strategy to increase locally written  content and incorporate more open access platforms into its business  model. <a href="http://bit.ly/tmYd4s" target="_blank">Read more »</a></p>
<p><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">Good Response at Hyderabad Book Fair</span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: http://ibnlive.in.com</span><br />
The  annual book fair which was in town for 10 days had quite a few people  from the city turn up at the 250 and-odd stalls that were put up, where  about 150 English book stalls and 90 Telugu book stalls were put up.  Stalls were set up by book shops from across the twin cities and outside  including New Delhi, Bengaluru, Chennai, Gorakhpur,  Vijayawada,  Anantapur and a couple of others. With a recorded foot-fall of about  10,000 on weekdays and more than 50,000 on weekends, the fair was  considered a success overall.</p>
<p>When asked about how the response  had been over the 10 days, secretary of Hyderabad Book Fair Society,  Hanumanth Rao said, &#8220;The response has been incredible, especially on the  weekends. The number of people who visited the fair on the last day has  been more than 60,000, definitely a larger turn-out than last year.&#8221;</p>
<p>While  parents and teachers seem worried about children spending too much time  either watching television or on internet, the book fair reflected  differently. Most of the stall owners found that children&#8217;s books were  the most sold category of books. Another comforting trend observed was  the sale of Telugu doing as well as English books; in some cases Telugu  book stalls did much better business than their English counterparts. <a href="http://bit.ly/rwKcop" target="_blank">Read more »</a></td>
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<span style="font-family: tahoma,sans-serif;color: #006600;">Comments and posts on trends and events in the book industry.</span></p>
<p><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">It&#8217;s a woman&#8217;s world</span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: The Hindu</span><br />
Over  the last 10 years, the face of publishing has been changing, and what  was a bit of a boys&#8217; club a few decades back is no longer so.</p>
<blockquote style="background-color:#F9F5E1; margin: 1em 0.5em; border-left: 2px solid #999; padding-left: 0.5em; padding-right: 0.5em;"><p>Today,  more women occupy important, decision-making positions in the Indian  publishing industry, and many have broken off from larger, multinational  publishing houses to start their own imprints. With the multinationals  too, a large number of young, spirited women are at the editorial helm.  Over the past 10 years, at least in the world of publishing, women have  surely and silently begun to outnumber men. But hasn&#8217;t there always been  a greater ratio of women in the editorial teams of publishing houses?  And if so, what has changed?</p></blockquote>
<p><a href="http://bit.ly/uf8qiY" target="_blank">Read more »</a><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">Commercial success, a diving force for writers today</span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: DNA</span><br />
The scary submission to market forces</p>
<blockquote style="background-color:#F9F5E1; margin: 1em 0.5em; border-left: 2px solid #999; padding-left: 0.5em; padding-right: 0.5em;"><p>&#8220;I  want to beat Chetan Bhagat&#8217;s record!&#8221; screeched another hopeful in his  conversation with me. At the risk of supreme generalisation, the  aspiration of several, if not all, budding authors is precisely this &#8211;  emulate Mr Bhagat. I really have nothing against this man who is being  touted as a &#8216;publishing phenomenon&#8217; and frankly think my fellow-authors  who love to bitch about him in all Lit Fests and social gatherings are  plain jealous of his monetary success.</p>
<p>But the greatest  disservice that I feel he has done to Indian writing is in creating this  vast pool of youngsters who want to be like him! Making the lowest  common denominator as an aspirational benchmark for both writers and  readers not only feeds, but also celebrates mediocrity! No surprise then  that a very eminent and erudite author in his &#8216;diplomatic&#8217; review of  Chetan&#8217;s latest book commented tongue-in-cheek that while his style  might be &#8216;pedestrian,&#8217; &#8216;careless&#8217; and &#8216;awkward&#8217;, the author&#8217;s &#8216;ultimate  vindication&#8217; is the number of copies his book sells and hence he must be  read! Bananas sell too, I thought! So what is the point?</p></blockquote>
<p><a href="http://bit.ly/p2udiK" target="_blank">Read more »</a><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">How to Succeed in Business? By Reading, India Says</span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: cnbc.com</span></p>
<blockquote style="background-color:#F9F5E1; margin: 1em 0.5em; border-left: 2px solid #999; padding-left: 0.5em; padding-right: 0.5em;"><p>Indian  readers, particularly young ones, have been devouring books on  business, management, careers and money in recent years.  In storefront  displays and airport bookstores across India, these tomes get pride of  place, relegating fiction and books about politics to the back row.</p>
<p>Bangalore&#8217;s  annual book fair, which was held over 10 days this month in the grounds  of the Bangalore Palace, a Windsor Castle lookalike from the Raj days,  attracted dozens of business-focused publishers and retailers with  catchy names like Success and Genius, as well as more than 200,000  attendees.</p>
<p>Young Indians graduating from management schools &#8220;are  voracious readers of nonfiction, they read to get a competitive edge,&#8221;  says Krishan Chopa, chief editor for nonfiction at HarperCollins  Publishers India.  India&#8217;s growing economy has accelerated changes in  business and at the workplace, he said, and authors who write about  these changes are popular because the &#8220;country&#8217;s book-reading public is  eager to stay updated.&#8221;</p></blockquote>
<p><a href="http://www.cnbc.com/id/45486787" target="_blank">Read more »</a><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">Kids&#8217; publishers take baby steps in digital world</span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: Times of India</span><br />
Realising  that there is little point in resisting digital books, publishers and  writers are embracing the digital world and working to promote their  books online. Artistes related to children&#8217;s literature debated the idea  of being hooked to books at the &#8216;The Reading Child&#8217; conference.</p>
<p>Editor  of Karadi Tales Manasi Subramaniam said that holding a book comes with a  unique social experience. &#8220;When I see somebody reading a book I want to  walk up to them and talk about it. That social aspect gets destroyed in  a digital medium,&#8221; she said. &#8220;However, there&#8217;s no point in fighting the  change. With ebooks publishing becomes cheaper and books also become  cheaper, encouraging more people to buy them. It&#8217;s actually awesome,&#8221;  she said. Author of <em>Mayil Will Not Be Quiet</em> Niveditha Subramaniam  said there is no denying the fact that e-books are a trend now. &#8220;We  have to find a way to use them creatively,&#8221; she said.</p>
<p>Publishers  of multilingual children&#8217;s books Tulika knows that technology is here to  stay, so though the organisation hasn&#8217;t got down to e-publishing first  hand, they have been approached by others who have. <a href="http://bit.ly/u3VnIS" target="_blank">Read more »</a></p>
<p><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">The Retell Market</span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: Times of India</span></p>
<blockquote style="background-color:#F9F5E1; margin: 1em 0.5em; border-left: 2px solid #999; padding-left: 0.5em; padding-right: 0.5em;"><p>Gautam  Padmanabhan, CEO of Westland (that had first refused to publish Amish  Tripathi, like every other Indian publisher, and then had to eat crow  and buy the rights for his next book when <em>The Immortals of Meluha</em> hit top of the publishing charts), says it is a combination of various  factors that has ensured the success of this genre. &#8220;The new generation  of Indian readers is not just comfortable with its Indian roots but also  willing to know more about it. And there is a wealth of material in our  mythology and history which can become a bestseller in the hands of a  gifted writer,&#8221; reasons Padmanabhan. Westland has quite a few titles in  this genre in its kitty, like the next big series by Ashok Banker, who  pioneered this subset in Indian writing almost two decades ago. Banker&#8217;s  next, The Mahabharat series, is due to be published by Westland in  2012.</p></blockquote>
<p><a href="http://bit.ly/rKHGKy" target="_blank">Read more »</a><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">15 Literary Prophecies for 2012</span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: DNA</span><br />
Bookstores  will stock seasonal vegetables, Chetan Bhagat will finally be  translated into English, and literary festivals will have readings from  telephone directories, predicts bibliophile Sanjay Sipahimalani</p>
<blockquote style="background-color:#F9F5E1; margin: 1em 0.5em; border-left: 2px solid #999; padding-left: 0.5em; padding-right: 0.5em;"><p>Street  food vendors will stay off Indian roads to protest against the  declining sales of newspapers and magazines. When lauded for their  attempts to promote reading, the president of the vendors&#8217; association  will say: &#8220;Reading-shmeading. We only want to make sure there&#8217;s no  shortage of plates and wrappers.&#8221;</p></blockquote>
<p><a href="http://bit.ly/t94Asd" target="_blank">Read more »</a></p>
<p><span style="font-family: tahoma,sans-serif;font-weight:bold;color:#ff0000;font-size:1.3em;">New Book Releases and Events</span><br />
<span style="font-family: tahoma,sans-serif;color: #006600;">New book and journal releases, new imprints and other similar events.</span></p>
<p><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">Rasāla Books</span><br />
Rasāla  publishes India&#8217;s most beautiful forgotten poems in translation. These  exquisite volumes of Sanskrit poetry, accompanied by contemporary  English translations, allow the general reader to enjoy ancient India as  imagined by her poets.</p>
<p>Each bilingual edition, with Sanskrit on  the left hand page and English on the right, is available in print and  eBook format. Rasāla also offers annual subscriptions which include two  volumes of poetry and the Rasāla annual anthology.</p>
<p>Rasāla is run  by a small team based in southern India. For more details, please visit  www.rasalabooks.com or get in touch at venetia@ rasalabooks.com</p>
<p><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">Revolutionary Road</span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: livemint.com</span><br />
From  1955-75, a small literary magazine in Mumbai published some of India&#8217;s  greatest writers and thinkers, before falling victim to Cold War  conspiracies and the Emergency. A new anthology recalls its heady  legacy, and its importance to Indian modernity.</p>
<blockquote style="background-color:#F9F5E1; margin: 1em 0.5em; border-left: 2px solid #999; padding-left: 0.5em; padding-right: 0.5em;"><p>The  clearest indications of its target audience are the advertisements  directed at them &#8211; ads reproduced painstakingly in The Best of Quest.  Here, Mafatlal &#8220;puts colour into my life&#8221;, suggests a man posing as a  painter. &#8220;For elegance and comfort, Lambretta 150 li,&#8221; says an ad for  the famous scooter. With their sparkling, lengthy copy and sophisticated  models in translucent saris, they recall a time when such  advertisements targeted a very small, but fairly homogenous band of  English-speaking sophisticates across the country. In its last years,  the magazine cost a generous Rs. 2.</p></blockquote>
<p><a href="http://www.livemint.com/2011/11/11205928/Publishing--Revolutionary-roa.html" target="_blank">Read more »</a><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">Campfire Young Writer of the Year</span><br />
Campfire  is proud to launch Campfire Young Writer of the Year &#8211; a story writing  competition for anyone from classes 5 to 9. The first competition of its  kind to take place on a pan-India basis, it is being held in  association with Spell Bee India (as co-partner for 2012). Anyone from  classes 5 to 9, attending any school in India, participate in this  competition. All the child needs to do is write a fictional story  (maximum 2,000 words), then log onto www.campfire.co.in/youngwriters to  submit their entry. All entries must be received no later than 15th  March, 2012. The results will be announced during the first two weeks of  April.</p>
<p><span style="font-family: tahoma,sans-serif;font-weight:bold;color:#ff0000;font-size:1.3em;">Elsewhere&#8230;</span><br />
<span style="font-family: tahoma,sans-serif;color: #006600;">News from around the world&#8230;</span></p>
<p><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">The Nobel Prize in Literature goes to&#8230;Tomas Transtromer </span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: nytimes.com</span></p>
<blockquote style="background-color:#F9F5E1; margin: 1em 0.5em; border-left: 2px solid #999; padding-left: 0.5em; padding-right: 0.5em;"><p>Critics  have praised Mr. Transtromer&#8217;s poems for their accessibility, even in  translation, noting his elegant descriptions of long Swedish winters,  the rhythm of the seasons and the palpable, atmospheric beauty of  nature.</p>
<p>&#8220;So much poetry, not only in this country but everywhere,  is small and personal and it doesn&#8217;t look outward, it looks inward,&#8221;  said Daniel Halpern, the president and publisher of Ecco, the imprint of  HarperCollins that has published English translations of Mr.  Transtromer&#8217;s work. &#8220;But there are some poets who write true  international poetry. It&#8217;s the sensibility that runs through his poems  that is so seductive. He is such a curious and open and intelligent  writer.&#8221;</p></blockquote>
<p><a href="http://nyti.ms/rN6o09" target="_blank">Read more »</a></td>
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<p>News Submissions: If you have news and events to report, please email us  at writetous@ thepublisherspost.com with the word &#8220;SUBMISSION&#8221; in the  subject line. News that includes book launches, book signings, launch of  new imprints and publishing houses, book fairs, new entrants among  publishers, writer and publisher blogs, comments, opinions, relevant job  postings, the works. The newsletter is sent every month during the last  week of each month.</p>
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		<title>The Publisher&#8217;s Post &#8211; Dec 2010</title>
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		<dc:creator>Editors</dc:creator>
				<category><![CDATA[Newsletters]]></category>
		<category><![CDATA[Goa Arts and Lit. Festival]]></category>
		<category><![CDATA[Jaipur literature fest]]></category>
		<category><![CDATA[the publisher's post]]></category>
		<category><![CDATA[Thiruvananthapuram Book Fair]]></category>

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December 2010
Happenings
On  what&#8217;s been happening. If there’s news you have heard of and think it  would make for interesting reading, please share it with us.
Jaipur literature fest to focus on Indian languages
Source: Deccan Herald
The  2011 edition of the DSC Jaipur Literature Festival will focus on the  new movements in vernacular Indian [...]]]></description>
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<p><span style="font-family: tahoma,sans-serif; font-weight: bold; color: #ff0000; font-size: 1.3em;">Happenings</span><br />
<span style="font-family: tahoma,sans-serif; color: #006600;">On  what&#8217;s been happening. If there’s news you have heard of and think it  would make for interesting reading, please share it with us.</span></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Jaipur literature fest to focus on Indian languages</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Deccan Herald</span><br />
The  2011 edition of the DSC Jaipur Literature Festival will focus on the  new movements in vernacular Indian languages as well as on the growing  tribe of literary e-bloggers, a festival organiser said.</p>
<p>The  much-awaited Jan 21-25 event will also take a close look at works with  strong social content from northeastern India, Kashmir, China and the  Middle East.&#8221;This time the festival will try to unravel new movements in  vernacular Indian languages, especially Hindi, which is morphing to  meet the needs of a growing population of young readers, through  discussions and interactive sessions,&#8221; Namita Gokhale, writer and  coordinator of the festival, said.</p>
<p>The festival will feature more  than a dozen Indian languages &#8211; Hindi, Urdu, Sanskrit, Tamil, Bangla,  Asomiya (Assamese), Oriya, Gujarati, Malayalam, Kashmiri, Punjabi,  Nepali, Bhojpuri and Rajasthani.  <a href="http://bit.ly/fwU15Y" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Seminar on copyright and piracy issues</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Indian Printer &amp; Publisher</span><br />
On  6 January 2011 at 2pm at the IIC Annexe, IppStar along with the newly  formed CGIP (Community for Governance of Intellectual Property) will  conduct an interactive seminar on copyright and piracy issues for Indian  printers and publishers. The afternoon event is supported by the Delhi  Master Printers Welfare Association.</p>
<p>The seminar will be led by  the managing partner of Survan Attorneys-at-Law, Siddharth Arya, and  feature panelists from the Indian Society of Authors, as well as the  software and printing industries.  <a href="http://bit.ly/i50Ydn" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Litterateurs, glitterati make it memorable</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Deccan Herald</span><br />
The  response to the Goa Arts and Literary Festival that concluded on  Tuesday surpassed the expectations of its organisers and as the strains  of the last fado (Portuguese songs of fate) by singer Sonia Sirsat  drifted away at the closing dinner, everyone was making plans to return  next year.</p>
<p>Inspired by the Jaipur Literary Festival, the decision  of the Goa festival organisers Sahitya Akademi, Goa Writers Group and  The International Centre Goa (ICG) to include other art forms worked  rather to their advantage.</p>
<p>One was able to move seamlessly from a  conversation between writers U R Ananthamurthy and Damodar Mauzo on  &#8220;Who is the Outsider?&#8221; to filmmaker Saeed Mirza telling the audience  about his new-found passion for writing. &#8220;If you have a passion for  something, go out and do it,&#8221; Mirza said.</p>
<p>Four new books were released at the festival, Sudeep Chakravarti&#8217;s new novel <em>The Avenue of Kings</em>, Jerry Pinto&#8217;s <em>Leela: A Patchwork Life</em> based on the actress Leela Naidu, Manohar Shetty&#8217;s latest collection of poems <em>Personal Effects</em> and architect Charles Correa&#8217;s <em>A Place in the Shade</em>. <a href="http://bit.ly/gN3PTO" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Bibliophiles meet at Thiruvananthapuram Book Fair</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Indian Printer &amp; Publisher</span><br />
Exhibitors  included most of the Malayalam publishers as well as book promoting  organisations from France, Germany and the USA, in addition to the major  educational publishers such as Cambridge University Press, Left Word,  NBT, Oxford University Press, Orient Blackswan, Pearsons, Sage,  Scholastic, Tulika and others.</p>
<p>This time, similar to the recent  Delhi Book Fair, there was a heavy emphasis on children&#8217;s books, with a  four-day Children&#8217;s Writers and Publishers Workshop discussing  experiences from France, Germany, the USA and across India, while  Creative Writing Workshops for children taking place on almost every day  of the fair. There was also a seminar on contemporary challenges in  writing fiction for children and teenagers. A workshop for book  designers and illustrators was held by the French Book Office in India,  with the participation of production staff at French publishing giants  Flammarion, Helium and Albin Michel.</p>
<p>Following the previous  year&#8217;s Copyrights Table organised in conjunction with the Frankfurt Book  Fair&#8217;s German Book Office New Delhi, a second Rights Table on 20 and 21  December brought together some 50 publishers from India and abroad,  discussing and trading translation rights between English, Hindi and  Malayalam titles. This time, French titles were also being promoted for  translation into Indian languages, through the Tagore Publication  Assistance Programme of the French Book Office and the Alliance  Francaise.  <a href="http://bit.ly/eeeUxc" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Tamil publisher Masilamani dead</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Hindu</span><br />
Noted Tamil publisher G. Masilamani, who first published the works of many great Tamil writers, died on Sunday.</p>
<p>He was 81 and is survived by wife, two sons and a daughter.</p>
<p>Kalignan  Pathipagam, launched by Masilamani, secured an important place with its  publication of the works of many Tamil writers such as Jayakanthan,  Ashokamitran, Adhavan and Vairamuthu.</p>
<p>An avid reader, Masilamani  left his native town Nagapattinam for Chennai to start a publishing  house, a career close to his heart.</p>
<p>One of his remarkable  contributions was the publication of collected volumes of now-defunct  literary magazines. He culled out selective articles, short stories,  interviews and other works published them as volumes that would give the  reader a general idea of the nature of the magazines of yesteryear.  <a href="http://bit.ly/gP04kL" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Disney inks publishing, distribution pact with India Today Group</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Mint</span><br />
Disney  Publishing Worldwide (India) on Wednesday signed a multi-year license  agreement with the India Today Group for publishing and distributing  licensed Disney content through magazines in India.</p>
<p>The Disney  magazines will be available in single, monthly, bi-monthly and quarterly  editions at newsstands as well on a subscription basis at a price of  Rs. 50-Rs. 100.</p>
<p>The content will be based on some of Disney&#8217;s  franchises, including Disney Princess, Disney.Pixar Cars, Art Attack,  Disney Junior and much more.</p>
<p>The children&#8217;s book segment of the  publishing business in India is estimated to be worth $1.15 billion and  is growing at the rate of 25% year-on-year, according to data from  research firm Technopak. <a href="http://bit.ly/h5dxfr" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">1st Annual Indian Comic Con</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Comic Con India&#8217;s Facebook page (via Pratham Books)</span><br />
The  first Annual Indian Comic Convention is being held in Delhi on 19th and  20th February, 2011. According to the organizers, such an event was  needed because</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>India  has had a very long history of picture stories and illustrated books.  That rich history has evolved into a burgeoning comics industry, which  [we] want to celebrate and help grow, in every way possible.</p>
<p>An  event such as this [is therefore] required, in order for it to survive  and flourish. Fans of Comic books and graphic art in general need a  place to show their support, discover new endeavors in the industry.</p></blockquote>
<p><a href="http://on.fb.me/e92wfk" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Pogo designs M.A.D. books for schools</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Hindu</span><br />
Children&#8217;s  TV channel Pogo is launching books on art and craft that aim to help  children develop an artistic and creative eye. The channel has tied up  with publisher Tata McGraw Hill to distribute its books to 13,000  schools across the country from the academic year 2011. BPI is  publishing these books.</p>
<p>Speaking to Business Line, Ms Monica  Tata, Vice-President and General Manager, Entertainment Networks South  Asia, Turner International India, said there would be 10 graded books  for children from kindergarten to the eighth class.</p>
<p>These would  be branded M.A.D. Graded Books after the popular show on Pogo that is  now in its eighth season.NCERT (National Council Of Educational Research  And Training) and National Curriculum Framework (NCF) guidelines have  been followed while setting the curriculum, which makes the proposition  very credible, Ms Tata said. <a href="http://bit.ly/ezjjCy" target="_blank">Read more »</a></td>
<td style="background-color: #ffffff; border-left: 1px solid #cccccc; text-align: left;" width="200" valign="top"><span style="font-size: 11px; font-weight: normal; color: #3e1c1b; font-family: arial; line-height: 150%;"></p>
<div id="navcontainer">
<div style="float: left; border-top: 2px solid #7b1314; border-bottom: 2px solid #7b1314; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 195px; background-color: #e4deb0; margin-bottom: 15px;"><span style="font-size: 13px; font-weight: normal; color: #000000; font-family: arial;">Featured Publisher</span><br />
<span style="font-family: tahoma,sans-serif; color: #006600;">Every month, one publisher will be featured in this column.</span></p>
<p style="color: #000000;"><strong>Goa,1556</strong> is an unusual publisher with a name that leaves you wondering. It  reminds us of the historical accident which saw the first  Gutenberg-style press in the whole of Asia land in Goa four and half  centuries ago.</p>
<p>But Goa,1556 says it aims to &#8220;publish Goa&#8221; not  merely by accident. It is motivated by the belief of founder and  managing trustee Frederick Noronha &#8211; active for ages in alternate  cyberspace and a journalist &#8211; that smaller, peripheral cultures are  either badly misunderstood or largely ignored when it comes to the  written word.</p>
<p>Founded in 2007, Goa,1556 now publishes around 12  titles a year, mostly non-fiction, related to Goa. It has linked up with  Goa&#8217;s largest bookshop, Broadway. But it also explores the  possibilities of subsidies and sponsored projects in a determination to  &#8220;break into print anyhow&#8221;.</p>
<p>This label&#8217;s books are neatly designed  and printed. Covers are done with love and painstaking care, mainly by  Bina Nayak. But what makes Goa,1556 particularly unusual is its faith in  Copyleft models, some-rights-reserved (not &#8220;all rights reserved&#8221;) or  Creative Commons texts. If authors get convinced, then the books are put  out in sharable models. The publisher doesn&#8217;t claim copyrights in any  case. In a few instances, unpriced online versions of the books were  available online even before the priced, printed ones.</p>
<p>This does  seem like a bizarre, counter-intuitive business model, but it does work.  In part, it is inspired by the world of Free Software, Creative  Commons, Wikipedia and newer linked models of creating and sharing  information products. In keeping with its need to cater to a small  market &#8212; the tourist market is huge in Goa, but its concerns can be  quite at loggerheads with local priorities &#8212; Goa,1556 comes out with  micro-editions of books. Print runs are of 1000 copies and often just  500. In one case, it even used a print-on-demand option to print a  couple of dozen copies too.</p>
<p>Confirming the view that a small  region like Goa has many stories to be told, some of its books are  getting fast noticed. Selma Carvalho&#8217;s &#8216;Into The Diaspora Wilderness&#8217;  [ISBN 978-93-80739-02-1], a well-rendered story about Goa&#8217;s much-ignored  intense generations-old outmigration, sold out an edition in under  three months.</p>
<p>Peter Nazareth&#8217;s anthology of modern Goan writing  (including translations from Konkani and Portuguese, ISBN 9788190568258)  is getting widely noticed. Although it was first published in the  mid-1980s, it has so far been only very inadequately noticed in Goa.</p>
<p>From  village histories to alternative perspectives, literary analysis to  history, novels to a cookbook on Mediterranean food in India and books  on local theatre and business, Goa,1556 has built up a wide range of  titles. See its 20 covers at http://goa1556booklist.notlong.com</p>
<p>Balancing  deadlines, book visibility and sales, the overall concern of being  viable is always a challenge. But Goa,1556 sees itself as being &#8220;more  than just another business&#8221; and values its role in building social  capital.</p>
<p>Find out more about Goa,1556:<br />
Website: http://goa1556.goa-india.org<br />
Booklist: http://bit.ly/euv3g8<br />
Contact: goa1556@gmail.com,<br />
fn@goa-india.org<br />
Tel: +91-832-2409490 /<br />
+91 9822 122436</p>
<p>Latest publications include:</p>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; height: 100px; margin: 1px; padding-right: 3px; padding-bottom: 16px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9789380739106.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Beyond the Beach: The Village of Arossim, Goa, in Historical Perspective</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Themistocles D&#8217;silva</span><br />
<span>ISBN: 978-93-80739-10-6</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; height: 100px; margin: 1px; padding-right: 3px; padding-bottom: 16px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9789380739014.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">When the Curtains Rise: Understanding the Goan Tiatr</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Dr. Andre Rafael Fernandes</span><br />
<span>ISBN: 978-93-80739-01-4</span></div>
<div style="float: left; border-bottom: 0px none; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; height: 100px; margin: 1px; padding-right: 3px; padding-bottom: 10px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9789380739021.jpeg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Into the Diaspora Wilderness</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Selma Carvalho</span><br />
<span>ISBN: 978-93-80739-02-1</span></div>
</div>
<p><span style="font-size: 14px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Book Releases</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">To have your book listed here, write to us with all details and a cover image</span></p>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; height: 100px; margin: 1px; padding-right: 2px; padding-bottom: 24px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9788184001259.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Awakening : The Story Of The Bengal Renaissance</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Subrata Dasgupta</span><br />
<span>416p/Hardcover/Rs.499<br />
ISBN: 9788184001259<br />
Random House</span></div>
<div style="float: left; border-bottom: 1px solid #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; height: 100px; margin: 1px; padding-right: 2px; padding-bottom: 12px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9788125039204.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Hundred Tamil Folk and Tribal Tales</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">Tr. by Sujatha Vijayaraghavan</span><br />
<span>324p/Paperback/Rs.295<br />
ISBN: 9788125039204<br />
Orient Blackswan</span></div>
</div>
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<td style="font-size: 12px; color: #000000; line-height: 150%; font-family: trebuchet ms;" colspan="2" valign="top" bgcolor="#ffffff"><span style="font-family: tahoma,sans-serif; font-weight: bold; color: #ff0000; font-size: 1.3em;">Blogs and Articles</span><br />
<span style="font-family: tahoma,sans-serif; color: #006600;">Comments and posts on trends and events in the book industry.</span></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Mass market, compact and digital</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Times of India</span><br />
Ten  years ago it would have been hard to imagine reading a book on a  computer. But it&#8217;s a reality today and in the next decade, reading a  hardcover book may be a rarity. The way we read and what we read has  changed so much that change is considered an ongoing process. So what  might it all be like in the next decade? <a href="http://bit.ly/e2k9Er" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Literature festivals take India by storm</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Economic Times</span><br />
For  Peter Florence, founder director of Hay Festival, Lit Fests were a  natural progression of Indian writing. &#8220;We&#8217;ve been taking Indian authors  around the world for years, and it seemed natural to celebrate  literature in their home country too,&#8221; says Florence, who was encouraged  by writer and MP Shashi Tharoor to come to Kerala. &#8220;People in Kerala  just joined in and made it theirs from the get-go. It&#8217;s about  willingness to share stories and ideas. This works just as well in  Malayalam as in English,&#8221; says Florence, who feels India was a natural  country to hold a literature festival since &#8220;India is more rooted in its  stories than any other culture&#8221;. <a href="http://bit.ly/fb3ySU" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Ebooks fail to take off in India</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Times of India</span><br />
Electronic  books might be giving hardcover books a run for their money worldwide  but they continue to get lukewarm response in India.</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>With  more than 15,000 publishing houses generating content in more than 24  regional languages, experts feel India has huge potential for ebooks,  specially post the IT boom but lack of cheap ereaders and technological  awareness among the people is hampering their growth here.</p>
<p>A  report by market research company Forrester indicates that the US will  lead the demand for eBooks content with sales over $500 million and for  eText books through 2010 but acknowledges that the dynamics for higher  growths vests with consumer markets like India and China. Advantage  India lies in its high quality and low cost of output.</p></blockquote>
<p><a href="http://bit.ly/fJEAC8" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">A New Idiom for Indian Graphic Novels</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: littledesignbook.in</span><br />
When  it comes to picture books, as a grown-up there are only two sides to be  on &#8211; you&#8217;re either a comic book lover or a graphic novel aficionado.  There&#8217;s no in between and there&#8217;s no confusing one for the other.</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>For  years now, the fan following for graphic novels in India has grown from  cults to crowds. Both men and women have been collecting books like  Neil Gaimen&#8217;s <em>Sandman</em> series and Marjane Satrapi&#8217;s <em>Persepolis</em> with a fervour. For young adults and picture book fans, the reading and  collecting of these books isn&#8217;t just a hobby, but a passion that speaks  to their visual minds in the language of images. At their most  essential, graphic novels set up narratives in constructed visual  worlds: one has to learn to decipher the images when one opens to the  first page, and at least for this fan, that&#8217;s the most thrilling aspect  of reading a new graphic novel.</p></blockquote>
<p><a href="http://bit.ly/dEkeOf" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Gains from translation</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Telegraph</span><br />
Bengali  works are being translated increasingly into English. But does it raise  their readership significantly, asks Anasuya Basu.</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>It  seems Bengalis, in Bengal and elsewhere, enjoy reading translations of  Bengali literature the most. While nationwide translations from Bengali  sell the most in eastern India, within Bengal, &#8220;translations sell more  in Calcutta than anywhere else,&#8221; says a sales representative of a  publishing house.</p></blockquote>
<p><a href="http://bit.ly/fIlFDM" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">The Li&#8217;l Wizard</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Outlook India</span><br />
Children are reading. New authors, new genres and book festivals are in the air.</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>Paro  Anand, who has been writing for children since 1980, finds herself  feeling more optimistic about Indian kid-lit than ever before. &#8220;Authors  always wanted to write and push boundaries but could not find  publishers-but now bottomlines are changing and publishers are willing  to take more risks,&#8221; she says. Roopa Pai, the creator of the imaginary  world of Mithya and author of the Taranaut series, goes a step further.  &#8220;Finally, children&#8217;s literature (in India) has found a voice. It has  come of age, primarily due to awards like the Crossword Award (which has  a children&#8217;s fiction category) and festivals such as Bookaroo,&#8221; she  says, predicting an Indian-brand internationally selling author within  the next five years.</p></blockquote>
<p><a href="http://bit.ly/fX8IOF" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Bestsellers make other authors totally invisible</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: DNA</span><br />
Writer Shashi Deshpande and Owner of Strand Book Stall Vidya Virkar bring to light booksellers, young writers and more.</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>I  hardly find rare copies of good books and a decrease in display of  Indian authors on stands. When I visited a bookstore in Rome I was  surprised to see the bestsellers stand right at the end. The owner  informs that only the best of authors will be displayed at the front. I  need variety and our city never seems to give that&#8230;</p></blockquote>
<p><a href="http://bit.ly/gHQYnM" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Blueprint blunders</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Telegraph</span><br />
TThis  is the seventh year that Sutanuti Boimela is being held in the tiny  courtyard of Girish Mancha in Bagbazar where the focus is on small  publishers in Bengali struggling for survival. An interesting feature of  the book fair is the series of lectures and cultural programmes  organised on the occasion. This year being the 250th birth anniversary  of William Carey, Asish Khastagir&#8217;s lecture was on the Bengali printers  of 19th century, and pioneering printing and publishing organisations  like P.M. Bagchi &amp; Company and Calcutta Art Studio, which have  survived all these years, were felicitated. The drizzle notwithstanding,  the mela attracted a good number of people every day. <a href="http://bit.ly/fvmh9I" target="_blank">Read more »</a></p>
<p><span style="font-family: tahoma,sans-serif; font-weight: bold; color: #ff0000; font-size: 1.3em;">New Book Releases and Events</span><br />
<span style="font-family: tahoma,sans-serif; color: #006600;">New book and journal releases, new imprints and other similar events.</span></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">A Winter Carnival at the Katha StoryShop</span><br />
The  year 2010 ended with a celebration of festivities and colors at the  Katha Winter Carnival, a week long celebration of events for both kids  and adults. The 8-day festival was packed with colour and the excited  voices of many children. Here is a brief snapshot of the excitement.</p>
<p>A  four day theatre workshop from 25th to 28th December, with Arvind Gaur  was a resounding success. Each child had the opportunity to participate.  The workshop was a learning experience and will leave a lasting impact  on the children who participated.</p>
<p>There was a grand Christmas  celebration on the 25th of December 2010. Katha StoryShop was decorated  with colours by children. They sang carols along with Nupur Awasthi.  Volunteers from America and Korea also participated.  That evening came  to an end with Mariam Karimâ€™s heart-warming session of songs and Santa  stories.</p>
<p>Storytelling was the highlight every day from 5:00 to  7:00 pm. From creative workshops by Reha of Tagore International School,  to Nupur Awasthi who taught gond art and paper work, to Farah Siddiqui,  Vinnie Mathur and some Korean volunteers who brought origami alive to  children.</p>
<p>My first book workshop by Nupur Awasthi, and  Chalchitra, a movie making workshop with Samina Mishra happened  simultaneously from 27th to 30th of December, 2010. My First Book  workshop evoked some truly creative responses from children, with 15  books being made!  Look out for these books on display at the Katha  StoryShop.</p>
<p>Activities for adults took off with an exploration of  stereotypes with Yousuf Saeed. This questioning  continued into Atmaram  Bhakal&#8217;s poetic session that helped unveil the beauty and social  messages of Kabir and then moved effortlessly from Hindi poetry to Urdu  prose and poetry. Dastangoi by Delhi-based narrators, Mahmood Farooqui  and Danish Hussain attracted a huge crowd that enthusiastically helped  them create contemporary dastans. [Dastangoi is the art of storytelling  in Urdu]. A storytelling workshop of a different kind was well  orchestrated by Arka Mukhopadhyay with his adaptation of Tagore&#8217;s play <em>Visarjan</em>. Arka also gave a unique solo theatre performance &#8211; Encounters.</p>
<p>With  fabulous new books from our favourite publishers and lots of goodies  from Katha Women&#8217;s cooperative and other NGOs &#8211; the spacious and  attractive children&#8217;s StoryShop kept children and their parents happy.</p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Publishers reject book, Akademi crowns it</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Telegraph</span><br />
For two years, author Keshada Mahanta went from pillar to post looking for a publisher for her book, <em>Asomiya Ramayani Sahitya: Kathabastu Atiguri</em>,  an analysis of the influence of the Ramayan on Assamese literature,  which took her over 10 years to write. She was turned away time and  again. <a href="http://bit.ly/eXF771" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Figures of Speech</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Sunday Express, Pune (via GBO)</span><br />
Eight  Indian and international poets translated each other&#8217;s works and  performed a potpourri of pure verbal magic in the city on Saturday.</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>It  is said poetry is difficult. It is incisive. It is beautiful. It is  glorious brevity and joyous observation. Eight souls seeped in this  world of words and deep introspection, but of varied personal styles and  regions, performed their collective by-product of a week-long  translation exercise in picturesque Pondicherry at Kala Chhaya, Pune on  Saturday. &#8216;Poetry Connections&#8217;, a multimedia and multilingual  presentation, displayed the behemoth that came out when these different  cultural strands and writing styles fused together in mutual admiration.</p>
<p>Mumbai-based  Arjun Bali says, &#8220;It was amazing &#8211; just the positive energy that flowed  so freely at the workshop. We all sat together and translated each  other&#8217;s works, but it was more about a poet&#8217;s approach to poetry than a  translator&#8217;s. Here, it was possible to ask questions, for explanations,  to understand the sounds and the rhythms. It is important while  translating not just to get the words across, it is important to retain  the angst and the perspective of the original.&#8221;</p></blockquote>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Grays that speak</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: expressbuzz.com</span><br />
Bangalore is abuzz with comic book entrepreneurs, and Prateek Thomas and Dileep Cherian are the newest kids on the block.</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p><em>Hush</em> is a short, silent comic written by Prateek Thomas with art work by  Rajiv Eipe. A rather dark story, the comic explores the themes of child  abuse and violence with a twist at the end. It&#8217;s a decidedly adult story  &#8211; even though its protagonist is a young child named Maya. The story  opens in a classroom. The blackboard has been shattered by a bullet, a  teacher lies slumped on the floor and Maya, grim and dark, holds the  smoking gun.</p></blockquote>
<p><a href="http://bit.ly/gi1adQ" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Now Kirtan Ghosa in Bengali</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Assam Tribune</span><br />
Following the publication of Bengali translations of <em>Burhi Air Sadhu</em> and <em>Namghosa</em>, author Saktimoy Das and the Jatiya Sahitya Prakashan Trust of Kolkata are set to bring out the Bengali versions of <em>Kirtan Ghosa</em> by Srimanta Sankardev and <em>Rangmilir Hahi</em> by Rong Bong Terang.</p>
<p>Das  who is the Trust&#8217;s general secretary said that apart from Bengali  translation of Assamese works, the Trust also had a plan to translate  acclaimed creations from ethnic languages such as Bodo.</p>
<p>Das said  that all along since he took up the task of translation in 1995, his  stress has been on preserving the essence of the Assamese flavour in the  books. &#8220;The Assamese literary tradition is a rich one, and my endeavour  all along has been to introduce that to the Bengali readers,&#8221; he said. <a href="http://bit.ly/gvHEq3" target="_blank">Read more »</a></p>
<p><span style="font-family: tahoma,sans-serif; font-weight: bold; color: #ff0000; font-size: 1.3em;">Elsewhere&#8230;</span><br />
<span style="font-family: tahoma,sans-serif; color: #006600;">News from around the world&#8230;</span></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">The World Oral Literature Project</span><br />
The  World Oral Literature Project is an urgent global initiative to  document and make accessible endangered oral literatures before they  disappear without record. The project has been established to support  local communities and committed fieldworkers engaged in the collection  and preservation of all forms of oral literature by providing funding  for original research, alongside training in fieldwork and digital  archiving methods. <a href="http://bit.ly/gwPT3N" target="_blank">Read more »</a></td>
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November 2010
Happenings
On  what&#8217;s been happening. If there’s news you have heard of and think it  would make for interesting reading, please share it with us.
New council to promote children&#8217;s books
Source: governancenow.com
The  government plans to set up a National Council of Children&#8217;s Literature  as an independent [...]]]></description>
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<p><span style="font-family: tahoma,sans-serif; font-weight: bold; color: #ff0000; font-size: 1.3em;">Happenings</span><br />
<span style="font-family: tahoma,sans-serif; color: #006600;">On  what&#8217;s been happening. If there’s news you have heard of and think it  would make for interesting reading, please share it with us.</span></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">New council to promote children&#8217;s books</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: governancenow.com</span><br />
The  government plans to set up a National Council of Children&#8217;s Literature  as an independent autonomous body to promote and publish children&#8217;s  literature.</p>
<p>The national book promotion policy, drafted by the  human resources development (HRD) ministry talks of such a body. It lays  stress on publication of high  quality literature for children,  highlighting that this could help shape a better society in the future.</p>
<p>Presently,  the National Book Trust publishes such literature. But it has come  under criticism from the HRD ministry-appointed  task force for failing  to enthuse children toward reading books.  <a href="http://bit.ly/967fKB" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">4th Thiruvananthapuram Book Fair Rights Table</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Indian Printer &amp; Publisher</span><br />
After  the success of the first Rights Table organised in 2009,  Thiruvananthapuram Book Fair brings the second Rights Table taking place  within the scope of the 4th Thiruvananthapuram Book Fair 2010,  organised by the Kerala State Institute of Children&#8217;s Literature on  behalf of the Government of Kerala.</p>
<p>The Rights Table is a  platform for Indian publishers to present and trade their rights list,  in different languages within India. International organisations will be  invited to present their translation programs and rights trade. <a href="http://bit.ly/azkLmf" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Manu Joseph bags The Hindu Best Fiction Award 2010</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Hindu</span><br />
Manu Joseph has bagged The Hindu Best Fiction Award 2010 for his debut novel <em>Serious Men</em>.</p>
<p>Writer  and historian Nayantara Sahgal presented the award, which carries a  cash prize of Rs.5 lakh and a plaque, to Mr. Joseph, who is the Deputy  Editor of the Open magazine.The award was instituted by The Hindu  Literary Review as a prelude to celebrating its 20th year in 2011. <a href="http://bit.ly/cOk6Ht" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Posthumous Honours for Writers Thakazhi, Rama Varma</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: outlookindia.com</span><br />
Jnanpith  laureate and eminent Malayalam novelist Thakazhi Sivasankara Pilli and  poet and lyricist Vayalar Rama Varma have been posthumously selected for  literary awards instituted Kerala Sahitya Pravarthaka Sahakarana  Sangham (SPCS). <a href="http://bit.ly/dNFX0a" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Acharya Narendra Bhushan dead</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: expressbuzz.com</span><br />
Vedic  scholar Acharya Narendra Bhushan, who vigorously took up the cause of  Vedic literature, has passed away at the age of 75. He was the Kulapathi  of Saraswathi Vaidika Gurukulam, Chengannur. The acharya was the  founder-editor of <em>Arsha Nadam</em> magazine, which deals with Vedas  and Upanishads. The Acharya has delivered about 4,500 discourses on  various topics mainly on Vedas and Vedic practices. He had penned 40  books on Hindu philosophy.</p>
<p>He established the Veda Press for  publishing materials and books related to Vedic studies in Malayalam. He  is also the recipient of many awards and recognitions.</p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Vishnunarayanan Namboodiri chosen for award</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: expressbuzz.com</span><br />
Renowned  poet Prof Vishnunarayanan Namboodiri, has been chosen for the  &#8216;Mathrubhumi Literary Award&#8217; instituted by a leading Malayalm daily,  Mathrubhumi.</p>
<p>A three-member judging panel headed by K Sachithanandan, Dr K S Ravikumar and V K Sriraman, selected Namboodiri for the award.</p>
<p>Born  on June 2, 1939 at Tiruvalla, Namboodiri&#8217;s famous poems includes  &#8216;Aranyakam&#8217;, &#8216;Indiayenna vikaram&#8217;, &#8216;Athirthyilekku oru yatra&#8217; and  &#8216;pranaya geethamgal&#8217;.He has won several awards including the Kerala  Sahitya Academy Award, Vayalar Award, Vallathol Award. <a href="http://bit.ly/aMnBUG" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Making Hay in India</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The National</span><br />
In  the heart of Thiruvanthapuram, Kerala, south India, authors and  speakers from India and all over the world gathered at the inaugural Hay  Festival Kerala, held over three delightful days of free sessions in  the beautiful Kanakakunnu Palace, once the summer retreat for a royal  family. <a href="http://bit.ly/h2d2Tb" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">No celebrities at Bangalore Book fair, just many ordinary readers</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: DNA</span><br />
The  eighth Bangalore Book Fair concluded on Sunday. And it left observers  with the impression that the book business is flourishing, despite fears  of the decline of the reading habit. <a href="http://bit.ly/gzWDae" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Winners declared for &#8216;Bal Sahitya Puraskar&#8217; in 4 languages</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: newkerala.com</span><br />
The award for total contribution to children literature in Gujarati language has been given to Yashwant Mehta.</p>
<p>For  folk tales in Manipuri language, Ngathem Ningol Kongbam has been  selected and Padma Shastry&#8217;s collection of short stories has won the  award in Sanskrit language. <a href="http://bit.ly/eqtSjz" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Ernakulam Public Library to reach out to homes</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Hindu</span><br />
Ernakulam  Public Library is all set to reach out to residential areas in search  of potential readers through activities like formation of reading clubs  with the assistance of resident&#8217;s associations and delivery of books at  home.</p>
<p>To begin with, a reading club will be formed in the High  Court. If the initiative to ensure easy access of books to judges,  lawyers, and High Court employees was found to be a success it would be  extended to more areas.</p>
<p>Ernakulam Public Library boasts of 1.50  lakh books, including books published decades ago to the latest  releases. Book shelves had been arranged in a built-up space of 7,000  sq.ft. spread over two floors. <a href="http://bit.ly/dN7GG9" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">A Room for Reading</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: newkerala.com</span><br />
In  India, Room to Read started in 2003 and since then has supported 2,081  girls, set up 3,295 libraries and published 74 books for children. India  also hosts 50 percent of the group&#8217;s two key programmes &#8211; Reading Rooms  and Girls&#8217; Education &#8211; for the Asia region, says Sunisha Ahuja, Room to  Read&#8217;s India country director. <a href="http://bit.ly/g4IJFk" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Crossword expands in Chennai</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: indiaretailing.com</span><br />
Crossword  Bookstores, a wholly-owned subsidiary of Shopper&#8217;s Stop Ltd, has  expanded its presence in Chennai by opening an outlet at Alwarpet. The  new store is spread over an area of 9,000 sq.ft and houses books,  movies, music and stationery, among other things. .</p>
<p>The company also has plans to open two new stores in Bangalore and Mumbai. The stores will be opened before March 2011.</td>
<td style="background-color: #ffffff; border-left: 1px solid #cccccc; text-align: left;" width="200" valign="top"><span style="font-size: 11px; font-weight: normal; color: #3e1c1b; font-family: arial; line-height: 150%;"></p>
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<div style="float: left; border-top: 2px solid #7b1314; border-bottom: 2px solid #7b1314; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 195px; background-color: #e4deb0; margin-bottom: 15px;"><span style="font-size: 13px; font-weight: normal; color: #000000; font-family: arial;">Featured Publisher</span><br />
<span style="font-family: tahoma,sans-serif; color: #006600;">Every month, one publisher will be featured in this column.</span></p>
<p style="color: #000000;">STREE  and SAMYA, two imprints, are published by Bhatkal &amp; Sen, a  partnership of the Bhatkals of Popular Prakashan, Mumbai, and Mandira  Sen of Kolkata, founded in 1990. Based in Kolkata, the two imprints  together publish about ten books a year, and are well known for their  high quality academic and more general books in India and abroad.</p>
<p>From  1990, STREE has, as its name suggests, specialized in gender studies.  It was perhaps the first publisher of gender studies to consider a  social science list that addressed caste seriously. This also led to the  inauguration of the second imprint, SAMYA (Equality), in 1996, which  focuses on culture, social change and the writings of dalits and other  underprivileged people, making the reader aware of the knowledge that  they have always created. Both imprints are grounded on the need to  contribute to the creation of knowledge from India. The emphasis has  been to develop titles from India always and thus to develop Indian  authors.</p>
<p>STREE analyses the status of women in India the  workplace, organized or unorganized, paid or unpaid, class relations and  politics, marriage, family and the impact of religion, culture and  ideology. We are particularly interested in the changes that occur in  women&#8217;s lives across class and caste in the changing economy. We  translate the contributions of women to literature and scholarship so  that a wider audience is reached, both in fiction and non-fiction. The  Bengali list focuses on anthropology, history, travel writing, memoirs  and literature: Sarmistha Dutta Gupta&#8217;s study of women&#8217;s political  writings in Bengal from 1927-47 (<em>Pather Ingit</em>, ISBN 81-85604-93-2; 2007) is an example.</p>
<p>Samya is often identified by Kancha Ilaiah&#8217;s landmark book on the caste system.: <em>Why I Am Not a Hindu: A Sudra Critique of Hindutva Philosophy, Culture and Philosophy</em> (ISBN 81-85604-82-7), which has been reprinted ten times and translated  into many languages, and a revised edition brought out in 2005. Social  and political analysis by dalits and OBCs are also published. V. Geetha  and S. V. Rajadurai&#8217;s <em>Towards a Non-Brahmin Millennium</em> is now  in a revised edition (ISBN 81-85604-37-1; 2008) and remains the  definitive book on the social revolution in Tamil Nadu; Ravikumar, <em>Venomous Touch: Notes on Caste,.Culture and Politics</em>, translated from Tamil, that provokes the reader to think of caste and Indian culture (ISBN 81-85604-76-2; 2008)</p>
<p>The  publishers continue to juggle the exigencies of a small budget, the  enormous difficulties with marketing and distribution, and the  publishing of high quality books that put them amongst the best in  India.</p>
<p>Find out more about Stree/Samya:<br />
Website: http://www.stree-samyabooks.com<br />
Contact: stree@ cal2.vsnl.net.in, streesamya@ gmail.com<br />
Tel: 033 2466 0812 / 033 6519 5737</p>
<p>Latest publications include:</p>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; height: 100px; margin: 1px; padding-right: 3px; padding-bottom: 20px; float: left;" src="http://www.dogearsetc.com/pubpost/images/8185604967.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Putting Women First: Women and Health in a Rural Community</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Rani Bang</span><br />
<span>ISBN: 81-85604-96-7<br />
Stree</span></div>
<div style="float: left; border-bottom: 0px none; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; height: 100px; margin: 1px; padding-right: 3px; padding-bottom: 30px; float: left;" src="http://www.dogearsetc.com/pubpost/images/8185604924.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">My Life as a Psychiatrist: Memoirs and Essays</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Ajita Chakraborty</span><br />
<span>ISBN: 81-85604-92-4<br />
Stree</span></div>
</div>
<p><span style="font-size: 14px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Book Releases</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">To have your book listed here, write to us with all details and a cover image</span></p>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; height: 100px; margin: 1px; padding-right: 2px; padding-bottom: 30px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9788130910147.png" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Delhi Sultanate: Urbanization and Social Change</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by I H Siddiqui</span><br />
<span>252p/Hardcover/Rs.795<br />
ISBN: 9788130910147<br />
Viva Books</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; height: 100px; margin: 1px; padding-right: 2px; padding-bottom: 25px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9780143102779.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Indian Women at Work</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Gita Aravamudan</span><br />
<span>232p/Paperback/Rs.250<br />
ISBN: 9780143102779<br />
Penguin Books India</span></div>
<div style="float: left; border-bottom: 1px solid #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; height: 100px; margin: 1px; padding-right: 2px; padding-bottom: 12px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9788187330448.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Urban Shots</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Paritosh Uttam</span><br />
<span>Paperback/Rs.145<br />
ISBN: 9788187330448<br />
Grey Oak Publishers</span></div>
</div>
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<span style="font-family: tahoma,sans-serif; color: #006600;">Comments and posts on trends and events in the book industry.</span></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">A thriving market for Tamil translations</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Hindu</span><br />
What  began as a niche segment for the Tamil publishing firms now accounts  for nearly 20 per cent of the books published every year and it is set  to grow further.</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>While  getting rights has never been an expensive affair, finding publishers  or authors, in case of non-English books, might be difficult, says New  Horizon Media Publisher Badri Seshadri. &#8220;For instance, finding authors  who hold publishing rights for the books in German or Russian are  sometimes difficult. Though things have become easier as the global  literary network has strengthened, there is much that needs to be done  in terms of regularising the issue of getting translation rights,&#8221; he  adds.</p></blockquote>
<p><a href="http://bit.ly/gdfq8L" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Is the ebook the new hardback?</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Guardian</span><br />
Publishers are speculating that they might amplify pre-paperback word of mouth by giving away digital editions.</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>&#8230;the  ebook could in these straitened times become the new hardback: an  initial release to get the cognoscenti talking up a book ahead of  mass-market publication. But publishers need to watch out: once you have  given something away for free it can be a shock when you start charging  for it. Just take a look at Rupert Murdoch&#8217;s paywalls, or the  disgruntled ebook readers voting with their feet when Amazon bumped up  the prices for its Kindle editions. Word of mouth can cut both ways &#8211;  and it all depends on whether you believe there&#8217;s no such thing as bad  publicity.</p></blockquote>
<p><a href="http://bit.ly/a1ph9Z" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Booking profits</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Indian Printer &amp; Publisher</span><br />
From  Gulshan Nanda paperbacks in gaudy covers and Chacha Choudhari and  Diamond Comics vying with chai and samosas for the attention of  passengers on railway platforms, to Harold Robbins and Mills &amp; Boons  being sold in the air-conditioned environs of hypermarkets and malls,  retail business of books in India has come a long way indeed.</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>But  does that mean the publishing industry has attained nirvana with the  emergence of swanky malls? Not everybody seems to think so. Nidhi Verma,  founder of bookmeabook.com, an online book rental service which  provides free door-to-door pickup and delivery of books, cautions that  though new bookshops have opened in several malls around the National  Capital Region, this development must be viewed with caution since  &#8220;opening an establishment is one thing, but sustaining it is another  matter altogether.&#8221;</p></blockquote>
<p><a href="http://bit.ly/dtVhLd" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">&#8216;Screenplays new literary genre in Kerala&#8217;</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: expressbuzz.com</span></p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>Southern  superstar Mammootty says screenplays are emerging as a literary genre  in Kerala and he would like to see more exchange of ideas between  Malayalam and Western scriptwriters.</p>
<p>&#8220;Screenplays are an emerging  literary genre in Kerala. Almost all movie scripts are published in the  form of books and they are widely read,&#8221; Mammootty observed, on the  sidelines of the three-day Week Hay Festival that began here Friday.</p>
<p>&#8220;I  don&#8217;t write scripts myself but I have written three books. I don&#8217;t have  time to write scripts &#8211; but I want the organisers of Hay Festival to  bring more scriptwriters next year. Movie scripts, like plays, are  becoming crucial to new publishing in the state,&#8221; the movie actor said.</p>
<p>Mammootty joined the league of writers with his first book, <em>Kazhchapadu</em>,  a compilation of short essays which he has contributed to various  publications over the years. It was widely acclaimed for its pithy  style.</p></blockquote>
<p><a href="http://bit.ly/aAzUv8" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Why our literary White Whales need a publishing Captain Ahab</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Daily News &amp; Analysis(DNA)</span></p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>Everyone  seems to be writing these days, and publishing houses are keen to play  pimp to the literary whores of our time. Been in love? Write about it;  recently moved to the big city? Write about it; just learned English?  Write in it. The result is a sewer of stories that should never be told,  written in styles that should never be printed. Ten years from now, a  mere handful of these books will be remembered; rather most be relegated  to dusty bookshelves in second-hand bookstores, looked upon cringingly  by those who once put so much stock in them.</p></blockquote>
<p><a href="http://bit.ly/aVk9fT" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">P. Lal</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Economist</span><br />
Purushottama Lal, poet and publisher of Calcutta, died on November 3rd, aged 81</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>Each  of the 3,500 titles he published contained, at the back, his &#8220;credo&#8221;.  English book publishing in India, he complained, was governed by a  &#8220;nexus&#8221; of &#8220;high-profile PR-conscious book publishers, semi-literate  booksellers, moribund public and state libraries, poorly informed and  nepotistic underlings in charge of book review pages&#8230;and biased bulk  purchases of near worthless books by bureaucratic institutions&#8221;. He made  no money at it, and the authors might not either, because they were  required to buy 100 copies of their work in advance. Some grumbled, but  Writers Workshop was a beacon, not a charity.</p></blockquote>
<p><a href="http://econ.st/92S0Md" target="_blank">Read more »</a></p>
<p><span style="font-family: tahoma,sans-serif; font-weight: bold; color: #ff0000; font-size: 1.3em;">New Book Releases and Events</span><br />
<span style="font-family: tahoma,sans-serif; color: #006600;">New book and journal releases, new imprints and other similar events.</span></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Globalocal &#8211; 2010</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: German Book Office, New Delhi</span><br />
An  astounding attendance of over 150 publishing and media professionals  marked the second chapter of GLOBALOCAL. The day-long conference aimed  at providing a comprehensive overview on the topic of Digitisation in  Publishing, was attended by publishers, printers, service providers and  vendors, not just from India but from all parts of the world. The nature  of the participation truly reflected the ideas and issues from the so  called &#8216;mature markets&#8217; like the UK and US as also from different  corners of the globe &#8211; from Australia, Indonesia, China to Lebanon,  South Africa, Europe and other parts of the world including India.</p>
<p><img style="border: 1px solid #ffffff; height: 100px; margin: 1px; padding: 1px; float: right;" src="http://www.dogearsetc.com/pubpost/images/image029.jpg" alt="" />The  first session, moderated by Emma House, Trade and International  Director, The Publishers Association, UK, had the &#8216;big&#8217; players speaking  about the &#8216;The English Speaking Market&#8217;. The discussion debated on the  mature markets, versus the emerging markets, publishing languages or  rather language and on English emerging as the &#8216;lingua franca&#8217;.</p>
<p>The  second session,&#8217;Territories in times of Digitisation&#8217;, moderated by  Kevin Fitzgerald, Chief Executive, Copyright Licensing Agency Ltd,  included speakers such as Clare Somerville, GM India, UK and Export  Sales for Harlequin Mills &amp; Boon, Karthika V.K., Publisher and Chief  Editor, HarperCollins India and Tej P.S. Sood, Publisher and Director,  Anthem Press. This was followed by a discussion on territorial digital  rights and the issues with controlling this and the issues of pricing in  different geographical regions.</p>
<p>The third session, post lunch,  was on &#8216;Views from other Regions&#8217;. Urvashi Butalia, Publisher, Zubaan  was the moderator in this session. The speakers included Anna  Soler-Pont, Director, Pontas Literary &amp; Film Agency from Spain,  Shirley Lim, Regional Director &#8211; Southeast Asia, McGraw-Hill from  Malaysia and Emile Khoury, Managing Director, CIEL from Lebanon.</p>
<p><img style="border: 1px solid #ffffff; height: 100px; margin: 1px; padding: 1px; float: left;" src="http://www.dogearsetc.com/pubpost/images/image034.jpg" alt="" />The  fourth session with its controversial title &#8216;Return of the colony:  India as a service hub&#8217; had Naresh Khanna, Publisher, Indian Printer and  Publisher as the moderator. The speakers included Bimal Mehta,  Executive Director, Vakil &amp; Sons Pvt Ltd. Sunder Singh, Principal  Consultant &amp; Segment Head, Information Services, TCS  and Vivek  Shenoy, Analyst, ValueNotes.</p>
<p>The fifth session was titled &#8216;Going  Global, Going Digital&#8217;. Territories or not, it is quite evident and  clear now that for businesses to survive and grow, digital is the  future. Interesting examples from all over the world from the various  speakers looked at developments in the digital arena that has changed  the nature of the business. The last quirky presentation by Gautam John,  Lawyer and Achal Prabhala, Researcher and Writer, presented  &#8216;Commons-sense&#8217; and the case of Wikipedia, and dwelled on the fact that,  today, the idea of a knowledge commons has gained enough ground to have  meaningful consequence.</p>
<p>The vote of thanks was offered by Dr.  Ashok Gupta, Vice President (North), The Federation of Indian  Publishers. He thanked the organizers, speakers, participants and the  partners, sponsors and supporters of GLOBALOCAL 2010.The long day of  exciting discussions and presentations ended with an evening reception  in the refreshing gardens of the Lodi Restaurant, where everyone had a  chance to meet informally over a drink and network further.</p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Casa da Moeda Festival 2010</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Organizing Cmtee, Casa da Moeda Festival 2010</span><br />
The  second Casa da Moeda festival was held between November 19-21 at the  historic building near the Panjim Head Post Office. This heritage home  was Goa&#8217;s Mint in the mid-1800s.</p>
<p>This year, the festival had a  literary focus with a dash of music. The talks included a discussion on  &#8216;Hypnosis in India&#8217; by Pulitzer-nominated novelist and academic Prof.  Lee Siegel, an introduction to Harold Pinter by playwright and Professor  of English Isabel Santa Rita Vas and a reading of Margaret Mascarenhas&#8217;  second novel &#8216;The Disappearance of Irene dos Santos&#8217;. The fourth  edition of Mascarenhas&#8217; first novel Skin (published by Goa 1556) was  also launched during the festival.</p>
<p>The spotlight on poetry  included a reading by noted poet Manohar Shetty from his latest book  &#8216;Personal Effects&#8217;, and a discussion of the poetry of Gerard Manley  Hopkins by Mumbai-based Barrister-at-law and Oxford alumnus David da  Silva.</p>
<p>Bookworm conducted a &#8216;Cholta Cholta&#8217; walk around the Casa  da Moeda and Tobacco Square. Sonia Shirsat closed the festival with a  Fado concert.</p>
<p>A charity raffle held during the festival raised  funds for Child&#8217;s Play India Foundation (www.childsplayindia.org), a  registered charity that aims to empower underprivileged children through  music.</p>
<p>Photographs of the festival can be seen here:  http://bit.ly/g6KoNK. Read more about Casa da Moeda and the festival at  http://casadamoedagoa.wordpress.com.</p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">&#8216;I love interacting with people&#8217;</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Hindu</span><br />
Mitra  Phukan, English fiction writer and popular columnist of Assam has a  passion for music and children&#8217;s literature. The Collector&#8217;s Wife,  published by Penguin/Zubaan, is the first novel in English to be  published by a major publishing house from the North East.</p>
<p>Her  fiction for children include The Biratpur Adventure, Chumki Posts a  Letter and Mamani&#8217;s Adventure, (published by Children&#8217;s Book Trust) and  The Terrorist Camp (Scholastic India). The co-ordinator of the ongoing  Katha-North East Writers Forum Translation Project, she also edits New  Frontiers, the literary journal of the North East Writers Forum.</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>English  plays a very important role in the North East, especially the hill  states.  Much of the traditional literature of these hill states is oral  and much of the new writings coming out of these States are in English.  Assamese literature is extremely strong. We write about the same  things, only the medium of communication is different. English  thankfully is very malleable.</p></blockquote>
<p><a href="http://bit.ly/dkYdPg" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">The anatomy of a movie</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: livemint.com</span><br />
A new series of books on iconic Indian films is a fillip to serious writing in the genre.</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>It  is a promising start to what may turn out to be an inspiration for a  new wave of writing and criticism related to Indian cinema. Singh has  been working simultaneously on a film anthology, to be published by  Westland Press early next year, to which authors contribute essay-length  considerations of films that are important to them. The contributors  include novelists Manil Suri, Kamila Shamsie and Anjum Hasan.</p></blockquote>
<p><a href="http://bit.ly/eFZFJC" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">New Indian graphic novel Untouchable launched on Apple iPad</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: DNA</span><br />
Liquid  Comics, an entertainment company founded by three Indians, has  announced the digital iPad release of Untouchable, an original graphic  novel exploring various themes of racial prejudice during the British  Raj with a supernatural horror twist.</p>
<p>A printed edition of the  novel by acclaimed writers Mike Carey (X-Men, Lucifer, The Unwritten)  and Samit Basu (Devi, The Tall Tales of Vishnu Sharma, The Simoqin  Prophecies), will also be released in North America through Liquid&#8217;s  publishing partner, Dynamite Entertainment in early December. <a href="http://bit.ly/f3AyCE" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Easy biz books from IIM-A</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Hindustan Times</span><br />
In  a first of its kind initiative, Random House India is launching the  Indian Institute of Management, Ahmedabad&#8217;s (IIM-A&#8217;s) business book  series &#8211; the official publishing programme of the country&#8217;s top business  school. The IIM-A Book series will be written by the faculty of the  institute, for the general reader using a clear, accessible style and  putting things in an Indian context. The venture will be the first time a  major  educational institute is creating its own publishing programme  in India.</p>
<p>The first four titles of the series &#8211; Strategies for  Growth by Atanu Ghosh, The Persuasive Manager by M M Monippally,  Business and Intellectual Property by Anurag K Agarwal and Managers Who  Make a Difference by T V Rao &#8211; have been already launched. <a href="http://bit.ly/bQ669J" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">A boost for e-books</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: livemint.com</span><br />
In  a doff of the hat to digital publishing, The New York Times has  announced it will include e-book tables in its iconic best-seller lists</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>Published  weekly since 1935, these best-seller lists are widely considered the  American, if not global, standard. A position on one of the paper&#8217;s 14  lists &#8211; from Hardcover Fiction to Paperback Advice and Graphic Books &#8211;  can mean accelerated sales and an enticing new blurb on the cover.</p>
<p>NYTsays  it has finalized a system to accurately track and verify digital book  sales, because of the rising share of e-book sales and in order to &#8220;tell  our readers which titles were selling and how they fit together with  print sales&#8221;.</p>
<p>The move is further certification of the growing  stature of digital publishing. In July, Amazon said it was selling 143  e-books for every 100 hardcover books. Earlier this week, Forrester  Research said annual revenue from e-book sales in the US would cross $1  billion in 2011.</p></blockquote>
<p><a href="http://bit.ly/9DSl9E" target="_blank">Read more »</a></p>
<p><span style="font-family: tahoma,sans-serif; font-weight: bold; color: #ff0000; font-size: 1.3em;">Elsewhere&#8230;</span><br />
<span style="font-family: tahoma,sans-serif; color: #006600;">News from around the world&#8230;</span></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Longlist Announced for International Prize for Arabic Fiction 2011</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: arabicfiction.org</span><br />
The  Judges of the International Prize for Arabic Fiction 2011 have  announced the longlist contenders for the Prize, one of the most  prestigious and important literary events of its kind in the Arab world.</p>
<p>The  panel whittled down the longlist of 16 from a total of 123 entries,  from 17 countries across the Arab world. They included for the first  time this year, Afghanistan. The highest number of submissions came from  Egypt. The number of submissions is up on the previous prize year, when  118 titles were entered from 17 countries. 29% of the works submitted  were by female writers, compared with 16% the previous year.  <a href="http://bit.ly/hXpDIN" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">The Giller Prize</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Hindustan Times</span><br />
Canada&#8217;s  top literary award for fiction, the Scotiabank Giller Prize, has gone  to Nova Scotia-born writer Johanna Skibsrud for her debut novel <em>The Sentimentalists</em>.  <a href="http://bit.ly/hRpSWQ" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Google, Hachette ink accord on book scanning</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Economic Times</span><br />
Google  has signed an accord with France&#8217;s biggest book publisher Hachette  Livre on the scanning and sale of out-of-print books, which grants the  publisher wide control over pricing and content.</p>
<p>The deal covers  some 50,000 French language titles, including literature, academic works  and reference books, and is unlikely to generate huge revenue for  Hachette parent company Lagardere. But it is symbolically important as  publishers around the world seek to protect their businesses from being  cannablised by the Internet. <a href="http://bit.ly/bgdbf3" target="_blank">Read more »</a></td>
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<p>News Submissions: If you have news and events to report, please email us  at writetous@ thepublisherspost.com with the word &#8220;SUBMISSION&#8221; in the  subject line. News that includes book launches, book signings, launch of  new imprints and publishing houses, book fairs, new entrants among  publishers, writer and publisher blogs, comments, opinions, relevant job  postings, the works. The newsletter is sent every month during the last  week of each month.</p>
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		<title>The Publisher&#8217;s Post &#8211; Oct. 2010</title>
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		<pubDate>Tue, 02 Nov 2010 07:44:08 +0000</pubDate>
		<dc:creator>Editors</dc:creator>
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		<description><![CDATA[














Happenings
On  what’s happened in the industry this last month. If there’s news you  have heard of and think it would make for interesting reading, please  share it with us.
Rare treat for bibliophiles in UP
Source: Hindustan Times
As  part of its initiative to revive the literary works of pre-Independence  era by publishing [...]]]></description>
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<td style="font-size: 12px; color: #000000; line-height: 150%; font-family: trebuchet ms;" width="500" valign="top" bgcolor="#ffffff"><span style="font-family: tahoma,sans-serif; font-weight: bold; color: #ff0000; font-size: 1.3em;">Happenings</span><br />
<span style="font-family: tahoma,sans-serif; color: #006600;">On  what’s happened in the industry this last month. If there’s news you  have heard of and think it would make for interesting reading, please  share it with us.</span></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Rare treat for bibliophiles in UP</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Hindustan Times</span><br />
As  part of its initiative to revive the literary works of pre-Independence  era by publishing rare books written in Hindi and Urdu languages, the  Hindustani Academy has decided to publish a rare book on the legendary  king Raja Bhoj along with a series of other manuscripts. Release of the  book will coincide with Raja Bhoj&#8217;s &#8216;Coronation millennium year&#8217; to be  celebrated from December this year. The book, &#8216;Raja Bhoj&#8217; written by  Ramagya Dwivedi &#8216;Sameer&#8217; was published once in 1932. The publication  works of two other rare books  &#8216;Awadh Kosh&#8217; (1934) and &#8216;Prayag Pradeep&#8217;  (1937) has also started. They will be in market by the end of this  month.  <a href="http://bit.ly/9pzHxf" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">JU to launch publication house</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Times of India</span><br />
Years  of complaints by Jadavpur University&#8217;s (JU) students and academics  about the lack of proper reference books, particularly for engineering  and technology studies, is finally being addressed. The institution is  set to launch a publication house which will supply books that are in  high demand by the students and teaching faculties.</p>
<p>JU  vice-chancellor Pradip Narayan Ghosh said: &#8220;We plan to open a  publication house called Jadavpur University Press. Several publication  houses are run by eminent universities like Oxford, Cambridge and  Princeton. We, too, have chosen to call our press after our university.&#8221;  The executive council (EC), the highest decision-making body of JU, has  already given its go-ahead to the proposal.</p>
<p>The main focus of  the publication house will be to publish textbooks and thesis written by  research scholars and authors. &#8220;We will not restrict ourselves to  publishing books written by students and academics in the institute.  Rather, we plan to throw its gates open to all scholars,&#8221; added Ghosh. <a href="http://bit.ly/dBqlwa" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Sibal moots neighbourhood libraries</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: newkerala.com</span><br />
Human  Resource Development Minister Kapil Sibal Saturday mooted a  neighbourhood book policy, with libraries and reading rooms across the  country.</p>
<p>&#8220;The aim should be that in the manner of neighbourhood  schools, there should be neighbourhood libraries and reading rooms,&#8221;  Sibal said speaking at the conclusion of a round table on the new draft  national book promotion policy.</p>
<p>The HRD minister asked the task  force to rework on the draft accordingly and also asked it to hold  meetings with students and parents who are also the stake-holders.</p>
<p>He  also suggested to the task force to look at preparing a pricing policy  for books, which would be advisory and not mandatory and would be  consistent with international norms. <a href="http://bit.ly/9wmnLD" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Pearson, Pratham Books Ink Deal to Carry Story Books to Villages</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: blog.prathambooks.org</span><br />
Publishing  giant Pearson Education (Pearson Longman) has inked a memorandum of  understanding with Pratham Books, a non-profit platform, to promote  reading among marginalised children in the villages and small towns of  India.</p>
<p>The agreement will help underprivileged children in the country access quality story books.</p>
<p>Announcing the agreement Tuesday, Vivek Govil, chief operating  officer and president of Pearson Education-India (the Indian arm of  Pearson), and Rohini Nilekani, the founder-chairperson said Pearson will  keep aside an amount of 50 paise from the sale of every school title in  India to help Pratham buy story books for children.</p>
<p>Set up in 2004, Pratham publishes quality books for children in multiple Indian languages at subsidised prices. <a href="http://bit.ly/cPAEOQ" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">New prize turns spotlight on south Asian literature</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: guardian.co.uk</span><br />
Worth  $50,000 (Â£31,500), and sponsored by an Indian construction company,  the international prize has been set up to raise awareness of south  Asian culture around the world, and is unusual in being open to authors  of any nationality so long as the work is based on the region and its  people.<a href="http://bit.ly/cPAEOQ" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Howard Jacobson wins Man Booker Prize</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: IANS/expressbuzz.com</span><br />
Howard  Jacobson won the Man Booker Prize 2010 for the book &#8220;The Finkler  Question&#8221; at a glittering ceremony at the Guildall Hall in London  Tuesday.The prize carried a purse of £ 50,000 and earned the British  writer worldwide recognition.</p>
<p>The winner was chosen from among a  shortlist of six authors &#8211; Peter Carey, Emma Donoghue, Damon Galgut,  Howard Jacobson, Andrea Levy and Tom McCarthy.</p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">International Honours List for Tribal Artist Bhajju Shyam</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Tara Books</span><br />
With  creatures like the Croco-rooster, the Ele-crab and the Blue-jion  issuing from the brush of his fictional protagonist Siena Baba, Gond  tribal artist Bhajju Shyam has achieved another first. His imaginative  art for the picture book <em>That&#8217;s How I See Things</em>, published by Tara, has earned him a place in the prestigious IBBY Honour List for Illustrators, 2010.</p>
<p>IBBY  &#8211; the International Board on Books for Young People â€“ highlights in  its Honours List the best works to emerge from various countries. They  also recommend titles that could be brought to an international audience  through translation.</p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Calling writers</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Hindu</span><br />
Familia  Books is inviting stories from writers in India for an Indian edition  of the anthology, Wisdom of Our Mothers. Fifty per cent of Familia&#8217;s  profits from the book will be donated to shelters for mothers and their  children escaping abusive relationships. Eight stories will be chosen  for a &#8220;Stories from India&#8221; chapter to be added to the book which was  released recently. <a href="http://bit.ly/cRuyWe" target="_blank">Read more »</a></td>
<td style="background-color: #ffffff; border-left: 1px dashed #cccccc; text-align: left;" width="200" valign="top"><span style="font-size: 11px; font-weight: normal; color: #999999; font-family: arial; line-height: 150%;"></p>
<div id="navcontainer">
<div style="float: left; border-top: 2px solid #7b1314; border-bottom: 2px solid #7b1314; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px; background-color: #fcfad5; margin-bottom: 15px;"><span style="font-size: 13px; font-weight: normal; color: #666666; font-family: arial;">Featured Publisher</span><br />
<span style="font-family: tahoma,sans-serif; color: #006600;">Every month, one publisher will be featured in this column.</span></p>
<p style="color: #000000;">Now in its sixteenth year, <strong>Tara</strong> is a fiercely independent publisher based in Chennai. Collectively  owned by the creative people who run the business and unashamed of their  feminist guiding principles, Tara see bookmaking as an important form  of cultural intervention and aim to foster unconventional and  adventurous conversations between artists and writers.</p>
<p>While Tara  started as a children&#8217;s publisher, their list has since widened to  include adult titles and books for all ages, and they have developed a  reputation for striking visual titles with a strong political content.</p>
<p>Tara  have perhaps become best known for their books made entirely by hand,  which are created at a print workshop in Chennai run by their Production  Manager C. Arumugam. Employing sixteen artisans and run using fair  trade practices, the workshop uses handmade paper, which is then  silkscreen printed. The statistics are astonishing: they&#8217;ve created over  180,000 books, which have required 11 million impressions, or  individual &#8216;pulls&#8217; for each colour in total.</p>
<p>What has perhaps  received less attention is Tara&#8217;s ongoing dialogue with the incredibly  rich and varied forms of traditional and tribal art in India. They have  worked with artists from remote and marginalized communities, creating  books that don&#8217;t simply document particular art traditions, but become  the location from which the form, and the artist, can speak for  themselves.</p>
<p>Find out more about Tara:<br />
Website: http://www.tarabooks.com/<br />
Blog: http://www.tarabooks.com/blog/<br />
Facebook: http://www.facebook.com/pages/Tara-Books/141287807743<br />
Twitter: http://twitter.com/TaraBooks<br />
Contact: promotions@tarabooks.com</p>
<p>Latest publications include:</p>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; height: 100px; margin: 1px; padding: 1px; float: left;" src="http://www.dogearsetc.com/pubpost/images/promisedland.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">I See the Promised Land<br />
<span style="font-size: 11px; font-weight: normal;">A graphic novel on the life of Martin Luther King Jr.</span></span><br />
<span>Rs. 550</p>
<p>ISBN: 978-93-80340-04-3</p>
<p></span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; height: 100px; margin: 1px; padding: 1px; float: left;" src="http://www.dogearsetc.com/pubpost/images/10.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">10<br />
<span style="font-size: 11px; font-weight: normal;">A spectacular pop-up number book</span></span><br />
<span>Rs. 750<br />
ISBN: 978-93-80340-07-4</span></div>
</div>
<p><span style="font-size: 14px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Book Releases</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source:Scholars Without Borders<br />
To have your book listed here, write to us with all details and a cover image</span></p>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; height: 100px; margin: 1px; padding: 1px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9788190327220.gif" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Critical essays in the Dynamics of Capitalism</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Amit Bhaduri</span><br />
<span>ISBN: 9788190327220<br />
Setu Prakashani</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; height: 100px; margin: 1px; padding: 1px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9788190891882.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">The Making of the Awadh Culture</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Madhu Trivedi</span><br />
<span>326p/Hardcover/Rs.1095<br />
ISBN: 9788190891882<br />
Primus Books</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; height: 100px; margin: 1px; padding: 1px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9788172735357.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Eunuch</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Rizio Yohannan Raj</span><br />
<span>74p/Paperback/Rs.95<br />
ISBN: 9788172735357<br />
Authorspress</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; height: 100px; margin: 1px; padding: 1px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9788132104674.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Margins of Faith</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Rowena Robinson and Joseph Kujur</span><br />
<span>320p/Hardback/Rs.695<br />
ISBN: 9788132104674<br />
Authorspress</span></div>
</div>
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<td style="font-size: 12px; color: #000000; line-height: 150%; font-family: trebuchet ms;" colspan="2" valign="top" bgcolor="#ffffff"><span style="font-family: tahoma,sans-serif; font-weight: bold; color: #ff0000; font-size: 1.3em;">Blogs and Articles</span><br />
<span style="font-family: tahoma,sans-serif; color: #006600;">Comments and posts on trends and events in the book industry.</span></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Carnival of books</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Hindu</span><br />
Lyndy  Cooke, executive director of The Hay Festival of the Literature and the  Arts, talks about the event that comes to Trivandrum in November</p>
<blockquote style="margin: 1em; border-left: 2px solid #999999; padding-left: 1em;"><p>But  why a Hay Festival in India? &#8220;We have wanted to expand to India for  some time now as the writing from the country is fresh. You have  excellent writers from India. The writing is varied and often captures  the challenges of an aspiring India. We met Teamwork Productions, the  organisers of the Jaipur Literary fete last year and as they have the  experience in conducting such events we decided they would be a perfect  partner. That is what you need when you hold such an event, good  partners.&#8221;</p></blockquote>
<p><a href="http://bit.ly/bfsfzV" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Helping discover the joys of writing</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: rediff.com</span><br />
After  weaving stories for kids in beautiful books, dyslexic author Dheera  Kitchlu is now helping children like her bring out their writing talents  into the open.</p>
<blockquote style="margin: 1em; border-left: 2px solid #999999; padding-left: 1em;"><p>Through  her initiative &#8216;Anyone can write&#8217;, Dheera Kitchlu who has penned a  total of eight books says writing for children is very unique and kids  should be encouraged to write from a young age.</p>
<p>&#8220;Being a  dyslexic, I never wrote due to fear. Children have a lot of talent but  they feel inhibited and do not write. They have wonderful stories to  tell. I want to encourage them to write,&#8221; says Kitchlu, whose first book  was published in 1992.</p>
<p>In collaboration with the self-publishing  portal Serene Woods, the free-of-cost initiative allows children to get  help from Kitchlu to create original, individual work, through  one-on-one interactions.</p></blockquote>
<p><a href="http://bit.ly/bvdcsw" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">One Mistake of My Life</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: openthemagazine.com</span><br />
During  a stint at a publishing firm, the author shared the dubious distinction  of rejecting what has since become India&#8217;s biggest publishing  sensation. Paperback copies, lining shelves of bookstores, still seem to  mock her judgement.</p>
<blockquote style="margin: 1em; border-left: 2px solid #999999; padding-left: 1em;"><p>This  one was clearly above my pay grade, so I marked it up to two separate  senior editors, mentioning my reservations. I heard a few weeks later,  the author had been turned down. He later went to a rival firm and  became a publishing sensation overnight, and to this day, our boss  complains bitterly that he missed out on the biggest bestseller of the  decade because he went by the judgement of three Bengali womenâ€”a  flawed demographic, if there ever was one! The subsequent glossy product  looks at me reproachfully (even sneeringly) from the shelves of  bookshops, from the shoulders of â€˜traffic lights booksellersâ€™, at  railway stations and airports.</p></blockquote>
<p><a href="http://bit.ly/cjJSqh" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Book, line clincher</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Hindu</span><br />
You don&#8217;t need the classics to revisit your favourite characters. An exploration of the world of parallel literature</p>
<blockquote style="margin: 1em; border-left: 2px solid #999999; padding-left: 1em;"><p>The  options are endless, from disappointing &#8220;The Wind Done Gone&#8221; which  looks at the story of feisty Scarlett O&#8217;Hara&#8217;s half-sister and mulatto  slave, to the delightful &#8220;Wicked&#8221; series by Gregory Maguire which  completely revises L. Frank Baum&#8217;s land of Oz. There&#8217;s also Jasper  Fforde&#8217;s masterful Thursday Next series, pursuing the story of a  literary detective. The lines between literature and reality blur to a  point where characters created by Dickens, Shakespeare and Charlotte  Bronte cheerfully tumble across the pages.</p></blockquote>
<p><a href="http://bit.ly/clGUZS" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">E-books rewrite the rules of engagement </span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: theaustralian.com.au</span><br />
Digital devices are fuelling a publishing revolution that may not have a happy ending</p>
<blockquote style="margin: 1em; border-left: 2px solid #999999; padding-left: 1em;"><p>&#8230;unless  authors have some recompense for the time they spend creating their  works, they will not be able to write. Information wants to be free,  goes the old hacker-activist credo. But for some reason food, shelter  and filling the tank with petrol do not.</p>
<p>The difficulties of  their publishers, the threat and opportunity of new aesthetic forms, the  promise of becoming in effect their own publishers online, have led  some to walk away from the old world already.</p></blockquote>
<p><a href="http://bit.ly/dyG1my" target="_blank">Read more »</a></p>
<p><span style="font-family: tahoma,sans-serif; font-weight: bold; color: #ff0000; font-size: 1.3em;">New Book Releases and Events</span><br />
<span style="font-family: tahoma,sans-serif; color: #006600;">This section reports on new book and journal releases, new imprints and other similar events.</span></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Here come the Diwali Digests</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Hindustan Times</span><br />
In  the past two weeks, Mahim resident Seema Samarth has already made  around 10 trips and many more phone calls to Dadar&#8217;s Ideal bookstore as  part of her Diwali preparations. Like most Maharashtrian families in the  city, she is desperately waiting to grab the first copies of her  favourite annual festival reading, the Diwali <em>anks</em>.</p>
<p>Brought  out by leading Marathi publishing houses and newspapers in the state,  these magazines have traditionally been the most coveted platform for  emerging writers and poets to showcase their oeuvre.</p>
<p>Today, the <em>anks</em> have moved beyond literature to include everything from religion and  astrology to politics and health &#8211; a move that has only boosted their  popularity among the average Maharashtrian. This year, as many as 345  Diwali specials are getting ready to hit the stands, and the ones  already out are selling fast. <a href="http://bit.ly/cXLARx" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Children&#8217;s Literature from India and the Indian diaspora</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: blog.prathambooks.org</span><br />
The  new issue of PaperTigers is live, with a focus on Children&#8217;s Literature  from India and the Indian diaspora and the many ways in which it has  changed over the years.</p>
<blockquote style="margin: 1em; border-left: 2px solid #999999; padding-left: 1em;"><p>The  children&#8217;s literature being produced in India nowadays includes much  more than just stories and folktales rich in morals and traditions. The  output of its writers and illustrators in a variety of genres and in a  plethora of languages reflects India&#8217;s complex and ever-changing  multilingual society. They also break through and go beyond  long-standing gender, cultural and social stereotypes. The unique  challenges and opportunities Indian children&#8217;s book creators faceâ€“or  those in the diaspora writing about Indiaâ€“help create what one of our  interviewees poetically calls the &#8220;rainbow-colored horizon&#8221; of Indian  children&#8217;s literature.</p></blockquote>
<p><a href="http://bit.ly/aJzEBA" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">25 women set to cause &#8216;Ripples&#8217;</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Deccan Chronicle</span><br />
A unique collection of short stories by 25 Indian women writers is to  be launched shortly. &#8216;Ripples&#8217; is compiled and published by a group of  former IITians, who scoured the Net, on line e-zines and the  blogosphere, going through over 200 stories to make this final  collection. The book is a completely internet-based collaborative  effort.</p>
<p>Prashanth Karhade of APK publishing says, &#8220;I believe that  in today&#8217;s day and age, people find it hard to read novels. Ripples is  in tune with the fast paced world.&#8221; He adds that the book is unique in  many ways, &#8220;It is a nice way to bring upcoming women writers together on  a platform. Also the stories have been arranged from the shortest to  longest. This way you can get people hooked on to the smaller stories  first and then progress to the longer ones.&#8221; <a href="http://bit.ly/dt7j34" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Bonding with books</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Hindu</span><br />
Bibliophile  Krishnamurthy is the proud possessor of 70,000 titles. His &#8216;Gnanalaya&#8217;  Research Library at Tirukokarnam near Pudukottai is easily one of the  biggest private libraries in the country. The USP of his library is the  wide collection of priceless first editions in Tamil.</p>
<blockquote style="margin: 1em; border-left: 2px solid #999999; padding-left: 1em;"><p>Treasured  among his stack are letters of Rajaji and Bharathiyar&#8217; s daughter  Thangammal Bharathi&#8217;s first editions of Bharathi and Bharathidasan,  early issues of revolutionary magazines like &#8216;Kudiarasu&#8217;, &#8216;Viduthalai&#8217;  and Gandhi&#8217;s Harijan, back issues of the Reader&#8217;s Digest right from the  first Indian edition and 1,500 Tamil literary magazines from 1920 to  2010.</p></blockquote>
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		<title>The Publisher&#8217;s Post &#8211; Vol II Ed. I</title>
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		<pubDate>Sun, 01 Mar 2009 11:06:49 +0000</pubDate>
		<dc:creator>Editors</dc:creator>
				<category><![CDATA[Newsletters]]></category>
		<category><![CDATA[Jaipur Literature Festival]]></category>
		<category><![CDATA[Orissa Sahitya Akademi]]></category>
		<category><![CDATA[the publisher's post]]></category>

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		<description><![CDATA[Vol. II Ed. I
Dated: 18th January 2009 
The Publisher&#8217;s Post is a bi-weekly newsletter that contains information relating to the book publishing and book selling industry in India.   

News This Week
On what&#8217;s happened in the industry this last week. If there&#8217;s news you have heard of and think it would make for interesting reading, please share [...]]]></description>
			<content:encoded><![CDATA[<div><span style="color: #0000ff;">Vol. II Ed. I<br />
Dated: 18th January 2009 </span></div>
<div>The Publisher&#8217;s Post is a bi-weekly newsletter that contains information relating to the book publishing and book selling industry in India.   </div>
<div>
<p><span style="font-size: large;">News This Week</span><br />
On what&#8217;s happened in the industry this last week. If there&#8217;s news you have heard of and think it would make for interesting reading, please share it with us.</p>
<p><span style="font-size: large;"><span style="color: #800000;">Big B to grace Jaipur Literature Festival</span></span><br />
<span style="font-size: small;"><span style="color: #008000;">Source: Hindustan Times</span></span></p>
<p>Literature will get its fair share of glamour at the DSC Jaipur Literature Festival 2009 beginning on January 21 when Amitabh Bachchan shares the stage with art connoisseur Neville Tuli, the founder of the Mumbai-based auction house and archive Osian.</p>
<p>Bachchan&#8217;s presence has been posted on the official website of the festival. He will attend a session on January 23 on his biography, Bachchanalia: The Films and Memorabilia of Amitabh Bachchan, at the Durbar hall in Diggy Palace, the venue of the festival.</p>
<p>Osian&#8217;s CARD, an arm of the auction house, will present Bachchanalia: The Films and Memorabilia of Amitabh Bachchan, a biography of the Bollywood icon co-authored by journalist Bhawana Somaaya and Osian&#8217;s Centre for Archiving, Research and Development (CARD), sources in the organising committee of the festival said Friday.</p>
<p>Bachchanalia&#8230; is a documentation of the superstar&#8217;s journey of the film world, illustrated through rare film and exclusive movie posters and publicity material.</p>
<p>The book, the debut publication of Osian&#8217;s Publishing and Design House, was launched in Mumbai earlier this month (Jan 3) by Aamir Khan at the Tata Theatre in NPCA in Mumbai.</p>
<p>Somaaya, co-author of the book is the recipient of several awards. She is also the editor of the Indian film magazine, Screen. She had earlier authored &#8220;Amitabh: Now and Forever&#8221; published in 2001.</p>
<p>The Osian&#8217;s Publishing and Design House has lined up several publications this year, which include &#8220;The Passionate Detachment: The Osian&#8217;s Archive Collection of Cultural Heritage&#8221; by Neville Tuli and Osian&#8217;s CARD, a five volume magnum opus about the creation of one of the world&#8217;s finest collections of Indian and Asian Fine Arts and cultural artefacts, Flamed-Mosaic: Indian Contemporary Painting and Filmistan Hindustan: A History of Modern India as told by Bombay Cinema, 1920-1960 by Virchand Dharamsey &amp; Kaushik Bhaumik. </p>
<p><span style="font-size: large;"><span style="color: #800000;">IGNOU to start course in publishing</span></span><br />
<span style="font-size: small;"><span style="color: #008000;"> Source: The Hindu</span></span></p>
<p>The IGNOU is going to launch a specialised course on book publishing by next month.</p>
<p>The IGNOU, in collaboration with the Federation of Indian Publishers, has designed a PG diploma course .</p>
<p>The university would help the students to get placement, IGNOU V-C Prof. V.N. Rajasekharan Pillai said.</p>
<p>&#8220;The new course has been designed in a fashion that it would incorporate all aspects of the publishing industry. It is the first-of-its-kind programme in distance learning mode in the country,&#8221; he said.</p>
<p>Students will be awarded two certificates — one for theory and another for practical — issued by both the university and the FIP. The FIP would arrange internship for candidates in publishing houses.</p>
<p>&#8220;As the publishing industry promises a good career opportunity, it is necessary to provide them with quality education in the subject.&#8221;</p>
<p>The eligibility to take admission is a graduate degree from any recognised university. The course could be completed in one year to five years. It will deal with areas like editing, designing, production, copyright, reprographic rights, author- publisher relationship and marketing of books.</p>
<p><span style="font-size: large;"><span style="color: #800000;">Foreign book publishers buying over Indian cos, says study</span></span><br />
<span style="color: #008000;"> Source: Times of India</span></p>
<p>Even as Parliament&#8217;s Standing Committee of commerce ministry has asked HRD ministry to conduct a study on the impact of 100% FDI in book publishing on the domestic industry, a study done by the Federation of Indian Publishers (FIP) shows that foreign companies have made negligible investment (Rs 20 crore) since 2000. Simultaneously, they have taken over Indian companies as reprint business has changed to imports and profits have been repatriated. </p>
<p>The FIP study points out that in 2000 when 100% FDI was allowed, foreign publishers were allowed to set up fully-owned companies, reprint books as well as import their home products and enter the retail market. </p>
<p>Citing government figures, FIP says that so far FDI worth only Rs 20 crore has come to India. On the other hand, it shows that more and more Indian publishing houses are being taken over by foreign firms. </p>
<p>In this regard, FIP head Shakti Malik cites how Butterworth India Private Ltd has bought over NM Tripathi &amp; Company, a leading publisher of law books. Similarly, Allahabad Law House and Wadhwa &amp; Company have lost their independent status. Malik also gives the example of Cambridge University Press, UK, buying Manohar Book Service and Foundation Books. </p>
<p>FIP also claims that due to FDI, reprint has changed to imports. In the pre-FDI regime, foreign companies allowed low-priced Indian reprints/editions of their works. &#8220;This enabled Indian companies to provide books at an affordable rate to readers/students against payment of royalty and expand the readers&#8217; base,&#8221; says Malik. Now foreign companies are importing what was earlier published under licence in India. &#8220;As a result, book prices have gone up and there is a huge loss of foreign exchange to the exchequer,&#8221; Malik says. </p>
<p>Alleging profiteering by foreign publishers, the FIP report says the ratio of imports to exports is 1:10. &#8220;This is an extremely unhealthy situation,&#8221; Malik says. </p>
<p>As for active participation of foreign companies in distribution and retail, FIP says many foreign publishers like Hachette, Scholastic and Random House have got into the retail and distribution business. </p>
<p><span style="font-size: large;"><span style="color: #800000;">A novel venture in publishing</span><br />
</span><span style="color: #008000;"> Source: The Hindu</span></p>
<p>When the book Nilaviliye Kurichulla Kadamkathakal (Riddles on Lamenting) will be released at Changampuzha Park, Edapally on Saturday, it will set a new trend in the publishing history of Malayalam.</p>
<p>This is the first book from Book Republic, a group of Malayalees, living in different parts of the world and together in the Malayalam blog (<a href="http://book-republic.blogspot.com/" target="_blank">http://book-republic.blogspot.com/</a>). The author of the book T.P. Vinod is now doing a research in chemistry in South Korea.</p>
<p>He is popular among Malayalam bloggers as Lapuda (<a href="http://lapuda.blogspot.com/" target="_blank">http://lapuda.blogspot.com/</a>), the penname he adopted from the fictional flying island in Gulliver&#8217;s Travels. The book features 49 poems written by Vinod that were earlier published.</p>
<p>The team at Book Republic is trying to generate capital for publishing by collecting small amounts from the network of persons and the same network will be used to distribute the products across the world. One thing assured about the system is the reach. The practical aspects will surface when the actual product start moving across the network.</p>
<p>Poet P.P. Ramachandran will release the first book on Saturday by handing over the copy to Kavitha Balakrishnan. Writers and artists Anwar Ali, V.M. Girija, T. Kaladharan, P.N. Gopikrishnan, Sreekumar Kuriyad, G. Ushakumari, Sebastian, Anita Thampi, Vishnuprasad, Crispin Joseph, Sanal Sasidharan, Latheesh Mohan, V.K. Subaida, Vinu Pallippaadu, Aneesh and Manoj Kuroor will participate in the discussions and poetry session that will follow.</p>
<p>Also scheduled for the inaugural function is a Sitar recital by T. Vinod Sankaran and screening of the short film Parole. </p>
<p><span style="color: #800000;"><span style="font-size: large;"> No copyright on Gandhi&#8217;s works from Jan 1</span></span><br />
<span style="color: #008000;"><span style="font-size: small;"> Source: NDTV</span></span></p>
<p>Mahatma Gandhi&#8217;s literary creations are now set free of copyright issues. Starting January 1 2009, sixtieth year of his death Mahatma Gandhi&#8217;s literary works can now be published and reprinted anywhere by anyone in the world. </p>
<p>The Ahmedabad-based Navjivan Trust, which so far held exclusive copyright on Gandhi&#8217;s creative works will no longer do so. Gandhi himself never wanted the copyright law but he later accepted it on the condition that the trust would hold these rights only till the sixtieth year of his death.</p>
<p>The sixty years ended on January 1, 2009.</p>
<p>Even as publishing houses gear up, Gandhians fear misinterpretation of his works. </p>
<p>&#8220;Already there been so many controversies due to misinterpretation of what Mahatma had wrote or expressed. Now as his works are going to public domain, the possibilities of more such attempts are high,&#8221; said Sudarshan Iyengar, vice-chancellor, Gujarat Vidyapith.</p>
<p>Navjivan Trust, which has published over three hundred volumes of Gandhi&#8217;s literary works will continue to do so. But they accept this change with reluctance. </p>
<p>&#8220;We are not supposed to force others to stay away from publishing Gandhiji&#8217;s works. But movies have been made, write-ups have been published even when Copyright Acts had ensured that only Navjivan Trust is authorised to publish Bapu&#8217;s works, letters or even handling his autobiographies,&#8221; said Jitendra Desai, managing trustee, Navjivan Trust.</p>
<p>Gandhians strongly feel that the government should step in to ensure the copyright stays with Navjivan Trust. They fear controversies, particularly if his communication with his family and people close to him become public. </p>
<p><span style="font-size: large;"><span style="color: #800000;">Oriya readers prefer books written in English</span><br />
</span><span style="color: #008000;">Source: Daily News and Analysis (DNA, Mumbai)</span></p>
<p>If the sale of books at the Berhampur book festival is any indicator, young readers prefer books written in English and Hindi than Oriya. </p>
<p>&#8220;Young readers bought more books written in English and Hindi than those in Oriya,&#8221; said managers of several publishing houses. </p>
<p>The president of the Orissa Sahitya Akademi Hussein Rabi Gandhi blamed parents for this. &#8220;Parents have to play a role to create interest among children about books written in the mother tongue from childhood,&#8221; he told a seminar at the book fair. </p>
<p>Apprehending that the time was not that far off when there would be no space for Oriya books in the state, a local publisher said &#8220;if this trend continues for long, publishing houses in Orissa will only publish a limited number of books for libraries only,&#8221; said Bijaya Rath, a local publisher. </p>
<p>Several readers, however, attributed preference for books in English and Hindi to the high cost of those written in Oriya. &#8220;The cost of good books in Oriya is very high compared to those written in Engish and Hindi,&#8221; said Devadutta Sahu, a visitor at the festival. Books on religious issues and health, translated in Oriya and children&#8217;s books, however, were in great demand at the book fair compared to fiction. </p>
<p>At least 50 publishing houses from different parts of Orissa as well as outside the state put up 80 stalls at the 8-day book fair. </p>
<p><span style="color: #800000;"><span style="font-size: large;">Collection of Saurabh Chaliha&#8217;s works released</span></span><br />
<span style="color: #008000;">Source: The Assam Tribune</span></p>
<p>An anthology of the works of fiction, non-fiction, drama and translations by noted writer Saurabh Kumar Chaliha has been released. The anthology edited by Shoneet Bijoy Das and Munin Bayan has been published by Katha Publications of the city (Guwahati).</p>
<p>Noted litterateur Hare-krishna Deka speaking on the occasion described Sri Chaliha as the trendsetter of modern Assamese short story. Dramatist Apurba Sarma congratulated Katha Publications and Shoneet Bijoy Das and Munin Bayan for their efforts in bringing out the collection. </p>
<p><span style="font-size: large;"><span style="color: #800000;">A garbage dump is now a library</span></span><br />
<span style="color: #008000;"> Source: The Hindu</span></p>
<p>Till recently, an open space within four walls of Raichur Fort near the city bus stand was used to dump garbage by hotels and petty shops around it. People in the area were using the space as a toilet.</p>
<p>The open space surrounded by fort walls located within the historical Mecca Darwaza, an entrance towards the city on the western side of Raichur Fort falls under the limits of protected historical monuments. Dumping garbage or using it as a toilet is prohibited. The historical importance of the area was in a state of neglect owing to alleged lethargy of the officials concerned at the Archaeological Department here in providing proper protection to it.</p>
<p>Four years ago, the then Deputy Commissioner Ashok Dalwai took the initiative to clean the area within the Fort walls on either side of the Mecca Darwaza and restored the dilapidated structure of the fort wall to its original shape.</p>
<p>Though a gate was fixed at its entrance to prevent entry of public, the space within the forts walls was used as an open air theatre to conduct small functions during special occasions such as the Independence and the Republic Day celebrations. But soon after the transfer of Mr. Dalwai, the gate fixed to the entrance was pulled down by vandals and area was again turned into a toilet.</p>
<p>Things started changing when the district administration took the initiative to clean the open space at the Mecca Darwaza and fixed gate at its entrance. It has been converted into an open air public library and open for public use after Deputy Commissioner J. Ravishankar inaugurated it formally on January 26.</p>
<p>The library, with has all leading and local newspapers and magazines, set up at the open space within the four walls of the historical fort is being maintained jointly by the district administration and the City Central Library. The city municipality, which had provided water and electricity at the site, has taken up the responsibility to maintain cleanliness around it.</p>
<p>Several social organizations and NGOs, including the Kote Adyayana Samiti, the District Athletic Association and the Bharata Gnyana Vignyana Samiti, have come forward to extend support to the district administration in the maintenance of the library and protect the historical importance of the Raichur Fort. There is a good response from the public as nearly 200 persons visit the library every day, which is open from 8.30 a.m. to 11.30 a.m. and 4 p.m. to 6.30 pm.</p>
<p><span style="color: #800000;"><span style="font-size: large;">Fair bait to hook &#8216;minor&#8217; readership</span></span><br />
<span style="color: #008000;"> Source: The Telegraph (Calcutta)</span></p>
<p>If J.K. Rowling single-handedly steered a computer-obsessed younger generation to books, social organisations in Nagaon are making their own little effort to attract the &#8220;minor&#8221; readership.</p>
<p>Next Monday (January 19), Neherubali, opposite the district library, will be transformed into a minefield of books, where everybody is invited &#8211; to browse and buy.</p>
<p>Over the next six days, the book fair, hosted by a publishing house called Krantikal, will roll out one programme after another to draw the ponytails and shorts to the pavilion.  Aiding Krantikal&#8217;s efforts will be names like National Book Trust, Readers Pride, Chitralekha, Sahitya Akademi, Anwesha, Bantata and Sarathi. Thirty-seven books on and for children will be released at the fair, which has been ensured participation by 133 publishing houses from across the country.</p>
<p>A special literary session for children will be held on January 20, followed by three seminars on Writings for Children on January 22, 24 and 25 and a workshop on terracotta. The idea of a book fair exclusively for children came up during a discussion last September, said the joint secretary of the organising committee, Dulal Barua.</p>
<p>&#8220;We thought of organising a children&#8217;s book fair and discussed the idea with authorities, including the deputy commissioner, and received a very positive feedback. That encouraged us to go ahead with the project,&#8221; Barua said. </p>
<p>Deputy commissioner J. Balaji said all possible initiatives would be taken to ensure participation of schoolstudents from all parts of Nagaon. &#8220;Few children these days read anything beyond their textbooks. We are dreaming of creating a new generation of writers and the book fair may just be a step towards that,&#8221; he said. </p>
<p><span style="color: #800000;"><span style="font-size: large;">International Conference on &#8216;Contemporary Indian Writing in English: Assimilation and Denial&#8217; </span></span></p>
<p>Jan19-20, 2009. Further details may be had from <a href="mailto:sunainak@ignou.ac.in" target="_blank">sunainak@ignou.ac.in</a>, <a href="mailto:sunainaignou@gmail.com" target="_blank">sunainaignou@gmail.com</a> </p>
<p><span style="font-size: large;">New Book Releases and Events</span><br />
This section reports on new book and journal releases, new imprints and other similar events.</p>
<p><span style="color: #800000;"><span style="font-size: large;">Work and its worth</span></span></p>
<p>Tulika released <em>Paanai seivom, payir seivom: Nam kaalathil uzhaippin madippu</em>, in time for the Chennai Book Fair (that commenced on the 8th and will end on the 18th of Jan &#8216;09). This tidy paperback is the Tamil edition of Kancha Iliah&#8217;s Turning the Pot, Tilling the Land: Dignity of labour in our times, first published in English by Navayana Publishing. Educationist Aruna Rathnam&#8217;s translation keeps the informative spirit of the original.</p>
<p>This is a very important book because children&#8217;s books shy away from tackling troubling issues such as caste, race and class. Professor Iliah not only breaks this &#8216;taboo&#8217; but uses a creative and analytical approach to get young people to rethink the disdain they have for manual labour. </p>
<p>He takes them through the science and art of the skills of adivasis, cattle-rearers, leatherworkers, potters, farmers, weavers, dhobis and barbers, so they understand the value of the work done by these communities considered &#8216;backward&#8217;. Bhopal-based artist Durgabai Vyam&#8217;s dramatic folk-style illustrations speak visually for the dignity of labour.</p>
<p><span style="color: #800000;"><span style="font-size: large;">Hard hit by Globalization</span></span></p>
<p><em>Never Done and Poorly Paid: Women&#8217;s Work in Globalising India</em><br />
by Jayati Ghosh<br />
Women Unlimited (an associate of Kali for Women)<br />
ISBN: 81-88965-44-8</p>
<p>This book investigates the complex interaction of the forces of globalisation with shifts in the nature of women&#8217;s work in the Indian context. It shows how rapid economic growth in India since the early 1990s has not been accompanied with the required expansion of productive employment opportunities. This has generated unexpected outcomes for patterns of women&#8217;s employment in India, which has shown quite paradoxical trends: simultaneous increases in work participation rates, unpaid labour, migration for work and open unemployment of women. <br />
 <br />
The author attempts to unravel this complicated set of outcomes for women workers, by situating them in wider economic processes and relating them to economic policies and labour market developments. She argues that while the Indian economy&#8217;s recent boom has excluded the bulk of women in the country from its benefits, such tendencies are no longer unnoticed or uncontested.<br />
 <br />
Jayati Ghosh is Professor of Economics at the Centre for Economic Studies and Planning, School of Social Sciences, Jawaharlal Nehru University, New Delhi. She has taught at several universities in India and abroad, and served as part-time adviser and consultant to many governmental and international organisations. </p>
<p><span style="font-size: large;">Blogs and Articles</span><br />
Comments and posts on trends and events in the book industry.</p>
<p><span style="color: #800000;"><span style="font-size: large;">New horizons, new challenges</span><span><br />
<span style="color: #008000;">Source: The Hindu Literary Review</span></span></span></p>
<blockquote><p>What&#8217;s different though is what&#8217;s happening at the smaller level in India. In many other countries, multinational publishing has meant the death of indigenous publishers. Not so here. A look at the last two decades — also the period in which joint ventures were set up — reveals the growth of a vibrant, exciting, new sector of Indian publishing, the independent publisher. One doesn&#8217;t even have to search for names, they&#8217;re everywhere: Blaft, Phantomville, Yoda, Navayana, Kalachuvadu, New Horizon, Tara, Leftword, Tulika, Daanish, Rainbow, Social Science Press, The Little Magazine, Tara Research Press, Full Circle, Mosaic, Mapin, Seagull, Women Unlimited, Stree, Vani, Yatra, Rajkamal, Zubaan… and the list goes on. And they&#8217;re in different languages, and different cities.</p>
<p>More, the independents have experimented in ways that are completely new and innovative — for example, teaming up with larger publishers to do books under a joint imprint, drawing on the collective strengths of both. Rather than put their somewhat unequal muscle and economic power against the biggies, the independents have chosen to find ways of working with them, and with each other, that allow both to preserve their identities and to gain an edge. So Ravi Dayal has partnered with Penguin, as has Zubaan, Mapin has partnered with HarperCollins, Yatra and Penguin publish jointly in Hindi, and Seagull Books now helps to take books published by smaller publishers to a wider audience abroad.</p></blockquote>
<p>Read <a href="http://www.thehindu.com/lr/2009/01/04/stories/2009010450040100.htm" target="_blank">the whole article here</a></p>
<p><span style="color: #800000;"><span style="font-size: large;">&#8216;I&#8217;m the luckiest novelist in the world&#8217;<br />
</span><span><span style="color: #008000;">Source: The Guardian (UK)</span></span></span></p>
<p>By day Vikas Swarup is a high-flying Indian diplomat; by night he&#8217;s a bestselling author. And now Slumdog Millionaire, the film based on his first novel, has won four Golden Globes.</p>
<blockquote><p>They changed the title from Q&amp;A to Slumdog Millionaire. (&#8221;That made a lot of sense,&#8221; says Swarup.) They changed the ending. (&#8221;Danny thought the hero should be arrested on suspicion of cheating on the penultimate question, not after he wins as I had it. That was a successful idea.&#8221;) They made friends into brothers, axed Bollywood stars and Mumbai hoodlums and left thrilling subplots on the cutting-room floor. Crucially, they changed the lead character&#8217;s name from Ram Mohammad Thomas to Jamal Malik, thereby losing Swarup&#8217;s notion that his hero would be an Indian everyman, one who sounded as though he was Hindu, Muslim and Christian. Instead, they made Jamal a Muslim whose mother is killed by a Hindu mob. (&#8221;It&#8217;s more dramatically focused as a result, perhaps more politically correct.&#8221;)</p></blockquote>
<p>Read <a href="http://www.guardian.co.uk/books/2009/jan/16/danny-boyle-india" target="_blank">the full interview</a> here</p>
<p><span style="color: #800000;"><span style="font-size: large;">Rearing a reading habit</span></span><br />
<span style="color: #008000;">Source: Deccan Herald</span></p>
<p>M S Sridhar lists out the reading phases of children and gives tips on how to get your child to read more.</p>
<blockquote><p>Apart from improved academic achievements, reading non-fiction develops an inquisitive attitude in students. In children, 8 to 13 years age is considered to be the golden age for developing reading habit as a leisure activity and children in this age show maximum interest in reading as well as visiting libraries.  After passing this age, interest in reading fades and relationship with books wary with motivation to read replaced by other dominating interests like love, adventure, etc. Reading habit is considered as &#8216;passport&#8217; to many different new &#8216;worlds&#8217; like the world of past, future, technology, nature, outer space, other countries and above all the innermost part of human heart. And in children, if developed in the right age, reading habit remains strong and grows continuously through out life. The talent and interest developed through non-fiction   reading is for lifetime and the knowledge acquired and updated through regular reading habit is the source and a way for developing character. In order to inculcate reading habit in children, understanding the five reading phases is necessary. </p></blockquote>
<p>Read the whole article <a href="http://www.deccanherald.com/Content/Jan12009/dheducation20081231109823.asp" target="_blank">here</a></p>
<p><span style="color: #800000;"><span style="font-size: large;">But who reviews the reviewers?</span></span><br />
<span style="color: #008000;">Source: Hindustan Times</span></p>
<blockquote class="gmail_quote"><p>Frankly, it&#8217;s hardly an exact science. While someone may appreciate the &#8216;literary&#8217; traits of an Anita Desai, someone else may find exactly those very qualities &#8216;pretentious&#8217;. Similarly, what strikes some as the utter charm of &#8216;the-way-we-speak-in-urban-India&#8217; language in Chetan Bhagat novels can be banal for others. Then there&#8217;s the other problem with book reviews &#8211; what I call the &#8216;incest factor&#8217;. Consciously or not, the reviewer and the author of the book share the same blood sport &#8211; both deal with words; they deal with tricks of the same trade. And here&#8217;s where the book is so unlike all those other things like film, music or food.</p></blockquote>
<p>Read the entire post <a href="http://www.hindustantimes.com/StoryPage/StoryPage.aspx?sectionName=RSSFeed-LifeStyle&amp;id=5e7481b1-d5b6-4fac-b37e-d69bfa4afe41&amp;&amp;Headline=But+who+reviews+the+reviewers%3f" target="_blank">here</a></p>
<p><span style="color: #800000;"><span style="font-size: large;">Putting it together: The joy of anthologies</span></span><br />
<span style="color: #008000;">Source: Business Standard</span></p>
<blockquote><p>Eugenides does a wonderful job of recording the random but focused nature of the anthologist&#8217;s task: &#8220;In discovering and gathering these stories, my method has been maximally random and sociable. At lectures and book parties, in elevators with editors and at literary festivals with fellow novelists, on college campuses, in loud tapas bars, over a Delirium Tremens at the Hopleaf on Clark Street, I asked whoever happened to be nearby to name a favourite love story.&#8221;</p>
<p>This captures the compulsive nature of the true anthologist—a need to collect, to weed out, to have everything that is necessary—as well as the nature of the task, which is to plunder the treasures of the collective reading mind. Eugenides, a disturbingly brilliant writer, had an edge in that the brains he picked belonged to the likes of Jonathan Franzen and Jhumpa Lahiri, but most anthologists would confess to employing the same technique.</p></blockquote>
<p>Read the whole article <a href="http://business-standard.com/india/storypage.php?autono=344092" target="_blank">here</a></p>
<p><span style="color: #800000;"><span style="font-size: large;">Jab we speak</span></span><br />
<span style="color: #008000;">Source: The Times of India</span></p>
<blockquote><p>In this linguistic melange, if there is one language that&#8217;s making itself audible across the country, it&#8217;s chutneyfied English. Used by everyone from cabbies to CEOs, it is fast becoming the country&#8217;s best-loved (and most hated) characteristic. It is inventive, witty, colourful and uniquely Indian because we speak like that only. If someone&#8217;s a big bore, you can tell him to stop pukkaoing you. If you don&#8217;t want to work, you can chill, yaar. If you want to show appreciation, you say it&#8217;s kickass maga (in Kannada English). </p>
<p>It is definitely not the Queen&#8217;s English. Call it the Maharani&#8217;s English if you will. There&#8217;s nothing royal about it though, it is about the masses. Be it the Banerjees of Kolkata, the Ramanathans of Chennai, the Kapoors of Delhi or the Ambegaonkars of Pune, everyone is mixing it up. The only difference is that while some are salting their English with local lingo, others have a smattering of angrezi in their local dialects. </p></blockquote>
<p>Read the entire post <a href="http://timesofindia.indiatimes.com/Sunday_TOI/Special_Report/Jab_we_speak/articleshow/3961374.cms" target="_blank">here</a></p>
<p><span style="color: #800000;"><span style="font-size: large;">On the trail of some must-read stuff</span></span><br />
<span style="color: #008000;">Source: <a href="http://expressbuzz.com/" target="_blank">expressbuzz.com</a></span></p>
<blockquote><p>Random House&#8217;s first release, though, is non-fiction, Don&#8217;t Lose Your Mind, Lose Your Weight by Rujuta Diwekar, the nutritionist responsible for Kareena Kapoor&#8217;s weight-loss programme. &#8220;Her point is simple and clear,&#8221; says Tanzer. &#8220;You can eat anything you want, it just matters how and when you eat, and of course, exercise, which is something one can&#8217;t escape.&#8221;</p>
<p>Among other notable releases planned are, Baulsphere by Mimlu Sen. An intimate portrait of the baul musicians, Baulsphere takes you into the heart of rural Bengal. Mimlu Sen who lives in Paris, one day witnesses an electrifying performance by the mystic minstrels, who spin like pillars of dust. Their music inspires her to return to Calcutta, and an extraordinary journey with one of them, Paban Das Baul. It&#8217;s passionate, enthralling and lyrical.</p>
<p>In My Kind of Girl by Buddhadeva Bose, four middle-aged men sit together in a railway station, waiting for dawn to break. To pass time, each tells a story of a woman they loved secretly in their youth&#8230;romantic, elegant, suffused with melancholy, My Kind of Girl is a classic love story from one of Bengal&#8217;s greatest writers.</p></blockquote>
<p>Read the entire post <a href="http://www.expressbuzz.com/edition/story.aspx?Title=On+the+trail+of+some+must-read+stuff&amp;artid=JyPolia53VY=" target="_blank">here</a><br />
=======================================================<br />
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