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	<title>The Publisher's Post &#187; Newsletters</title>
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		<title>The Publisher&#8217;s Post &#8211; Nov-Dec 2011</title>
		<link>http://www.thepublisherspost.com/the-publishers-post-nov-dec-2011/</link>
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Nov &#8211; Dec. 2011
Happenings
On what’s  been happening. If there’s news you have heard of and think it would  make for interesting reading, please share it with us.
A Play of Words, Art &#38; Music
Source: Times of India
A report on the recently-concluded Goa Arts and Literary Festival
Instead,  the five-day event was a celebration of [...]]]></description>
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<td style="font-size:12px;color:#000000;line-height:150%;font-family:trebuchet ms;" width="600" valign="top" bgcolor="#FFFFFF"><span style="font-size:12px;font-weight:bold;color:#0F8385;font-family:tahoma;line-height:80%;">Nov &#8211; Dec. 2011</span></p>
<p><span style="font-family: tahoma,sans-serif;font-weight:bold;color:#ff0000;font-size:1.3em;">Happenings</span><br />
<span style="font-family: tahoma,sans-serif;color: #006600;">On what’s  been happening. If there’s news you have heard of and think it would  make for interesting reading, please share it with us.</span></p>
<p><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">A Play of Words, Art &amp; Music</span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: Times of India</span><br />
A report on the recently-concluded Goa Arts and Literary Festival</p>
<blockquote style="background-color:#F9F5E1; margin: 1em 0.5em; border-left: 2px solid #999; padding-left: 0.5em; padding-right: 0.5em;"><p>Instead,  the five-day event was a celebration of great works by lesser-known  writers. It gave pride of place to locals, and uniquely, also featured  several writers, poets and musicians from the north-east, that  oft-ignored part of India that usually comes into the  national  consciousness only in the event of some unpleasant occurrence there.</p>
<p>The  festival conjured up a finely balanced cocktail of both the ingredients  that are usually characteristics of a successful literature  festival-scholarship and performance, although some argued that a third-  scheduling-was in short supply.</p>
<p>While veterans such as Gulzar,  Amitav Ghosh and Kiran Nagarkar were the star draws for panel  discussions and book-signings, the walls that separate a writer from his  reader were slowly chipped away as the festival progressed; by the  final day, most attendees, by now familiar with their fellow-delegates,  pleasantly greeted each other in a friendly manner of camaraderie  consistent with the spirit of the host state.</p>
<p>Informality aside,  another highlight of the festival was the spotlight on the younger  brigade, led by three writers who stood out throughout the festival.  Their works comprise long, hard looks at the cities they&#8217;ve lived in.</p>
<p>Nigerian-American  novelist Teju Cole wrote &#8216;Open City&#8217;, about an African psychiatry  resident who takes long walks around New York City. It has been listed  as one of Time magazine&#8217;s top-10 fiction books of the year. Sonia  Faleiro&#8217;s &#8216;Beautiful Thing&#8217;, which takes a look at Mumbai through the  lens of a bar dancer, is a formidable work of narrative journalism and  its title regularly features in several international best-of lists.</p>
<p>Naresh  Fernandes&#8217;s &#8216;Taj Mahal Foxtrot-The Story of Bombay&#8217;s Jazz Age&#8217;, though  released at the festival, is already being looked at as a significant  chronicle of the city through the perspective of the defining musical  genre of that era. During their sessions, Cole, Faleiro and Fernandes  exhibited extraordinary mastery of their material, presenting it in a  way that held captive the fickle attention of the small, scattered  audience.</p></blockquote>
<p><a href="http://bit.ly/vtL7x7" target="_blank">Read more »</a><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">Globalocal 2011</span><br />
GLOBALOCAL  2011- a two day conference for professionals in the content industry &#8211;  Publishing, Printing, Digitization, Film and more, was held on the 24th  and 25th November 2011. The theme of the conference was &#8220;Crossing  Currents&#8221;  &#8211; looking at how content is being produced, packaged, sold  and consumed differently in the current world of increasing  digitization. The two day conference started  on  24th November with  Juergen Boos, President of the Frankfurt Book Fair presenting the  opening speech. In Juergen&#8217;s words &#8220;I am very pleased to be here today  because India currently finds itself in a unique position as it shifts  into the spotlight of the media world. It is one of the largest  English-speaking markets in the world. Print runs are still increasing,  even as interest is growing in digital publishing.&#8221; He then handed the  podium to Dr.  Shashi Tharoor, eminent writer and Member of Parliament  to present the keynote speech. Dr.  Tharoor spoke eloquently, on how the  subject of the conference &#8211; &#8220;Crossing Currents&#8221; had intrigued him, he  went on to tell us of his personal journey with &#8216;the book&#8217;, how when he  was young and asthmatic, reading was his only and best entertainment.  Since then, there has been a sea change in terms of what is available  for entertainment. Though this digital variety must pose quite a  challenge for publishers, Dr. Tharoor insisted that publishers should  not see it as such, but rather that all the new technology can only  enhance the reader experience.</p>
<p>The first presentation was aptly  on Cross media storytelling &#8211; presented by Holger Volland who heads the  Digital Initiative of the Frankfurt Book Fair, there was rapt attention  as Holger expounded on the subject which is at the heart of the  discussion on how content is being redefined today. This was followed by  a lively panel discussion on the subject with various experts a lively  round of questions and input from the audience. The other sessions of  the day saw subject experts on retail, film, and social media giving  informative and thought provoking presentations and lectures. The second  day started with the Keynote Speech by Octavio Kulesz from Argentina.  Octavio gave an overview of the state of digitisation in the world  today, he spoke of how digitisation can be viewed simply as that which  has happened/is happening and is controlled by the developed world and  the big players, and digitisation in the rest of the world/ developing  world. Setting the tone for the rest of the day&#8217;s sessions all focussed  on the digital to an engaged and curious audience, the current state of  confusion in the industry at present, was especially apparent from the  number of questions from the participants &#8211; especially in the session on  E-Reader/ Tablet platforms and on Cloud Computing. The conference ended  with an intense workshop on Digital Practice.</p>
<p><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">Writers&#8217; conclave at book fair</span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: Times of India</span><br />
At  a conclave held at the 13th North East Book Fair, noted writers from  the city stated that authors&#8217; stand to lose their originality if they  let their publishers amend their composed works in accordance with the  taste of readers.</p>
<p>&#8216;North East Writers&#8217; Conclave &#8211; an open  platform: A conglomeration of Creative Minds&#8217; was a gathering of  professional and amateur writers held with the objective of discussing  issues concerning writers ranging from writing styles and influences,  new-age tools for writers, integrity of the writer, understanding of a  community, publishing woes of writers etc. The conclave was attended by  writers cutting across professional lines.</p>
<p>&#8220;Different writers,  both from the classical and from the contemporary genre, may influence  us and our writings, but as writers we need to have a sensitivity to  respond and react and have to touch upon us. All we need is to be open  to moments that might range from the beautiful to the ugly and we need  to grasp it no matter what,&#8221; said Srutimala Duarah, associate professor  and writer.<a href="http://bit.ly/uf8qiY" target="_blank">Read more »</a></p>
<p><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">The Seagull School of Publishing launched</span><br />
The  Seagull Foundation for the Arts in association with Seagull Books  supported by the Royal Norwegian Embassy of New Delhi, launched The  Seagull School of Publishing in Calcutta today. The inauguration was  done by Her Excellency Ms. Ann Ollestad, Ambassador of Norway in the  presence of Mr. Naveen Kishore, Publisher, Seagull Books, Mr. Samik  Bandopadhyay, Founder Editor, Seagull Books and Dean of Editing, The  Seagull School of Publishing, and Ms. Sunandini Banerjee, Senior Editor  and Graphic Designer, Seagull Books and Dean of Design &amp; Production,  The Seagull School of Publishing and Professor Gayatri Chakravorty  Spivak, eminent scholar, University Professor at Columbia University,  New York, and Seagull Books author.</p>
<p>The inaugural year will  conduct a single session from April to July 2012 and thereafter Spring  (January-April) and Autumn (Juneâ€“September) sessions from 2013. The  course will include a one-month compulsory overview covering the art,  science and business of publishing, editing, marketing and distribution  of books followed by three months of specialization in Editing or Design  and Production. The selection procedure will include a national online  test (www.seagullschool.org) whereby candidates will be shortlisted for  another round of written test and final interview to be held in Kolkata.  The academy will admit 40 qualified students per batch. The course fee  will be Rs. 20,000 per session.</p>
<p>The curriculum is enriched with  special Saturday sessions comprising master classes and field trips to  publishing houses, printing presses, book fairs, bookstores as well as  lectures by guest faculty from mainstream and independent presses,  universities, authors and designers who will share their insights gained  from their long years in this field. The School will be offering a  selection of national and international internships for its students as  well as a few fellowships for those aspiring entrepreneurs who wish to  set up their own publishing venture.</p>
<p><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">Oxford Press to continue printing Ramayana essay</span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: Economic Times</span><br />
Oxford  University Press (OUP) has gone back on an earlier move to stop  printing a controversial essay suggesting that the Ramayana has many  versions, and now said that it will, after all, continue to publish A K  Ramanujam&#8217;s <em>Three hundred Ramayanas</em>. The essay was removed somewhat hurriedly from the Delhi University&#8217;s History syllabus in October this year.</p>
<p>OUP on Friday said; &#8220;Given the current concerns expressed by members of the scholarly community over the availability of <em>The Collected Essays and Many Ramayanas</em>, we have decided to immediately reprint both titles and make them available in India and beyond. We are also making <em>Questioning Ramayanas</em> available again.&#8221;</p>
<p>The  publishing house came under an unprecedented attack from scholars  worldwide, including powerful and influential alumni of Oxford  University (OUP is closely connected with the University) for having  &#8216;apologised&#8217; to those wanting the Ramanujam essay on the diversity in  the versions of the Ramayana removed from the Delhi University syllabus.  Those protesting against the inclusion of the essay had used a  statement reportedly made by OUP&#8217;s India office stating that OUP has  decided to desist from publishing the controversial essay. <a href="http://bit.ly/soxuU2" target="_blank">Read more »</a></p>
<p><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">Wolters Kluwer Health acquires Medknow</span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: Indian Express</span><br />
Wolters  Kluwer Health acquired Medknow, a leading scientific, technical and  medical journal publishing operation headquartered in Mumbai and one of  the largest open access publishers in the world.</p>
<p>The acquisition  expands Wolters Kluwer&#8217;s medical research business presence in key  developing markets and supports its strategy to increase locally written  content and incorporate more open access platforms into its business  model. <a href="http://bit.ly/tmYd4s" target="_blank">Read more »</a></p>
<p><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">Good Response at Hyderabad Book Fair</span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: http://ibnlive.in.com</span><br />
The  annual book fair which was in town for 10 days had quite a few people  from the city turn up at the 250 and-odd stalls that were put up, where  about 150 English book stalls and 90 Telugu book stalls were put up.  Stalls were set up by book shops from across the twin cities and outside  including New Delhi, Bengaluru, Chennai, Gorakhpur,  Vijayawada,  Anantapur and a couple of others. With a recorded foot-fall of about  10,000 on weekdays and more than 50,000 on weekends, the fair was  considered a success overall.</p>
<p>When asked about how the response  had been over the 10 days, secretary of Hyderabad Book Fair Society,  Hanumanth Rao said, &#8220;The response has been incredible, especially on the  weekends. The number of people who visited the fair on the last day has  been more than 60,000, definitely a larger turn-out than last year.&#8221;</p>
<p>While  parents and teachers seem worried about children spending too much time  either watching television or on internet, the book fair reflected  differently. Most of the stall owners found that children&#8217;s books were  the most sold category of books. Another comforting trend observed was  the sale of Telugu doing as well as English books; in some cases Telugu  book stalls did much better business than their English counterparts. <a href="http://bit.ly/rwKcop" target="_blank">Read more »</a></td>
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<span>Hardcover<br />
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Vision Books</span></div>
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ISBN: 9788189738990<br />
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<span style="color:#51626F;font-size:1em;font-weight:bold;text-decoration:none;">by Benjamin Zachariah</span><br />
<span>366pp/Paperback<br />
ISBN: 9788190618649<br />
Yoda Press</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; margin: 1px; padding-right: 2px; padding-bottom: 7px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9789381626108.JPG" alt="" /><span style="color:#881518;font-family:Trebuchet;font-size:1.0em;font-weight:bold;text-decoration:none;">Hot Tea Across India</span><br />
<span style="color:#51626F;font-size:1em;font-weight:bold;text-decoration:none;">by Rishad Saam Mehta</span><br />
<span>195p/Paperback<br />
ISBN: 9789381626108<br />
Westland</span></div>
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<span>by Savia Viegas</span><br />
<span>264pp/Paperback<br />
ISBN: 9780143415220<br />
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<span style="color:#51626F;font-size:1em;font-weight:bold;text-decoration:none;">by Srividya Natarajan And Aparajita Ninan </span><br />
<span>128pp/Paperback<br />
ISBN: 9788189059460<br />
Navayana</span></div>
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<span style="color:#51626F;font-size:1em;font-weight:bold;text-decoration:none;">by Subhash Gatade</span><br />
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ISBN: 9788172210526<br />
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<span style="color:#51626F;font-size:1em;font-weight:bold;text-decoration:none;">Eds: Ram Ramaswamy, Rohini Godbole and Mandakini Dubey </span><br />
<span>192pp/Paperback<br />
ISBN: 9789381017111<br />
Zubaan Books</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; margin: 1px; padding-right: 2px; padding-bottom: 20px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9789381542194.jpg" alt="" /><span style="color:#881518;font-family:Trebuchet;font-size:1.0em;font-weight:bold;text-decoration:none;">Agnigandha Ke Phool</span><br />
<span style="color:#51626F;font-size:1em;font-weight:bold;text-decoration:none;">by Arun Singh &#8216;Kranti&#8217;</span><br />
<span>176pp/Paperback<br />
ISBN: 9789381542194<br />
CinnamonTeal Publishing</span></div>
<div style="float: left; border-top: 2px solid #7b1314; border-bottom: 2px solid #7b1314; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 195px; background-color: #e4deb0; margin-bottom: 15px;"><span style="font-size:13px;font-weight:normal;color:000;font-family:arial;"> The Publisher&#8217;s Post seeks freelancers who will source stories for  inclusion in the Post. For more details, please contact us at writetous@  thepublisherspost.com.</span></div>
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<td style="font-size:12px;color:#000000;line-height:150%;font-family:trebuchet ms;" colspan="2" valign="top" bgcolor="#FFFFFF"><span style="font-family: tahoma,sans-serif;font-weight:bold;color:#ff0000;font-size:1.3em;">Blogs and Articles</span><br />
<span style="font-family: tahoma,sans-serif;color: #006600;">Comments and posts on trends and events in the book industry.</span></p>
<p><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">It&#8217;s a woman&#8217;s world</span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: The Hindu</span><br />
Over  the last 10 years, the face of publishing has been changing, and what  was a bit of a boys&#8217; club a few decades back is no longer so.</p>
<blockquote style="background-color:#F9F5E1; margin: 1em 0.5em; border-left: 2px solid #999; padding-left: 0.5em; padding-right: 0.5em;"><p>Today,  more women occupy important, decision-making positions in the Indian  publishing industry, and many have broken off from larger, multinational  publishing houses to start their own imprints. With the multinationals  too, a large number of young, spirited women are at the editorial helm.  Over the past 10 years, at least in the world of publishing, women have  surely and silently begun to outnumber men. But hasn&#8217;t there always been  a greater ratio of women in the editorial teams of publishing houses?  And if so, what has changed?</p></blockquote>
<p><a href="http://bit.ly/uf8qiY" target="_blank">Read more »</a><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">Commercial success, a diving force for writers today</span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: DNA</span><br />
The scary submission to market forces</p>
<blockquote style="background-color:#F9F5E1; margin: 1em 0.5em; border-left: 2px solid #999; padding-left: 0.5em; padding-right: 0.5em;"><p>&#8220;I  want to beat Chetan Bhagat&#8217;s record!&#8221; screeched another hopeful in his  conversation with me. At the risk of supreme generalisation, the  aspiration of several, if not all, budding authors is precisely this &#8211;  emulate Mr Bhagat. I really have nothing against this man who is being  touted as a &#8216;publishing phenomenon&#8217; and frankly think my fellow-authors  who love to bitch about him in all Lit Fests and social gatherings are  plain jealous of his monetary success.</p>
<p>But the greatest  disservice that I feel he has done to Indian writing is in creating this  vast pool of youngsters who want to be like him! Making the lowest  common denominator as an aspirational benchmark for both writers and  readers not only feeds, but also celebrates mediocrity! No surprise then  that a very eminent and erudite author in his &#8216;diplomatic&#8217; review of  Chetan&#8217;s latest book commented tongue-in-cheek that while his style  might be &#8216;pedestrian,&#8217; &#8216;careless&#8217; and &#8216;awkward&#8217;, the author&#8217;s &#8216;ultimate  vindication&#8217; is the number of copies his book sells and hence he must be  read! Bananas sell too, I thought! So what is the point?</p></blockquote>
<p><a href="http://bit.ly/p2udiK" target="_blank">Read more »</a><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">How to Succeed in Business? By Reading, India Says</span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: cnbc.com</span></p>
<blockquote style="background-color:#F9F5E1; margin: 1em 0.5em; border-left: 2px solid #999; padding-left: 0.5em; padding-right: 0.5em;"><p>Indian  readers, particularly young ones, have been devouring books on  business, management, careers and money in recent years.  In storefront  displays and airport bookstores across India, these tomes get pride of  place, relegating fiction and books about politics to the back row.</p>
<p>Bangalore&#8217;s  annual book fair, which was held over 10 days this month in the grounds  of the Bangalore Palace, a Windsor Castle lookalike from the Raj days,  attracted dozens of business-focused publishers and retailers with  catchy names like Success and Genius, as well as more than 200,000  attendees.</p>
<p>Young Indians graduating from management schools &#8220;are  voracious readers of nonfiction, they read to get a competitive edge,&#8221;  says Krishan Chopa, chief editor for nonfiction at HarperCollins  Publishers India.  India&#8217;s growing economy has accelerated changes in  business and at the workplace, he said, and authors who write about  these changes are popular because the &#8220;country&#8217;s book-reading public is  eager to stay updated.&#8221;</p></blockquote>
<p><a href="http://www.cnbc.com/id/45486787" target="_blank">Read more »</a><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">Kids&#8217; publishers take baby steps in digital world</span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: Times of India</span><br />
Realising  that there is little point in resisting digital books, publishers and  writers are embracing the digital world and working to promote their  books online. Artistes related to children&#8217;s literature debated the idea  of being hooked to books at the &#8216;The Reading Child&#8217; conference.</p>
<p>Editor  of Karadi Tales Manasi Subramaniam said that holding a book comes with a  unique social experience. &#8220;When I see somebody reading a book I want to  walk up to them and talk about it. That social aspect gets destroyed in  a digital medium,&#8221; she said. &#8220;However, there&#8217;s no point in fighting the  change. With ebooks publishing becomes cheaper and books also become  cheaper, encouraging more people to buy them. It&#8217;s actually awesome,&#8221;  she said. Author of <em>Mayil Will Not Be Quiet</em> Niveditha Subramaniam  said there is no denying the fact that e-books are a trend now. &#8220;We  have to find a way to use them creatively,&#8221; she said.</p>
<p>Publishers  of multilingual children&#8217;s books Tulika knows that technology is here to  stay, so though the organisation hasn&#8217;t got down to e-publishing first  hand, they have been approached by others who have. <a href="http://bit.ly/u3VnIS" target="_blank">Read more »</a></p>
<p><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">The Retell Market</span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: Times of India</span></p>
<blockquote style="background-color:#F9F5E1; margin: 1em 0.5em; border-left: 2px solid #999; padding-left: 0.5em; padding-right: 0.5em;"><p>Gautam  Padmanabhan, CEO of Westland (that had first refused to publish Amish  Tripathi, like every other Indian publisher, and then had to eat crow  and buy the rights for his next book when <em>The Immortals of Meluha</em> hit top of the publishing charts), says it is a combination of various  factors that has ensured the success of this genre. &#8220;The new generation  of Indian readers is not just comfortable with its Indian roots but also  willing to know more about it. And there is a wealth of material in our  mythology and history which can become a bestseller in the hands of a  gifted writer,&#8221; reasons Padmanabhan. Westland has quite a few titles in  this genre in its kitty, like the next big series by Ashok Banker, who  pioneered this subset in Indian writing almost two decades ago. Banker&#8217;s  next, The Mahabharat series, is due to be published by Westland in  2012.</p></blockquote>
<p><a href="http://bit.ly/rKHGKy" target="_blank">Read more »</a><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">15 Literary Prophecies for 2012</span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: DNA</span><br />
Bookstores  will stock seasonal vegetables, Chetan Bhagat will finally be  translated into English, and literary festivals will have readings from  telephone directories, predicts bibliophile Sanjay Sipahimalani</p>
<blockquote style="background-color:#F9F5E1; margin: 1em 0.5em; border-left: 2px solid #999; padding-left: 0.5em; padding-right: 0.5em;"><p>Street  food vendors will stay off Indian roads to protest against the  declining sales of newspapers and magazines. When lauded for their  attempts to promote reading, the president of the vendors&#8217; association  will say: &#8220;Reading-shmeading. We only want to make sure there&#8217;s no  shortage of plates and wrappers.&#8221;</p></blockquote>
<p><a href="http://bit.ly/t94Asd" target="_blank">Read more »</a></p>
<p><span style="font-family: tahoma,sans-serif;font-weight:bold;color:#ff0000;font-size:1.3em;">New Book Releases and Events</span><br />
<span style="font-family: tahoma,sans-serif;color: #006600;">New book and journal releases, new imprints and other similar events.</span></p>
<p><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">Rasāla Books</span><br />
Rasāla  publishes India&#8217;s most beautiful forgotten poems in translation. These  exquisite volumes of Sanskrit poetry, accompanied by contemporary  English translations, allow the general reader to enjoy ancient India as  imagined by her poets.</p>
<p>Each bilingual edition, with Sanskrit on  the left hand page and English on the right, is available in print and  eBook format. Rasāla also offers annual subscriptions which include two  volumes of poetry and the Rasāla annual anthology.</p>
<p>Rasāla is run  by a small team based in southern India. For more details, please visit  www.rasalabooks.com or get in touch at venetia@ rasalabooks.com</p>
<p><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">Revolutionary Road</span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: livemint.com</span><br />
From  1955-75, a small literary magazine in Mumbai published some of India&#8217;s  greatest writers and thinkers, before falling victim to Cold War  conspiracies and the Emergency. A new anthology recalls its heady  legacy, and its importance to Indian modernity.</p>
<blockquote style="background-color:#F9F5E1; margin: 1em 0.5em; border-left: 2px solid #999; padding-left: 0.5em; padding-right: 0.5em;"><p>The  clearest indications of its target audience are the advertisements  directed at them &#8211; ads reproduced painstakingly in The Best of Quest.  Here, Mafatlal &#8220;puts colour into my life&#8221;, suggests a man posing as a  painter. &#8220;For elegance and comfort, Lambretta 150 li,&#8221; says an ad for  the famous scooter. With their sparkling, lengthy copy and sophisticated  models in translucent saris, they recall a time when such  advertisements targeted a very small, but fairly homogenous band of  English-speaking sophisticates across the country. In its last years,  the magazine cost a generous Rs. 2.</p></blockquote>
<p><a href="http://www.livemint.com/2011/11/11205928/Publishing--Revolutionary-roa.html" target="_blank">Read more »</a><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">Campfire Young Writer of the Year</span><br />
Campfire  is proud to launch Campfire Young Writer of the Year &#8211; a story writing  competition for anyone from classes 5 to 9. The first competition of its  kind to take place on a pan-India basis, it is being held in  association with Spell Bee India (as co-partner for 2012). Anyone from  classes 5 to 9, attending any school in India, participate in this  competition. All the child needs to do is write a fictional story  (maximum 2,000 words), then log onto www.campfire.co.in/youngwriters to  submit their entry. All entries must be received no later than 15th  March, 2012. The results will be announced during the first two weeks of  April.</p>
<p><span style="font-family: tahoma,sans-serif;font-weight:bold;color:#ff0000;font-size:1.3em;">Elsewhere&#8230;</span><br />
<span style="font-family: tahoma,sans-serif;color: #006600;">News from around the world&#8230;</span></p>
<p><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">The Nobel Prize in Literature goes to&#8230;Tomas Transtromer </span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: nytimes.com</span></p>
<blockquote style="background-color:#F9F5E1; margin: 1em 0.5em; border-left: 2px solid #999; padding-left: 0.5em; padding-right: 0.5em;"><p>Critics  have praised Mr. Transtromer&#8217;s poems for their accessibility, even in  translation, noting his elegant descriptions of long Swedish winters,  the rhythm of the seasons and the palpable, atmospheric beauty of  nature.</p>
<p>&#8220;So much poetry, not only in this country but everywhere,  is small and personal and it doesn&#8217;t look outward, it looks inward,&#8221;  said Daniel Halpern, the president and publisher of Ecco, the imprint of  HarperCollins that has published English translations of Mr.  Transtromer&#8217;s work. &#8220;But there are some poets who write true  international poetry. It&#8217;s the sensibility that runs through his poems  that is so seductive. He is such a curious and open and intelligent  writer.&#8221;</p></blockquote>
<p><a href="http://nyti.ms/rN6o09" target="_blank">Read more »</a></td>
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<p>News Submissions: If you have news and events to report, please email us  at writetous@ thepublisherspost.com with the word &#8220;SUBMISSION&#8221; in the  subject line. News that includes book launches, book signings, launch of  new imprints and publishing houses, book fairs, new entrants among  publishers, writer and publisher blogs, comments, opinions, relevant job  postings, the works. The newsletter is sent every month during the last  week of each month.</p>
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		<title>The Publisher&#8217;s Post Aug &#8211; Oct 2011</title>
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		<dc:creator>Editors</dc:creator>
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Aug &#8211; Oct. 2011
Happenings
On what’s  been happening. If there’s news you have heard of and think it would  make for interesting reading, please share it with us.
In the Loop in Frankfurt
Vinutha  Mallya, Senior Editor, Mapin Publishing, visited the Frankfurt Book  Fair again this year and wrote this report for The Publisher&#8217;s [...]]]></description>
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<p><span style="font-family: tahoma,sans-serif; font-weight: bold; color: #ff0000; font-size: 1.3em;">Happenings</span><br />
<span style="font-family: tahoma,sans-serif; color: #006600;">On what’s  been happening. If there’s news you have heard of and think it would  make for interesting reading, please share it with us.</span></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">In the Loop in Frankfurt</span><br />
Vinutha  Mallya, Senior Editor, Mapin Publishing, visited the Frankfurt Book  Fair again this year and wrote this report for The Publisher&#8217;s Post.</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>The  good news for the Indian presence at the Fair this year was that the  National Book Trust had taken a large stall, where they were also  promoting the upcoming World Book Fair to be held in Delhi early next  year. At the Sahitya Akademi stand, the spotlight was on Rabindranath  Tagore, whose 150th birth anniversary is being commemorated by the  nation this year. Other agencies at the Fair were CAPEXIL, and the  Kolkata Book Fair. Matchmaking events and buy-seller meets were  organised for publishers and printers, and provided good opportunity for  gaining business leads. As each year, one hopes that next year the NBT  will organize a collective stand for Indian publishers, which would  ensure a stronger contingent from India at the Fair. (We needn&#8217;t wait to  be made Guest of Honour!)</p></blockquote>
<p><a href="../in-the-loop-in-frankfurt/" target="_blank">Read more »</a><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Publishing Conference &#8211; Publishing Next</span><br />
<img style="float: left; margin-right: 6px;" src="http://www.publishing-next.com/wp-content/uploads/2011/03/logo2.png" alt="" />India&#8217;s  first conference on the future of Publishing &#8211; Publishing Next 2011 &#8211;  was held on the 16th and 17th of September 2011. The conference  attracted participants from all over India and even abroad and ensured  that diverse perspectives were put forth during the two days of panel  discussions, workshops and presentations.</p>
<p>The panel discussions  were held on a variety of topics ranging from the future of independent  publishing to marketing in the age of social media to the future of  publishing houses themselves. Workshops on the art of academic writing  and social media for publishers were also held in an environment that  encouraged participation from the audience. In a departure from the  usual format of conferences such as these, various technologies were  presented by different entrepreneurs, those that represented the future  of publishing.</p>
<p>Over the two days participants had an opportunity  to network with each other. Given the diverse backgrounds of those  attending, participants found that there was a lot they could borrow  from each other and collaborate with in order to boost their own  businesses.</p>
<p>Publishing Next is now planned as an annual feature with meetups planned between the annual conference.</p>
<p>For reports and blogs about the conference do visit <a>www.publishing-next.com/2011/</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">FICCI organizes PubliCon 2011</span></p>
<p>The  sessions chaired by eminent persons in their own fields touched upon  various aspects of publishing. The first session on day 1 discussed the  proposed National Book Promotion Policy and stressed the need for its  careful implementation and monitoring. Another panel discussed how India  could be a hub for e-book development while a third discussed the huge  market potential of comic books and childrens&#8217; books. The first day  concluded with a discussion on how IPR could be managed in the  publishing industry with perspectives from markets other than the Indian  market.</p>
<p>The second day opened with a panel discussion on the  role of book fairs in the country. This was followed by one that  discussed the export potential of the Indian Publishing Industy. The  conference concluded with discussions on how libraries could be  rejuvenated in India.</p>
<p>Besides allowing a platform for important  topics to be discussed, the conference also allowed members of the  publishing industry to meet and network with each other.</p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Jumpstart 2011</span><br />
In  its 3rd year now, JUMPSTART witnessed an unprecedented euphoria. The  two days saw 32 speakers from 5 countries and from almost all parts of  India. And over 250 participants, many of whom have been attending since  the last 2 years, and many people travelling to Delhi from different  parts of India.</p>
<p>Over the two days, various topics were discussed.  In the inaugural session on day 1, a number of ideas about how, in the  digital age, the idea of the book has been &#8220;shattered&#8221; and &#8220;splintered&#8221;  were floated, challenging the audience &#8211; of publishers and creative  people &#8211; to rethink the parameters of what they do. Similarly, in later  sessions, the audience was educated on the marketing challenges faced by  publishers, the state of children&#8217;s books in India, the challenges of  retail and interesting models people are coming up with to battle  infrastructure issues. The second day mainly saw various instances of  how storytelling had evolved, especially within the Indian context.  Devdutt Pattanaik, for instance, spoke of narrative lineage and his  personal explorations in re-telling ancient myths for a young audience.</p>
<p>Various  workshops were also organized, aimed at individual groups of writers,  illustrators and librarians. The second day also saw the first LitCam  conference in India. With a focus on literacy and publishing and  literacy in media, the sessions had some very pertinent and exciting  discussions on issues that concern us all in the publishing industry.</p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">First Volume of Konkani Encyclopedia Released</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: daijiworld.com</span><br />
Konkani  Language and Cultural Foundation celebrated the Konkani Manyatha Divas  (recognition of Konkani by its inclusion in the 8th schedule of the  constitution) by releasing the first volume of the three-part  Encyclopedia of Konkani at a function held at World Konkani Centre,  Shaktinagar on August 20.</p>
<p>Prof Rajesh Sachdeva Director-in-Charge  of Central Institute of Indian Languages, Mysore, who released the book  in the presence of Dr Tanaji Harlankar, guest of honour and Chief  Editor of the Encyclopedia of Konkani emphasized on the importance of  contribution of the community in safeguarding and developing their  language. <a href="http://bit.ly/qGeG5q" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">National Book Printers conference (NBPC) in Thiruvananthapuram next month</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Print Week India</span><br />
India&#8217;s first National Book Printers conference (NBPC) will be hosted between 17 to 19 November at Thiruvanthapuram in Kerala.</p>
<p>Top  book printer-exporters from India will participate in a panel  discussion on day one. Manipal Technologies, Lovely Offset, IPP,  Gopsons, Replika Press, Repro India, Thomsons Press and MultiVista  Global have confirmed their presence at NBPC 2011 along with other book  printers, book publishers and government delegates.</p>
<p>The three-day  event is being supported by Welbound and Henkel CAC India. It will  consist of knowledge seminars and panel discussions which have been  conceptualised by PrintWeek India. Professor Werner Rebsamen will be the  keynote speaker on day one of the event.</p>
<p>&#8220;Key post-press  suppliers will be providing innovative technological solutions during  the conference with an objective to make India the largest book print  exporter by 2017,&#8221; said P Sajith, Welbound Worldwide. <a href="http://bit.ly/oJTb7z" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Indian flavour rules at Comic Con</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: booktrade.info</span><br />
The  second edition in the country and the first of its kind in Mumbai, the  event saw characters like Darth Vader with his red saber rubbing  shoulders with the worldâ€™s favourite pirate, Captain Jack Sparrow.  Around 40 stalls exhibited works by Indian and international comic as  well as graphic novel publishers.</p>
<p>With 5,000 odd people visiting  on day one, stalls with the maximum sales at the event were not the  graphic novels, but those selling comic merchandise. &#8220;It&#8217;s difficult to  get your hands on to a lot of this stuff. I&#8217;m a huge Family Guy fan, so  when I saw these broaches, I just knew I had to stock up,&#8221; says Abeer  Aggarwal, an advertising professional.</p>
<p>And though bookstores like  Landmark, Crossword and Flipkart too have set shops here, it was the  small, independent artists who got maximum eyeballs. Bollywood too took a  backseat, as Bihari superhero Uud Bilaw Manus took on Ra.One the comic.  <a href="http://bit.ly/sVa2Oq" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Business of selling books set for a wrenching change</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Economic Times</span><br />
The  Indian author, especially the one who writes in English, no longer  lives on fresh air and inspiration. As interest in Indian writing and  book sales have gone up, so have the advances.</p>
<p>Having said that,  not everyone is giggling all the way to the bank. Despite being the  world&#8217;s third-largest producer of English titles by volumes after the US  and the UK, Indian booksellers are bleeding, a result of what Hachette  India managing director Thomas Abraham terms &#8220;overexpansion&#8221;.</p>
<p>The  leading book retail chains are still in an expansion mode in big cities  like Delhi, Mumbai, Chennai, Kolkata and Bangalore to consolidate their  positions. &#8220;But there isn&#8217;t as much a demand for books in the metros  that justifies the presence of as many players,&#8221; says Abraham. The  result? Booksellers end up cannibalising each other.  <a href="http://bit.ly/qLBa4V" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Lacklustre response to Delhi Book Fair disappoints exhibitors</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Hindu</span><br />
Though  bibliophiles could be seen in good numbers on the penultimate day of  the ongoing Delhi Book Fair at Pragati Maidan here on Saturday, its  director, Shakti Malik, is a disillusioned man because of bleak response  from the book reading public.</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>According  to Mr. Malik, one of the main reasons is lack of publicity for this  annual event. &#8220;There should have been more publicity in local newspapers  and satellite channels so that Delhiities living in far flung areas  could have made it to the fair. This is a book fair that has been  conceptualised for the citizens of Delhi but if they are missing it then  it is disheartening for me and other publishers,&#8221; said the veteran book  promoter, who has played a significant role over the past 16 years in  popularising books authored by Indian writers at this fair. Serious  buyers did come to the nine-day-long fair but only in dribs and drabs.  However, there was a silver lining in the Chinese publishers evincing  interest in books authored by Indian writers and there being an  agreement on translation rights.</p></blockquote>
<p><a href="http://bit.ly/qsuamH" target="_blank">Read more »</a><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">&#8216;Identity of Indian in writing is problematic&#8217;</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: http://expressbuzz.com/</span><br />
&#8220;Why  do Indian writers write in English? This was asked to me by the  organiser of a poetry fest in Poland. The identity of the Indian in  Indian writing thus becomes a problematic one,&#8221; said author Anita Nair.  She was inaugurating the Indian Ruminations Literary Festival at the  Vyloppilli Samskrithi Bhavan on Saturday. The Indian-born writer added  that writings in Indian English after the 1960s were rarely discussed in  academic circles.</p>
<p>The literary festival is hosted by Indian  Ruminations, a web-based writers&#8217; collective and publishing firm. Books  authored by city-residents Anu Joshy and Anna Maria were released at the  event. An anthology of poems by writers from various parts of the  country was also released under the banner of Roots &amp; Wings, the  publication wing of the website.</p>
<p>Delivering the presidential  address, Additional Chief Secretary K Jayakumar said that translations  were as serious a literary engagement as creative writing. &#8220;Empanelling  of translators is a rigorous process in most International Book  Festivals and only the translations done by the members of that panel  are accepted for the festivals. Translation is a serious work and  translators should be respected and well-paid,&#8221; he said. &#8220;When great  literary works are translated into vernaculars, it is not the literary  space of M T Vasudevan Nair or Basheer that is compromised, but that of  the new writers who will have to struggle to get noticed by readers and  critics. This is where initiatives such as Indian Ruminations can play  the role of effective mediators between readers and writers,&#8221; he said.</p>
<p>Awards  for works of poetry and prose (fiction and non-fiction) in both English  and Malayalam were presented to authors by Tamil poet K Pankajam.  Technical writer Nayanathara received the award for best poetry in  English for her <em>The Scent of Frangipani</em> while in the Malayalam section, the award was given to Rajesh Chithira for his <em>Unmathathakalude Crash Landingukal</em>. Amit Upadhyay of Delhi has bagged the award for the best fiction in English for his work<br />
Evil  is Evil Good is God. Journalist Sulfikkar Kamar shared the award for  best non-fiction work in Malayalam (&#8217;Fernhill&#8217;) with Ajoy Kumar MS  (&#8217;Angane Oru Mambazhakalam&#8217;). <a href="http://bit.ly/oILDwY" target="_blank">Read more »</a></td>
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<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">To have your book listed here, write to us with all details and a cover image</span></p>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; height: 110px; border: 1px solid #ffffff; margin: 1px; padding-right: 2px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9780143103134.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">This Is Not That Dawn</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">By Yashpal Translated By Anand</span><br />
<span>216p/Paperback<br />
ISBN:9780143103134<br />
Penguin</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; height: 100px; margin: 1px; padding-right: 2px; padding-bottom: 10px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9788189738907.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Nirad C. Chaudhuri &#8211; Many Shades, Many Frames</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Dhruva N. Chaudhuri</span><br />
<span>180p/Hardcover<br />
ISBN: 9788189738907<br />
Niyogi Books</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; height: 100px; margin: 1px; padding-right: 2px; padding-bottom: 10px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9788190676069.png" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Mapping the Field, Vol-I &#8211; Gender Relations in Contemporary India</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">eds.: Nirmala Banerjee, Samita Sen and Nandita Dhawan</span><br />
<span>306/Paperback<br />
ISBN: 9788190676069<br />
Stree</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; margin: 1px; padding-right: 2px; padding-bottom: 20px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9788192110707.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Building The Ambedkar Revolution: Sambhaji Tukaram Gaikwad And The Kokan Dalits</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">By Gail Omvedt</span><br />
<span>156pp/Paperback<br />
ISBN: 9788192110707<br />
Bhashya Prakashan</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; margin: 1px; padding-right: 2px; padding-bottom: 20px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9788188965670.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Making a Difference: Memoirs from the Women&#8217;s movement in India.</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">ed.: Ritu Menon</span><br />
<span>412pp/Paperback<br />
ISBN: 9788188965670<br />
Women Unlimited</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; margin: 1px; padding-right: 2px; padding-bottom: 7px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9780415693790.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Writing India, Writing English: Literature, Language, Location</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">By GJV Prasad</span><br />
<span>196p/Hardcover<br />
ISBN: 9780415693790<br />
Routledge India</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; margin: 1px; padding-right: 2px; padding-bottom: 2px; float: left;" src="http://www.dogearsetc.com/pubpost/images/8178243431.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Empire&#8217;s Garden</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">By   Jayeeta Sharma</span><br />
<span>348pp/Hardcover<br />
ISBN: 8178243431<br />
Permanent Black</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; margin: 1px; padding-right: 2px; padding-bottom: 2px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9789350291573.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Calcutta Exile</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">By Bunny Suraiya</span><br />
<span>256pp/Paperback<br />
ISBN: 9789350291573<br />
HarperCollins India</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; margin: 1px; padding-right: 2px; padding-bottom: 2px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9789380283791.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Legend of the Lepchas &#8211; Folk Tales from Sikkim</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Yishey Doma</span><br />
<span>164pp/Paperback<br />
ISBN: 9789380283791<br />
Tranquebar Press</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; margin: 1px; padding-right: 2px; padding-bottom: 20px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9789381542026.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Morphing Lines</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Meera</span><br />
<span>114pp/Paperback<br />
ISBN: 9789381542026<br />
CinnamonTeal Publishing</span></div>
<div style="float: left; border-top: 2px solid #7b1314; border-bottom: 2px solid #7b1314; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 195px; background-color: #e4deb0; margin-bottom: 15px;"><span style="font-size: 13px; font-weight: normal; color: #000000; font-family: arial;"> The Publisher&#8217;s Post seeks freelancers who will source stories for  inclusion in the Post. For more details, please contact us at writetous@  thepublisherspost.com.</span></div>
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<td style="font-size: 12px; color: #000000; line-height: 150%; font-family: trebuchet ms;" colspan="2" valign="top" bgcolor="#FFFFFF"><span style="font-family: tahoma,sans-serif; font-weight: bold; color: #ff0000; font-size: 1.3em;">Blogs and Articles</span><br />
<span style="font-family: tahoma,sans-serif; color: #006600;">Comments and posts on trends and events in the book industry.</span></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Indian writers turning bolder!</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: daily.bhaskar.com</span><br />
&#8220;There  has been a greater acceptance of such writing by society, possibly on  account of a more matured audience and the desire of the reader to  experiment with varied styles, genres of writing&#8221;</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>Going  by what India is reading and writing of late, the country seems to be  undergoing a mass change in its attitude to morality. Latest books,  including controversial translations from yester-years, have proved that  the common man is more understanding of what goes on in a marriage and  is perhaps more tolerant of transgressions.</p>
<p>Take Farrukh Dhondy&#8217;s  &#8220;Adultery and Other Stories&#8221; (HarperCollins), the newest entrant in  literature to explore relationships in an out-of-marriage context. These  stories about &#8216;love, lust, friendship, betrayal and the ways of the  heart&#8217; take on the seventh commandment: Thou shalt not commit adultery.  Of course, the word &#8216;adultery&#8217; is gaining new nuances and carries all  kinds of meanings in modern-day vocabulary.</p>
<p>In Shinie Antony&#8217;s  recently released novel &#8220;When Mira Went Forth and Multiplied&#8221; (Rupa),  the erring partners are delightfully caricatured. Far from being the  stereotypical mistress, Mira is your average, neighbourhood psycho whose  heart is in the right place.</p>
<p>Agreed, adultery is as old as the  hills, but interpretations are new and now manifold. In most of these  books, affairs rarely culminate in marriage &#8211; the ultimate traditional  destination of man-woman relationships. Indeed the new trend is to tell  it like it is and not judge.</p></blockquote>
<p><a href="http://bit.ly/nx2nzO" target="_blank">Read more »</a><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Future of Books rather good</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Print Week</span><br />
There&#8217;s been a bit of action on the book front.</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>&#8230;publishers  across the country are now targeting the YA segment as a separate  category and coming up with books that have adolescent Indian  protagonists in local settings. HarperCollins Publishers India launched  the YA category last year under the Harper imprint while Penguin India  rolled out Penguin YA in February 2011. Amar Chitra Katha also plans to  come out with two separate YA lists &#8211; graphic novels as well as fiction &#8211;  within six months. All of them are targeting the 14 to 21 age group as a  separate segment.</p></blockquote>
<p><a href="http://bit.ly/p2udiK" target="_blank">Read more »</a><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">It is the best of times for new authors</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Hindu</span></p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>But even in these good times, finding a publisher can be quite a task. R. Chandrasekhar&#8217;s <em>The Goat, the Sofa and Mr. Swami</em> was turned down by three publishers before Hachette, impressed by the  first three chapters, published him. &#8220;My story revolved around cricket,  bureaucracy and politics, all three are timely and continue to be,&#8221; says  the alumnus of Vivekananda College, Delhi School of Economics and  University of Chicago.</p>
<p>Publishers employ many methods to process  this deluge. For instance, Chennai-based Blaft Publications are open to  getting works from first-time writers but insist on an element of  surprise in the story and &#8220;not somebody who wants to be another Chetan  Bhagat or an IIM story,&#8221; says a spokesperson. Rupa &amp; Co too rejects a  considerable percentage of the manuscripts they receive.</p></blockquote>
<p><a href="http://bit.ly/qdN7kM" target="_blank">Read more »</a><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Language and Identity</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Hindu</span><br />
With  an inherited legacy of access to multiple languages, our writers and  translators are enriching the English language with a typically Indian  tenor and landscapes&#8230;</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>The  more thorough the last of these acts, the deeper the self-forgetfulness  of the defeated because language is like life, like faith, in it is  encoded the identity of a people. But unlike the Portuguese who tortured  the local people in and around Goa, pushed Latin into churches at the  point of a sword and banned Marathi and Konkani, the British did not  force their language on us &#8230; they simply made it socially expedient  and professionally profitable to learn English even as they withdrew  funding for scholars of Arabic and Sanskrit. After English was  institutionalised in India and after a few decades of self-denigration  and excessive awe of Western textbook-English, not only did Indians  start to experiment with English, and reverse creative norms by  beginning to translate into this visitor language, which they picked up  rapidly, but they also coined usages with which no one can argue:  popular ones, not literary. Not to mention, &#8220;I am thinking it is going  to rain&#8230;&#8221; which overtook &#8220;I think it&#8217;s going to rain&#8230;&#8221; and which,  according to David Crystal will one day be accepted as Standard English.</p></blockquote>
<p><a href="http://bit.ly/n0p8rc" target="_blank">Read more »</a></p>
<p><span style="font-family: tahoma,sans-serif; font-weight: bold; color: #ff0000; font-size: 1.3em;">New Book Releases and Events</span><br />
<span style="font-family: tahoma,sans-serif; color: #006600;">New book and journal releases, new imprints and other similar events.</span></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Indian language literature goes to Frankfurt Book Fair</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: http://ibnlive.in.com</span><br />
In  a first showcase of Indian indigenous writing, a literary panorama  featuring works by over 30 language writers was on display at the  Frankfurt Book Fair in a pilot exhibition for readers and publishers  from Europe, the US and other countries.</p>
<p>The literary panorama  was initiated by the union culture ministry under the &#8216;ILA: Indian  Literature Abroad&#8217; project. The project aims to carry the diversity of  contemporary regional Indian literature from the grassroots to the world  through source translation, which involves creation of original work  directly to foreign languages in an attempt to remove dependence on  English translation.  Initially, the focus of translation is on six  UNESCO languages: Arabic, Chinese, English, French, Russian and Spanish.  <a href="http://bit.ly/rPPTWi" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Simon and Schuster eyes India&#8217;s digital reading space</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: newKerala.com</span><br />
The  booming publishing market in India has lured yet another international  publishing firm, Simon and Schuster, which is high on the country&#8217;s  growing digital reading space. Simon and Schuster, the publishing  segment of CBS Corp, has opened an India-specific unit.</p>
<p>The  publishing house wants to cash in on digital transformation, the demand  for inexpensive books and the inherent financial advantages like lesser  material and allied costs in India, said Carolyn K. Reidy, president and  CEO of Simon and Schuster. <a href="http://bit.ly/qj4Urb" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Nobody&#8217;s in the library</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Economic Times</span><br />
The rise of online library to suit changed lifestyles</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>Once  upon a time, before the rise of the Internet and the emergence of  hundreds of television channels, the library was where people went for  both information and entertainment. It was here they learnt about global  events, or were transported to distant lands. But then the library  became a victim of rapidly changing lifestyles, and was on the verge of  being wiped out. That is until it rediscovered itself in a new avatar:  the online library.</p>
<p>Putting library catalogues online is now a  growing trend, with several start-ups offering the service, and some  traditional libraries following suit. In February 2010, the British  Council Library, or BCL, at Mumbai&#8217;s Nariman Point, arguably the  best-known library in the city, opted to close down and focus entirely  on its online service. With online libraries sprouting all over India,  are traditional libraries becoming obsolete?</p>
<p>Yes, says Hiten  Turakhia, one of the founders of the Mumbai-based librarywala.com, the  country&#8217;s first online library service. &#8220;Due to busy schedules, fewer  people are willing to spend their precious free time travelling to a  library,&#8221; he says. &#8220;This is where online libraries come in, where the  books are delivered at your doorstep.&#8221;</p></blockquote>
<p><a href="http://bit.ly/qjV22V" target="_blank">Read more »</a><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Lit fests bloom as interest grows among sponsors</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: livemint.com</span></p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>The  next four months will see at least 10 major literary festivals across  the country, including the Indian edition of the Hay Festival of  Literature and the Arts (Kerala), the Bookaroo Children&#8217;s Literature  Festival (Delhi), the Kovalam Literary Festival (Kerala), the Goa Arts  and Literary Festival, and Literature Live! (Mumbai).</p>
<p>Organizing  such an event costs between Rs. 50 lakh and Rs. 5 crore, according to  organizers. The cost increases 15-20% annually, said Sanjoy K. Roy,  founder of Teamwork Productions Pvt. Ltd, which has been organizing  cultural festivals for nearly two decades. Besides infrastructure, costs  that rise continuously are travel, accommodation and security, he  added.</p></blockquote>
<p><a href="http://bit.ly/o1TBd0" target="_blank">Read more »</a><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">A barrier-free world with open-access publishing</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Hindu</span></p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>The  International Centre for Free and Open Source Software (ICFOSS), based  on the Technopark campus in Thiruvananthapuram, is poised to take its  first step into open-access publishing. The centre is set to release the  Journal of Free Software and Free Knowledge on Monday, representing the  next stage in the free software movement.</p>
<p>Talking to <em>The Hindu</em>,  Satish Babu, director, ICFOSS, said open-access publication provided an  answer to the problems posed by copyright restrictions in the  conventional method of publishing. A recent development in the domain of  scholarly publishing, open-access publication aims at providing free,  instant, global, and indexed access to published literature, without  compromising on its quality. It encourages widespread access, use and  reuse, with or without modification, of the original work, while  maintaining the integrity of the original material and the rights of its  author. Open-access publication is enabled by the Internet and Web  technologies.</p></blockquote>
<p><a href="http://bit.ly/nPW8ng" target="_blank">Read more »</a><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Bringing art back into fairy tales</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: DNA</span><br />
There  was a time when story books laden with beautiful illustrations made  heading to bed in the night, an event to look forward to. Fairy tales  came alive with the equally-enticing illustrations. With PSPs, the  computer and television grabbing the eyeballs, will picture books be a  thing of the past?</p>
<p>Karadi Tales, the pioneers in audio-books in  India don&#8217;t think so. Stepping out from the audio-book mode, the company  recently launched five picture books under the Chitra imprint; namely, <em>Whose lovely child can you be?</em>, <em>When the Earth Lost Its Shape</em>, <em>The Moustache Man</em>, <em>The Dancing Man</em> and <em>Dorje&#8217;s Stripes</em>.</p>
<p>Shobha  Vishwanath, writer and publishing director of Karadi Tales explains,  &#8220;We are in a transitional phase right now. We have moved from cassettes  to CDs and are deliberating on what to do next. This is a reason why we  have decided to move to picture books.&#8221;<a href="http://bit.ly/pZxFYg" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Indian student creates publishing buzz in London</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Times of India</span><br />
Prajwal Parajuly, a 27-year-old student at the University of Oxford  from Gangtok, Sikkim, India, created quite a furore in the publishing  world of London this week by being signed by the Steig Larson trilogy  publisher Quercus Books in a respectable five-figure pound advance. With  the signing, Mr. Parajuly becomes the youngest author at Quercus.</p>
<p>Already touted as the next big thing in South Asian fiction by various publications of the Indian sub-continent, Prajwal&#8217;s <em>The Gurkha&#8217;s Daughter: Stories</em> clinched him the deal in a two-book signing, proving that talent &#8211;  irrespective of the market for short-story collections &#8211; doesn&#8217;t go  unrecognized. This will be the first time a book on fiction has been  written about Nepali-speaking people without the contents restricting  themselves to Nepal.<a href="http://bit.ly/pUzaJ0" target="_blank">Read more »</a></p>
<p><span style="font-family: tahoma,sans-serif; font-weight: bold; color: #ff0000; font-size: 1.3em;">Elsewhere&#8230;</span><br />
<span style="font-family: tahoma,sans-serif; color: #006600;">News from around the world&#8230;</span></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">The Nobel Prize in Literature goes to&#8230;Tomas Transtromer </span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: nytimes.com</span></p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>Critics  have praised Mr. Transtromer&#8217;s poems for their accessibility, even in  translation, noting his elegant descriptions of long Swedish winters,  the rhythm of the seasons and the palpable, atmospheric beauty of  nature.</p>
<p>&#8220;So much poetry, not only in this country but everywhere,  is small and personal and it doesn&#8217;t look outward, it looks inward,&#8221;  said Daniel Halpern, the president and publisher of Ecco, the imprint of  HarperCollins that has published English translations of Mr.  Transtromer&#8217;s work. &#8220;But there are some poets who write true  international poetry. It&#8217;s the sensibility that runs through his poems  that is so seductive. He is such a curious and open and intelligent  writer.&#8221;</p></blockquote>
<p><a href="http://nyti.ms/rN6o09" target="_blank">Read more »</a></td>
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<p>News Submissions: If you have news and events to report, please email us  at writetous@ thepublisherspost.com with the word &#8220;SUBMISSION&#8221; in the  subject line. News that includes book launches, book signings, launch of  new imprints and publishing houses, book fairs, new entrants among  publishers, writer and publisher blogs, comments, opinions, relevant job  postings, the works. The newsletter is sent every month during the last  week of each month.</p>
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		<title>In the Loop in Frankfurt</title>
		<link>http://www.thepublisherspost.com/in-the-loop-in-frankfurt/</link>
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		<pubDate>Wed, 02 Nov 2011 05:27:03 +0000</pubDate>
		<dc:creator>Editors</dc:creator>
				<category><![CDATA[Newsletters]]></category>
		<category><![CDATA[Frankfurt Book Fair 2011]]></category>

		<guid isPermaLink="false">http://www.thepublisherspost.com/?p=288</guid>
		<description><![CDATA[by Vinutha Mallya
At the Frankfurt Book Fair 2011, the word coming through every day was that exhibitors in Hall 8 – where the US, UK publishers are located, and described by David Davidar in his new novel, Ithaca, as the “nerve centre” of the Fair – were crying that they’ve had fewer meetings and deals [...]]]></description>
			<content:encoded><![CDATA[<p><strong>by Vinutha Mallya</strong></p>
<p>At the Frankfurt Book Fair 2011, the word coming through every day was that exhibitors in Hall 8 – where the US, UK publishers are located, and described by David Davidar in his new novel, <em>Ithaca</em>, as the “nerve centre” of the Fair – were crying that they’ve had fewer meetings and deals at the Fair this year.  This was evident when one took a stroll along the aisles of Hall 8 (after undertaking the long walk from Hall 5.0, where the non-multinational Indian publishers and printers were exhibiting).</p>
<p>Despite this gloom, official statistics this year reveal that attendance at the Fair had increased by about 1% when compared to last year. The Book Fair authorities have rightly attributed this to the growing interest in networking and training events at the Fair, although one could credit the good weather this year too – lots of sunshine. </p>
<p>The events that were held were more in number when compared to last year, and they addressed more segments of publishing. There were about 7,400 exhibitors from 106 countries, and more than 3,200 events, all of which attracted approximately 283,000 visitors. Iceland was the Guest of Honour country this year, and the country showcased its range of literature – from classical sagas to modern literature. </p>
<div id="attachment_293" class="wp-caption aligncenter" style="width: 611px"><img src="http://www.dogearsetc.com/pubpost/images/fbf1.jpg" alt="© Frankfurter Buchmesse / Alex Heimann" title="fbf1" width="300" height="199" class="size-full wp-image-293" /><p class="wp-caption-text">© Frankfurter Buchmesse / Alex Heimann</p></div>
<p>An official release from the Frankfurt Book Fair informs us that the LitAg (The Literary Agents &#038; Scouts Centre) “recorded an increase of 11 per cent in visitor numbers.”  I did meet some agents who were going home pleased. So, perhaps it was not so gloomy in the other halls of the Fair. </p>
<p><strong>What was new this year?</strong></p>
<p>Beyond the traditional buying and selling of rights, and routine licensing deals, which are the mainstay of the Fair, this year offered several new features for exhibitors. The Fair was also opened up to a newer range of exhibitors. </p>
<p>Frankfurt Book Fair had announced earlier in 2011 that the Fair was expanding its scope from books to becoming a “content” fair.  Through the Frankfurt SPARKS brand, the digital initiative of the Frankfurt Book Fair, new platforms have been introduced. The line-up of 30 events for the Frankfurt <a href="http://ww2.book-fair.com/en/sparks/storydrive.html" target="_blank">StoryDrive</a>, the platform focused on transmedia business and media rights, amply demonstrated this shift in focus. <a href="http://ww2.book-fair.com/en/sparks/hot-spots.html" target="_blank">HotSpots</a>, the other platform of SPARKS, displayed cutting edge technologies and innovations in digital content.</p>
<p>The HotSpots corner located Hall 8, allocated for displaying ‘Mobiles and Devices’, was buzzing with product demos and talks. My first two meetings of the Fair were with service providers of digital content platforms, and I came away feeling quite positive about designing an affordable and apt digital strategy (and not just e-books and apps alone) for my company in the near future.  </p>
<p><strong>Prominent conferences</strong></p>
<p>Under the newly introduced umbrella of ‘Frankfurt Academy’, the Fair organised several international conferences and seminars this year to broadly cover these areas of interest: Strategy, Marketing, Digital, and Rights and Licenses (the tickets for many of these were priced almost as much as my airfare!).</p>
<p>Discussions on digital innovations in publishing have been taking place in Frankfurt ever since the <a href="http://tocfrankfurt.com/" target="_blank">Tools of Change</a> conference was launched there three years ago. This year, with the introduction of the first Frankfurt edition of the <a href="http://www.publisherslaunch.com/events/launch-frankfurt/">Publishers Launch</a> conference, the scope of discussions was widened. </p>
<div id="attachment_297" class="wp-caption aligncenter" style="width: 310px"><img src="http://www.dogearsetc.com/pubpost/images/fbf3.jpg" alt="© Frankfurt Book Fair / Fernando Baptista" title="fbf3" width="300" height="200" class="size-medium wp-image-297" /><p class="wp-caption-text">© Frankfurt Book Fair / Fernando Baptista</p></div>
<p>I was fortunate to get the chance to attend the <a href="http://publishingperspectives.com/metadata-conference-2011/" target="_blank">Metadata Perspectives Conference</a> and came away with valuable ideas on the need for metadata, and its importance in marketing of books and making them visible online. The conference was also an eye-opener to how much work is required in India and not just because of lack of information regarding metadata standards, but also because we need to develop our own standards that include our diversity in languages and therefore the inherent regional divisions in our national territory. </p>
<p>Overall, the events discussed every topic – ranging from social media, apps for children, multichannel marketing, networked publishing, digitization strategies to digital rights (among many others).  But it is impossible to attend all events if you are an exhibitor. The Fair felt very big this year, although “big” it has always been.</p>
<p><strong>Networking events</strong></p>
<p>The International Rights Directors meeting, which has been held at the Fair for over 25 years, focused on Brazil this year, an emerging market labelled as one of “publishing’s hot mega markets”.  (I am personally very interested in what publishers in Brazil are doing, especially in digital publishing.)</p>
<div id="attachment_295" class="wp-caption aligncenter" style="width: 310px"><img src="http://www.dogearsetc.com/pubpost/images/fbf2.jpg" alt="© Frankfurt Book Fair / Peter Hirth" title="fbf2" width="300" height="199" class="size-medium wp-image-295" /><p class="wp-caption-text">© Frankfurt Book Fair / Peter Hirth</p></div>
<p>Country-focused business breakfasts, a CEO panel, a seminar on film rights etc were just some of the other events that were held which provided networking opportunities. As every year, the Fair authorities had also organised the Fellows-of-all-Years reception, where Frankfurt Book Fair Fellows, past and present, have a chance to meet and network. The annual reception-dinner organised by the Federation of Indian Publishers was held this year too. </p>
<p>It is no exaggeration when someone tells you that in Frankfurt more networking happens outside the Fair grounds than within. </p>
<p><strong>The Indian presence at Frankfurt</strong></p>
<p>According to the German Book Office New Delhi, there were more than 450 visitors from India at the Fair, with 60 companies exhibiting. Of these, nearly 10 were printers. </p>
<p>The good news for the Indian presence at the Fair this year was that the National Book Trust had taken a large stall, where they were also promoting the upcoming World Book Fair to be held in Delhi early next year. At the Sahitya Akademi stand, the spotlight was on Rabindranath Tagore, whose <a href="http://rabindranathtagore-150.gov.in/index.html" target="_blank">150th birth anniversary</a> is being commemorated by the nation this year. Other agencies at the Fair were CAPEXIL, and the Kolkata Book Fair. Matchmaking events and buy-seller meets were organised for publishers and printers, and provided good opportunity for gaining business leads. As each year, one hopes that next year the NBT will organize a collective stand for Indian publishers, which would ensure a stronger contingent from India at the Fair. (We needn’t wait to be made Guest of Honour!)</p>
<p>S. Anand, Publisher of Navayana was among the international publishers chosen for the annual Invitation Programme this year, where he exhibited the popular graphic book, Bhimayana, and succeeding in selling rights. Neelini Sarkar, Senior Copy Editor at HarperCollins was chosen for the Frankfurt Fellowship this year. Kannan Sundaram, Publisher of Kalachuvadu Publications in Nagercoil, was exhibiting for the first time. Kannan, a past Frankfurt Fellow, had been attending the Fair as a trade visitor until last year.</p>
<p>Two India-related events were held at the Weltempfang (Centre for Politics, Literature and Translation) forum at the Fair this year. The first was a discussion titled “Romancing the languages: Indian Literature’s many journeys”, organised jointly by the GBO New Delhi and Ministry of Culture’s (GoI) <a href="http://publishingperspectives.com/2011/10/india-native-languages-over-english/" target="_blank">Indian Literature Abroad</a> initiative. </p>
<p>The other, a moderated discussion in German, on Tagore’s relevance today, featured illustrated readings from his works. This was organized by the South Asia Institute of the University of Heidelberg, and Draupadi Verlag. The Fair is open to public on the last two days, and this is when we get to meet the German public. Their interest and commitment to books is simply outstanding and it is no wonder that the most successful Fair of book publishing is based in Germany. </p>
<p>Many Indians living in Germany also attend the Fair. Some simply come to talk to us in a familiar language, about familiar things. </p>
<p><strong>The End and a Beginning</strong> </p>
<p>Each year I return from Frankfurt feeling very energised. Conducting meetings with long-term partners and new collaborators non-stop, and having to walk between halls do require tremendous stamina. (Everyone brings along a comfortable pair of shoes as a result.) But, it is being in the company of the book-people that gives everyone the spark needed to get through the exhausting Fair!</p>
<p>The measure of a successful fair is, however, hinged on what emerges after the excitement at Frankfurt dies down, and when the follow-ups begin. Three weeks on, it still feels electric. </p>
<p><em>Vinutha Mallya is Senior Editor, Mapin Publishing. She was a Frankfurt Fellow in 2010 and she has been attending the Frankfurt Book Fair since 2009.</em></p>
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		<title>The Publisher&#8217;s Post &#8211; June &amp; July 2011</title>
		<link>http://www.thepublisherspost.com/june-july-2011/</link>
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		<pubDate>Wed, 03 Aug 2011 12:22:53 +0000</pubDate>
		<dc:creator>Editors</dc:creator>
				<category><![CDATA[Newsletters]]></category>

		<guid isPermaLink="false">http://www.thepublisherspost.com/?p=284</guid>
		<description><![CDATA[













June &#38; July 2011
Happenings
On what’s  been happening. If there’s news you have heard of and think it would  make for interesting reading, please share it with us.
Making English Text Available In Bodo, Dogri, Oriya&#8230;
Source: newkerala.com
Graduate  and postgraduate level English books or knowledge texts in 15 subjects  will be translated into all [...]]]></description>
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<p><span style="font-family: tahoma,sans-serif; font-weight: bold; color: #ff0000; font-size: 1.3em;">Happenings</span><br />
<span style="font-family: tahoma,sans-serif; color: #006600;">On what’s  been happening. If there’s news you have heard of and think it would  make for interesting reading, please share it with us.</span></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Making English Text Available In Bodo, Dogri, Oriya&#8230;</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: newkerala.com</span><br />
Graduate  and postgraduate level English books or knowledge texts in 15 subjects  will be translated into all 22 languages on the eighth schedule of  India&#8217;s Constitution, the Human Resource Development Ministry has  announced.</p>
<p>This is an outcome of a review of the working of the  National Translation Mission set up to overcome language barriers and  make knowledge accessible to all, a Ministry statement indicated.</p>
<p>The  Mission is expected to help develop all Indian languages in a rapidly  modernising society and pave way for a &#8220;functioning knowledge society  with healthy multilingualism,&#8221; the statement said. <a href="http://bit.ly/nBx60M" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Children&#8217;s books by Indian authors record brisk sales</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: DNA</span><br />
The  Indian authored children&#8217;s books section is growing steadily at a rate  of 10% year-on-year with newer authors and publishers entering the space  with more relevant story lines. According to experts, India&#8217;s English  publishing industry was estimated at Rs. 1,200 crore in 2010, of which  children&#8217;s category accounted for about 15%. However, of the total books  market, excluding the academic books, the children&#8217;s books share is  estimated to around 25%.</p>
<p>Leading bookstores in the country say  there has been a surge in the growth of kids&#8217; books authored by Indian  writers in the last few years. &#8220;We see an increasing demand and that&#8217;s  why we are stocking more of such books. Indian authored books for  children is a fast moving category, followed by comics,&#8221; says Dipak  Marwah, VP and business head, Reliance TimeOut, where out of the total  book stocks, 30% constitutes children&#8217;s books.  <a href="http://bit.ly/mP0I3v" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Readership survey reveals domination of N-E over national average</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Telegraph</span><br />
The  National Youth Readership Survey, conducted by National Council of  Applied Economic Research and by the National Book Trust, has revealed  that compared to the rest of the country, readership of leisure books  was much higher in the Northeast.</p>
<p>The results have revealed that  excluding Sikkim, the proportion of leisure book readers in Mizoram was  62 per cent, Manipur 52 per cent, Nagaland 47 per cent and Assam 39 per  cent in comparison to the national average of 28 per cent.</p>
<p>In  Sikkim, though, the readership stood at a dismal 13 per cent. The survey  has also shown that a much higher percentage of rural readers in the  Northeast prefer fiction to non-fiction or the mixed category. <a href="http://bit.ly/r3hgos" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Repro acquires printing operations of Macmillan India</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: newkerala.com</span><br />
Printing  solutions provider Repro India has announced the acquisition of  printing operations of Macmillan Publishers India (MPIL).</p>
<p>As part  of the deal, MPIL will outsource printing of education books to Repro,  translating into business worth Rs 250 crore for Repro over the next 5  years, the company said in a statement.</p>
<p>MPIL Managing Director  Rajiv Beri said, &#8220;Printing is not our core activity and we would like to  focus on publishing growth. This is a strategic decision which will  further consolidate our investments and energies in development and  delivery of quality, need-based content.&#8221; Established in 1892, MPIL is a  part of UK-based leading publisher Macmillan with over 3,000 titles and  works with over 20,000 schools across India.<a href="http://bit.ly/obxFs7" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Amazon to enter Indian market</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Bookseller</span><br />
Amazon.com  is reportedly in discussions with e-commerce companies in India in a  bid to expand into one of the world&#8217;s fastest-growing economies.</p>
<p>The  company could enter the market as early as first quarter 2012. It is in  talks with a number of businesses including online bookstore  Flipkart.com, electronics site letsbuy.com and luxury goods retailer  exclusively.in.</p>
<p>However, if takeover talks fails, Amazon could  enter the market on its own. A source told the Times of India: &#8220;Indian  players see the huge potential in the e-commerce segment here and so  have so far been resistant to being bought out easily.&#8221;</p>
<p>The  retail giant has also been setting up a warehouse in Mumbai and recently  bought 80,000 sq ft of land in Chennai. If Amazon does set up a  dedicated Amazon.in site for the country, it will be the seventh country  specific site for the retailer, in addition to Canada, China, France,  Germany, Italy, Japan and the United Kingdom. <a href="http://bit.ly/oIwfIC" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">IIM Ahmedabad to start course in publishing</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: DNA</span><br />
The  Indian Institute of Management, Ahmedabad (IIMA) has become the first  B-school in India to start a course on the publishing sector covering  in-depth aspects.IIMA and Frankfurt Book Fair signed an MoU to continue  the management development programme &#8211; a short-term programme on the  publishing and media industry. Last year they conducted a five-day  course.</p>
<p>President and CEO of Frankfurt Book Fair, Juergen Boos  and director of German Book Office, New Delhi chapter, Akshay Pathak,  spoke about the challenges the sector is facing. &#8220;There are three main  challenges. Lack of education or training for community members is one.  Secondly, there is lack of information &#8211; people learn once they join the  sector. And finally, infrastructure and distribution of books is a real  challenge even though retail is picking up,&#8221; said Pathak.  <a href="http://bit.ly/oO2sLT" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">World Book Fair 2012 focuses on books on Indian cinema</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: All About Book Publishing</span><br />
The  biennial New Delhi World Book Fair has been earning the reputation for  offering international rights initiatives on a particular theme &#8211; in  2008, it was Mahatma Gandhi; in 2010, it was the sports and the year  2012 will see an international rights exhibition on books on Indian  cinema.</p>
<p>To be held at Pragati Maidan, New Delhi from February  25-March 4, 2012, the 20th edition of New Delhi World book Fair is  entering the 40th year of its foundation. The show is well organized by  the National Book Trust (NBT), an autonomous organisation founded in  1957 by the first prime minister Jawaharlal Nehru under the Ministry of  HRD, Govt of India as the national body for book publishing and book  promotion. <a href="http://bit.ly/q75Oeg" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Publishing Conference &#8211; Publishing Next</span><br />
CinnamonTeal  Publishing, a division of Dogears Print Media Pvt. Ltd, is organizing  Publishing Next, a two-day Conference on the future of publishing on 16  and 17 September 2011 in Goa.</p>
<p>Supported by the British Council,  UK&#8217;s international organisation for educational and cultural relations,  the Conference will attract publishers, authors, bloggers, digital  content developers, literary critics and others associated with the  publishing ecosystem from around the country and internationally.</p>
<p>Through  panel discussions, the Conference will address the impact of social  media marketing, business process outsourcing, and proliferation of  ebooks on the publishing industry. Publishing Next is also designed to  be a networking platform to facilitate the trade of publishing rights,  encourage dialogue between publishers and vendors and organize workshops  on the technical aspects of social media marketing and digitization of  content.</p>
<p>For more information and registration details, visit http://www.publishing-next.com or email contactus@ publishing-next.com</td>
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<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">To have your book listed here, write to us with all details and a cover image</span></p>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; height: 110px; border: 1px solid #ffffff; margin: 1px; padding-right: 2px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9789380658346.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Hello Bastar: The Untold Story Of India&#8217;s Maoist Movement</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Rahul Pandita</span><br />
<span>216p/Paperback<br />
ISBN:9789380658346<br />
Westland / Tranquebar</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; height: 100px; margin: 1px; padding-right: 2px; padding-bottom: 10px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9780143068198.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Table For Four</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by K. Srilata</span><br />
<span>192p/Paperback<br />
ISBN: 9780143068198<br />
Penguin India</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; height: 100px; margin: 1px; padding-right: 2px; padding-bottom: 10px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9789380739205.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">The Rise of India: Economic Miracle in a Country of Entrepreneurs</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Eugenio Viassa Monteiro</span><br />
<span>340+xii/Paperback<br />
ISBN: 978-93-80739-20-5<br />
Goa, 1556</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; margin: 1px; padding-right: 2px; padding-bottom: 20px; float: left;" src="http://www.dogearsetc.com/images/books/9789380151953.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Images of Goa</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">By Ben Antao</span><br />
<span>158pp/Paperback<br />
ISBN: 9789380151953<br />
CinnamonTeal Publishing</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; margin: 1px; padding-right: 2px; padding-bottom: 20px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9789350290460.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">The Valley Of Masks</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Tarun J Tejpal</span><br />
<span>348pp/Hardcover<br />
ISBN: 9789350290460<br />
Fourth Estate</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; margin: 1px; padding-right: 2px; padding-bottom: 7px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9781907219542.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Forever Forty: Colonel Vasanth, Ashoka Chakra</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">By Subhashini Vasanth &amp; Veena Prasad</span><br />
<span>Hardcover<br />
ISBN: 9781907219542<br />
Peakpublish</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; margin: 1px; padding-right: 2px; padding-bottom: 2px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9789350291023.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">An Evening In Lucknow: Selected Stories</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">By   K. A. Abbas &amp; Suresh Kohli</span><br />
<span>296pp/Paperback<br />
ISBN: 9789350291023<br />
Harper Perennial Modern Classics</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; margin: 1px; padding-right: 2px; padding-bottom: 2px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9788188965663.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Masooma</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">By Ismat Chhugtai, Tr. by  Tahira Naqvi</span><br />
<span>152pp/Paperback<br />
ISBN: 9788188965663<br />
Women Unlimited</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; margin: 1px; padding-right: 2px; padding-bottom: 2px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9788178242750.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">The Language of the Gods in the World of Men &#8211; Sanskrit, Culture and Power in Premodern India</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">By Sheldon Pollock </span><br />
<span>702pp/Paperback<br />
ISBN: 9788178242750<br />
Permanent Black</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; margin: 1px; padding-right: 2px; padding-bottom: 2px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9789381017067.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Her Piece of Sky: Contemporary Hindi Stories</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">Ed. by Deepa Agarwal</span><br />
<span>295pp/Paperback<br />
ISBN: 9789381017067<br />
Zubaan</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; margin: 1px; padding-right: 2px; padding-bottom: 20px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9789350090770.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">24 Akbar Road</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Rasheed Kidwai</span><br />
<span>352pp/Hardcover<br />
ISBN: 9789350090770<br />
Hachette</span></div>
<div style="float: left; border-top: 2px solid #7b1314; border-bottom: 2px solid #7b1314; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 195px; background-color: #e4deb0; margin-bottom: 15px;"><span style="font-size: 13px; font-weight: normal; color: #000000; font-family: arial;"> If you have news, articles, blog postings or book launches and reviews  to submit, please email us at writetous@ thepublisherspost.com </span></div>
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<td style="font-size: 12px; color: #000000; line-height: 150%; font-family: trebuchet ms;" colspan="2" valign="top" bgcolor="#FFFFFF"><span style="font-family: tahoma,sans-serif; font-weight: bold; color: #ff0000; font-size: 1.3em;">Blogs and Articles</span><br />
<span style="font-family: tahoma,sans-serif; color: #006600;">Comments and posts on trends and events in the book industry.</span></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Books will be books</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Hindu</span><br />
Parragon now turns its attention to tier-II and tier-III cities and towns</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>After  getting a stronghold in metros, Parragon Publishing India is all set to  target tier-II and tier-III cities. On the basic strategy to harness  the readership there, Vineet Sharma, Managing Director, explains, &#8220;Our  prices are very nominal &#8211; Rs. 95 to 295 &#8211; with a majority of the titles  under INR 200. In addition, there is further slash in the rates and at  the start we have a new range available from Rs.39 onwards (for  children&#8217;s activity books).&#8221;</p>
<p>The company does not want to  restrict itself to the English language and has launched 400 bilingual  titles, mainly in Bengali and Marathi. New ventures include a  collaboration with Disney at a global level; Parragon is the leading  licensee with all the major Disney titles.</p></blockquote>
<p><a href="http://bit.ly/k80zOX" target="_blank">Read more »</a><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Growing up with fiction</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Times of India</span></p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>&#8230;publishers  across the country are now targeting the YA segment as a separate  category and coming up with books that have adolescent Indian  protagonists in local settings. HarperCollins Publishers India launched  the YA category last year under the Harper imprint while Penguin India  rolled out Penguin YA in February 2011. Amar Chitra Katha also plans to  come out with two separate YA lists &#8211; graphic novels as well as fiction &#8211;  within six months. All of them are targeting the 14 to 21 age group as a  separate segment.</p></blockquote>
<p><a href="http://bit.ly/p2udiK" target="_blank">Read more »</a><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Copyright as cultural notion</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Telegraph</span><br />
That  book history is gradually coming of age becomes evident when the  National Library organises the first BS Kesavan Lecture on this subject  that few were aware of even a decade ago. The lecture on Saturday at  Bhasha Bhavan on the library premises in the memory of the first  National Librarian after Independence was by A.R. Venkatachalapathy of  the Madras Institute of Development Studies on the &#8220;Cultures of  Copyright.&#8221;</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>In  the 1940s, the notion of copyright was one of simple transaction &#8211;  outright sale of copyright for a pittance. When a man said he was a  writer, he was asked what he did for a living &#8211; the earnings were so  meagre. Kalki was a successful journalist and writer, but when he wanted  to join the satyagraha, his employer was not happy. He said what Kalki  had written was as an employee and thus had to relinquish his copyright.  The case was hotly debated in Kerala. The writer&#8217;s claim was always  made on moral and cultural grounds, not on legal grounds.</p>
<p>When  the same song on different topical issues made the rounds, several  people would claim authorship. Copyright was recognised only if  registered. After Independence, 50 years after the death of Subramanya  Bharathi, his songs and works were placed in the public domain in 1949,  overruling the legal right of two men. The government gave a decent sum  to Bharathi&#8217;s widow although she had no legal right, the move stemming  from the notion of moral responsibility. Moral and cultural claims  superseded legal notions.</p></blockquote>
<p><a href="http://bit.ly/o26IfQ" target="_blank">Read more »</a><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Extending palm-leaf shelf life</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: IBNLive</span><br />
In  this age of technology, the rare palm leaf manuscripts are like  remnants of history. While Orissa is a storehouse of palm leaf  manuscripts, the State Museum is being considered as the largest  repository in the world with around 50,000 manuscripts.</p>
<p>These are  categorised in 27 sections such as Vedas, lexicons, mathematics and  art. There are manuscripts on three types of Oriya style of temple  architecture &#8211; Pidha, Rekha and Khakara.</p>
<p>Researchers believe that  the temple architects might have used these manuscripts as references  before. translating the designs on stones.</p>
<p>In this regard, a  five-day national preventive workshop on manuscript conservation was  organised by the State Museum in association with National Mission for  Manuscripts (NMM) in Bhubaneswar. <a href="http://bit.ly/pOefzj" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">The Lo-Cal Literati </span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Outlook</span><br />
These young professionals are giving vent to the book in them, sans any literary pretension.</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>They  are the sort of writers who couldn&#8217;t get past the security guards  outside plush publishing houses. Their books were thrown routinely into  the slush pile. But now, as a new generation of readers, famished for  books about themselves, buy them by the lakhs, smashing all bestselling  records, they are sending publishers into a tizzy. Never before perhaps  in the publishing business have so many editors got it so wrong for so  long.</p></blockquote>
<p><a href="http://bit.ly/nIQDNP" target="_blank">Read more »</a><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Are estributors the future of publishing?</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: nextweb.com</span><br />
Enter  the concept of estributors, the brainchild of J.A. Konrath, ironically  one of the largest and most famous proponents of authors striking out  from their publishers and going it alone.</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>A  facilitator who could be a buffer between the author and the business  end of self-publishing. I called this position an estributor.The more I  began to self-publish, the more I realized what a time suck it was to  take care of all the non-writing parts of the job. When you go indie,  you essentially become a small business, and take on all the  responsibilities for running that business. That cuts into writing time.  Doing quick and dirty assessment of my time management and my  productivity, I concluded that I could make more money if I gave an  estributor 15% to take care of the business side for me, because my  increased writing output would more than make up for that cost. Plus,  Iâ€™d be happier, because Iâ€™d much rather write for a living than run a  business.</p></blockquote>
<p><a href="http://tnw.co/q937Tz" target="_blank">Read more »</a><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Surinder Mohan Pathak: The King of Hindi Pulp</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Times of India</span></p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>Having  retired over 13 years ago from government service, Pathak continues to  write four months in a year, working nearly nine hours a day, churning  out about three novels a year. &#8220;It&#8217;s the first 100 pages that take time,  the rest of the story just flows.. it&#8217;s all about the resolution of the  crime.&#8221; His book The 65 Lakh Heist (or Painsath Lakh ki Dacoity in  Hindi, featuring popular detective Vimal) has been mentioned in the Time  magazine among the all-time bestsellers and once, notoriously, a bank  robber took tips from one of his crime novels.</p>
<p>His readership  remains steadfast, but Pathak admits, &#8220;There are not too many new  readers.&#8221; There are issues with publishing houses, who are not honest  about returns, he says. Besides reading his favourite Jack Higgins and  other detective fiction, he enjoys watching old Hindi movies. As for new  ones, he says, &#8220;Sometimes, my son drags me to the multiplex. But, in  between, I wish I had a torch so I could read a book.&#8221; Interestingly, he  gives away all the books he has read and only keeps the ones that he  hasn&#8217;t.</p></blockquote>
<p><a href="http://bit.ly/leEnGO" target="_blank">Read more »</a></p>
<p><span style="font-family: tahoma,sans-serif; font-weight: bold; color: #ff0000; font-size: 1.3em;">New Book Releases and Events</span><br />
<span style="font-family: tahoma,sans-serif; color: #006600;">New book and journal releases, new imprints and other similar events.</span></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">The Nor&#8217;eastern Post</span><br />
Note from the Literary Editor of The Nor&#8217;eastern Post, Uddipana Goswami</p>
<p>The  Nor&#8217;eastern Post &#8211; a daily soon to be launched from Guwahati, Assam. It  promises to be a regional publication with a national and international  reach. My aim as literary editor will be to showcase the literatures  produced in the Northeastern region to a wider audience as well as to  make readers in the region aware of the richness of their own  literatures. Literature from the Northeast is usually treated as a  homogenous entity, but my effort will be to bring out the diversity  within it. It is hoped that this will establish a dialogue of equality  and harmony among the many constituents producing the various  &#8216;literatures&#8217; of the Northeast.</p>
<p>This is a call to readers to share their creative and critical writings as well as translations with the newspaper.<br />
-  The critical writings/features could relate to any aspect of the  literature of any of the regions within the Northeast. They may also  deal with particular writers or texts or genres.<br />
- In creative  writing, poetry submission is particularly welcome, although space  permitting, we might also occasionally carry pieces of  fiction/memoir/literary non-fiction.<br />
- We will also devote  considerable attention to translations of classic and contemporary  literary pieces. The translators must however, have acquired the  necessary permissions from the original copyright holder. A short  translator&#8217;s note and adequate information about the original author are  also required.</p>
<p>Contributions from writers living in/hailing from  outside the Northeast are especially welcome. I am also looking at  &#8216;mainlanders&#8217; views of Northeast literature.</p>
<p>Please send in your  entries to northeastliterature@ gmail.com. To avoid having your email  sent to the spam folder, please use the following in the subject line:  &#8220;Submission: Nor&#8217;eastern Post&#8221;.</p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Simon &amp; Schuster all set for India ops</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Economic Times</span><br />
Publisher  Simon &amp; Schuster will begin its India operations from August and  promises to give readers &#8220;the best&#8221; in terms of content, price and  package besides encouraging home grown talents.</p>
<p>The establishment  of Simon &amp; Schuster India (S&amp;SI) is part of Simon &amp;  Schuster, Inc&#8217;s strategic focus to bringing the works of its authors to  widest possible global audience.</p>
<p>As part of its localised  publishing and marketing strategy, S&amp;SI will offer titles from  S&amp;S&#8217;s many worldwide imprints and divisions, including distribution  client titles. Books will be rupee-priced and selected and formatted  specifically for the Indian marketplace. Inventory for titles published  and distributed in India will come primarily via S&amp;S UK, with  reprints handled locally.<a href="http://bit.ly/qDZzbx" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Archieji, Bettydidi and Tintinbhai</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: indianexpress.com</span><br />
In  June, Archie Comics released the comic book in Hindi and Malayalam.  They plan to sell 10,000 copies in Hindi before increasing the print  number, and so far, the response has been &#8220;quite positive&#8221;. In the  pipeline are plans to give the comics a desi twist. &#8220;We have introduced  simple translations of the original intellectual property material, but  we plan to Indianise it further if the books get a good response,&#8221; says  Om Arora of Variety Book Depot, Delhi, who is in charge of the  distribution of the comic in India. Thus Archie will become Raj Patel  and Betty will sport her girl-next-door look in an Indian attire. &#8220;It is  still a new concept. We are trying to take it slowly but we recognize  that there is a bigger market for Archie in India than what we have  tapped. For now, the Indian version is just like the original with the  change in the language,&#8221; says Jon Goldwater, CEO, Archie Comics.  <a href="http://bit.ly/r25NlM" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">One Amazing Journey</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Hindu</span><br />
The last of the four in the <em>Knit India Through Literature</em> series, this volume on North Indian languages opens up a  treasure-trove. Like the earlier three volumes &#8211; South, East and West &#8211;  that focussed on the literature and languages of particular regions,  Volume IV &#8211; The North dwells on Hindi, Kashmiri, Punjabi, Urdu and  Sanskrit literature. The author calls the <em>Knit India Through Literature</em> project of 16 years a literary yagna, during which time she had  immersed herself in a sea of literature &#8211; &#8220;a sea comprising the works of  eminent writers from 18 Indian languages.&#8221;</p>
<p>Each volume, designed  to a pattern of travelogue, interview, history, myth and opinions in a  logical format, encourages easy reading. <a href="http://bit.ly/qInM28" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Springer to expand footprint in India</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: expressbuzz.com</span><br />
Springer,  one of the world&#8217;s leading publishers of books on advanced science,  technology and medicine with 1,000 top Indian writers in its  international database, is to expand operations in India, a company  official announced.</p>
<p>The German company is planning to increase  content, editorial structure and distribution networks to penetrate a  wider customer base in India.</p>
<p>The 169-year-old publishing firm  has set up a new office in the capital where it will locate 10 editors  in different fields to understand Indian sensibilities, content  requirement, distribution and facilitate better networking with  institutes, scholars&#8217; societies and community of professionals, he  added. <a href="http://bit.ly/qOmHtk" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Finding space for their verse</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Hindu</span><br />
It  was for the first time that seven poets, from different backgrounds,  got a chance to publish their works collectively. Each of them invested  Rs.2,000 to get their maiden works published with the support of the  Vettom People&#8217;s Collective Book Project. The group included students,  daily-wage workers, and school employees. Opportunity knocked at their  doors when the publishers invited works from budding poets and screened  out the best for publishing.</p>
<p>Na Sheershakam (Untitled), the  anthology of 17 Malayalam poems was released by P.K. Pokker, former  Director of the State Institute of Languages. <a href="http://bit.ly/kzOC4C" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Albums that tell a story, for Rs 1.5 lakh</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Telegraph, Kolkata</span><br />
Most  of us, at some point or other, have lingered over old family albums,  looking at the faded pictures. Now it&#8217;s time to read them.</p>
<p>Enter  the heritage album, which not only freezes the past through photographs  but also tells a family&#8217;s story with accompanying text.</p>
<p>The idea  came to Abhijit Singh, a Rajput from Tana in Mewar, who wanted to  compile a book on his family. The result was a 90-page album with rare  pictures and text. His effort got several families in Rajasthan, where  many boast of an illustrious past, interested in the concept of heritage  albums that tell a story more interesting than a mute collection of  faded photographs. <a href="http://bit.ly/mGr36i" target="_blank">Read more »</a></p>
<p><span style="font-family: tahoma,sans-serif; font-weight: bold; color: #ff0000; font-size: 1.3em;">Elsewhere&#8230;</span><br />
<span style="font-family: tahoma,sans-serif; color: #006600;">News from around the world&#8230;</span></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Bangkok selected as World Book Capital 2013</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: newkerala. com</span><br />
The  United Nations (UN) on Wednesday announced that an international  committee designated Bangkok, Thailand as World Book Capital 2013.</p>
<p>Representatives  from the publishing world, along with the UN Educational, Cultural and  Scientific Organization (UNESCO), met at the UN agency&#8217;s Paris  headquarters where they agreed on selecting Bangkok. The committee said  it selected Bangkok &#8220;for its willingness to bring together all the  various stakeholders in the book supply chain and beyond, actors  involved in the publication chain for a range of projects proposed, for  its community-focused and the high level of its commitment through the  proposed activities.&#8221;  <a href="http://bit.ly/ln17y8" target="_blank">Read more »</a></td>
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<p>News Submissions: If you have news and events to report, please email us  at writetous@ thepublisherspost.com with the word &#8220;SUBMISSION&#8221; in the  subject line. News that includes book launches, book signings, launch of  new imprints and publishing houses, book fairs, new entrants among  publishers, writer and publisher blogs, comments, opinions, relevant job  postings, the works. The newsletter is sent every month during the last  week of each month.</p>
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		<title>The Publisher&#8217;s Post &#8211; May 2011</title>
		<link>http://www.thepublisherspost.com/the-publishers-post-may-2011/</link>
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		<pubDate>Fri, 10 Jun 2011 04:33:09 +0000</pubDate>
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May 2011
Happenings
On what&#8217;s  been happening. If there’s news you have heard of and think it would  make for interesting reading, please share it with us.
Govt. to discuss National Book Promotion Policy
Source: The Hindu
Aimed  at promoting book reading habit among people of all age groups,  especially [...]]]></description>
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<td style="font-size:12px;color:#000000;line-height:150%;font-family:trebuchet ms;" width="500" valign="top" bgcolor="#FFFFFF"><span style="font-size:12px;font-weight:bold;color:#0F8385;font-family:tahoma;line-height:80%;">May 2011</span></p>
<p><span style="font-family: tahoma,sans-serif;font-weight:bold;color:#ff0000;font-size:1.3em;">Happenings</span><br />
<span style="font-family: tahoma,sans-serif;color: #006600;">On what&#8217;s  been happening. If there’s news you have heard of and think it would  make for interesting reading, please share it with us.</span></p>
<p><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">Govt. to discuss National Book Promotion Policy</span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: The Hindu</span><br />
Aimed  at promoting book reading habit among people of all age groups,  especially women and children, the Centre proposes to recognise  publishing as a small scale industry or a priority sector that would  help books receive preferential treatment.</p>
<p>By declaring  publishing as a priority sector, books will receive preferential  treatment in fiscal policies, credit facilities, export-import  regulations and incentives, the draft National Book Promotion Policy of  the Ministry of Human Resource Development suggests while recommending  that the matter be taken up with the Ministry of Commerce and Industry.</p>
<p>While  sanctioning grants to libraries and institutions, it will be laid down  that at least 50 per cent of the grant would be used for purchasing  books of Indian authors to protect the interest of the local publishers.  <a href="http://bit.ly/kxOxk3" target="_blank">Read more »</a></p>
<p><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">Penguin India gets new publisher </span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: The Hindu</span><br />
Publishing house Penguin India has announced the appointment of Chiki Sarkar as its new publisher.</p>
<p>Ms.  Sarkar, who was the inaugural Editor-in-Chief of Random House India  since 2006, has worked with bestselling authors including Jhumpa Lahiri,  Anita Desai, Salman Rushdie, Mohammed Hanif, Daniyal Mueenuddin and  Rujuta Diwekar. A graduate from Oxford University, she had previously  worked for Bloomsbury Publishing in London for seven years.</p>
<p><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">Pearson Group to increase its investment in India</span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: The Financial Express</span><br />
Pearson  Group, one of the world&#8217;s largest education firm and also the parent  company of the Penguin Publishing House and the Financial Times, is all  set to increase its investment in India.</p>
<p>&#8220;We expect to increase  our investment in India significantly over the next three years and see  the provision of educational services as our number one area of focus,&#8221;  said Chief Executive, Pearson, Marjorie Scardino.</p>
<p>As part of its  is looking at increasing its presence in India by combining its  expertise with long-term strategy for India, Penguin Group has recently  tied up with mobile software firm, Mobifusion for digital delivery  through which one would be able to read books via their mobile phones.<br />
<a href="http://bit.ly/k89pRM" target="_blank">Read more »</a></p>
<p><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">Lakhimpur to get language research centre</span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: Times of India</span><br />
Asom  Sahitya Sabha will soon take a step ahead in furthering the cause of  local languages with the inauguration of a new study and research centre  at Bihpuria in Lakhimpur from June 1 this year. The centre, which is  named after Lumber Dai, the noted litterateur from Arunachal Pradesh,  will facilitate detailed studies on regional languages, mainly Assamese  and other ethnic languages and dialects of the region.</p>
<p>&#8220;The  research centre will offer all possible facilities for higher studies,  including PhDs; the courses will be affiliated to Gauhati and Dibrugarh  universities. The study material for the courses has been finalized,&#8221;  said the secretary of the apex literary body, Poromananda Rajbonshi,  adding the centre&#8217;s doors are open to anybody living in the state, the  country and even for those outside India who want to study and research  the languages of Assam. He further said the hard copies of the study  material would be provided through post and the same would also be  uploaded on the website for the researchers.<a href="http://bit.ly/kOMrPi" target="_blank">Read more »</a></p>
<p><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">Polish university to set up Tamil Chair</span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: The Hindu</span><br />
In  a sign of growing interest in the study of Indian culture in European  universities, the Jagiellonian University at Krakow in Poland will soon  establish a Tamil Chair.</p>
<p>This was announced by First Secretary in  the Indian Embassy in Warsaw Vikrant Rattan at the third Middle  European Student Indology Conference (MESIC 3) held from May 19 to 21.</p>
<p>Mr.  Rattan said the decision follows a memorandum of understanding with the  Institute of Oriental Studies in the university. The Chair would  facilitate programmes in ancient Tamil literature, culture and  civilization. It would be held by an associate professor.</p>
<p><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">Libraries take the digital route</span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: Times of India</span><br />
Keeping pace with the times, libraries at research institutes have begun to digitise their book collections.</p>
<p>The  Deccan College Post Graduate and Research Institute is in the process  of scanning books between 1500 AD and 1900 AD, while the Bhaskaracharya  Pratishthan, which has a rare collection of pure mathematics, also plans  to use the digital platform.</p>
<p>One of country&#8217;s foremost research  institutes, the Gokhale Institute of Politics and Economics, has  digitised its books from the 16th century onwards. Plans are afoot to  make it available to the public through the internet on a membership  basis. The Jayakar Library of the University of Pune has also scanned  over 3,000 books so far. <a href="http://bit.ly/iCZ3Ar" target="_blank">Read more »</a></p>
<p><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">Goa&#8217;s Central Library to be shifted to Rs 32-cr, 6- storey premises</span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: Navhind Times</span><br />
A  repository of knowledge since 1832, the Central Library formally known  as &#8216;Biblioteca Nacional de Goa&#8217; will soon move to a new, Rs 32 crore  state-of-the-art building at Patto, and will be rechristened as  Krishnadas Shama State Central Library.</p>
<p>The work of transporting  the books and other material from the present location of the library in  the Menezes Braganza building has already started and is expected to be  complete in a month&#8217;s time. The new 6-storeyed library building having  an area of 13,369 sq mt is expected to be inaugurated on June 18, the  Goa Revolution Day.</p>
<p>Meanwhile, the new library building is almost  ready with an audio-visual section for children, two music rooms, one  recording room, one studio room and a multi-purpose hall for 200  persons, among other facilities.</p>
<p>The new library building will  also separate sections for Hindi, Konkani and Marathi books, besides a  Braille section for blind readers. Furthermore, it will have a reference  section, a photography laboratory, book scanner, binding section,  microfilm reading section, and a new book-drop system, wherein if a  reader arrives at the library after closing hours, he will be able to  deposit the book in this system that will receive it automatically and  update the records. <a href="http://bit.ly/k4Yd0i" target="_blank">Read more »</a></p>
<p><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">Publishing Conference &#8211; Publishing Next</span><br />
CinnamonTeal  Publishing, a division of Dogears Print Media Pvt. Ltd, is organizing  Publishing Next, a two-day Conference on the future of publishing on 16  and 17 September 2011 in Goa.</p>
<p>Supported by the British Council,  UK&#8217;s international organisation for educational and cultural relations,  the Conference will attract publishers, authors, bloggers, digital  content developers, literary critics and others associated with the  publishing ecosystem from around the country and internationally.</p>
<p>Through  panel discussions, the Conference will address the impact of social  media marketing, business process outsourcing, and proliferation of  ebooks on the publishing industry. Publishing Next is also designed to  be a networking platform to facilitate the trade of publishing rights,  encourage dialogue between publishers and vendors and organize workshops  on the technical aspects of social media marketing and digitization of  content.</p>
<p>For more information and registration details, visit http://www.publishing-next.com or email contactus@ publishing-next.com</td>
<td style="background-color:#FFFFFF;border-left:1px solid #CCCCCC;text-align:left;" width="200" valign="top"><span style="font-size:11px;font-weight:normal;color:#3E1C1B;font-family:arial;line-height:150%;"></p>
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<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">To have your book listed here, write to us with all details and a cover image</span></p>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; height: 110px; border: 1px solid #ffffff; margin: 1px; padding-right: 2px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9788189487775.jpg" alt="" /><span style="color:#881518;font-family:Trebuchet;font-size:1.0em;font-weight:bold;text-decoration:none;"> An Early Communist: Muzaffar Ahmad in Calcutta 1913-1929</span><br />
<span style="color:#51626F;font-size:1em;font-weight:bold;text-decoration:none;">by Suchetana Chattopadhyay</span><br />
<span>320p/Hardcover<br />
ISBN:9788189487775<br />
Tulika Books, New Delhi</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; height: 100px; margin: 1px; padding-right: 2px; padding-bottom: 10px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9788132106869.jpg" alt="" /><span style="color:#881518;font-family:Trebuchet;font-size:1.0em;font-weight:bold;text-decoration:none;">An Indian Political Life: Charan Singh and Congress Politics, 1937 to 1961 </span><br />
<span style="color:#51626F;font-size:1em;font-weight:bold;text-decoration:none;">by Paul R Brass</span><br />
<span>612p/Paperback<br />
ISBN: 9788132106869<br />
SAGE India</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; margin: 1px; padding-right: 2px; padding-bottom: 20px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9780670082896.jpg" alt="" /><span style="color:#881518;font-family:Trebuchet;font-size:1.0em;font-weight:bold;text-decoration:none;">The Good Muslim</span><br />
<span style="color:#51626F;font-size:1em;font-weight:bold;text-decoration:none;">By Tahmima Anam</span><br />
<span>304pp/Paperback/Rs. 499<br />
ISBN: 9780670082896<br />
Penguin India</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; margin: 1px; padding-right: 2px; padding-bottom: 20px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9788181469977.jpg" alt="" /><span style="color:#881518;font-family:Trebuchet;font-size:1.0em;font-weight:bold;text-decoration:none;">The Enchanted Saarang Stories from Kashmir</span><br />
<span style="color:#51626F;font-size:1em;font-weight:bold;text-decoration:none;">by Asha Hanley, Illustrated by Proiti Roy</span><br />
<span>100pp/Paperback/Rs.385<br />
ISBN: 978-81-8146-997-7<br />
Tulika Books, Chennai</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; margin: 1px; padding-right: 2px; padding-bottom: 7px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9789380028941.jpg" alt="" /><span style="color:#881518;font-family:Trebuchet;font-size:1.0em;font-weight:bold;text-decoration:none;">Ali Baba and the Forty Thieves Reloaded</span><br />
<span style="color:#51626F;font-size:1em;font-weight:bold;text-decoration:none;">By Poulomi Mukherjee, Illustrated by Amit Tayal</span><br />
<span>72pp/Paperback/Rs. 195<br />
ISBN: 978-93-80028-94-1<br />
Campfire</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; margin: 1px; padding-right: 2px; padding-bottom: 2px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9789380283876.jpg" alt="" /><span style="color:#881518;font-family:Trebuchet;font-size:1.0em;font-weight:bold;text-decoration:none;">Bombay Duck is a fish</span><br />
<span style="color:#51626F;font-size:1em;font-weight:bold;text-decoration:none;">By Kanika Dhillon</span><br />
<span>200pp/Paperback/Rs.195<br />
ISBN: 9789380283876<br />
Westland</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; margin: 1px; padding-right: 2px; padding-bottom: 20px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9788184001532.jpg" alt="" /><span style="color:#881518;font-family:Trebuchet;font-size:1.0em;font-weight:bold;text-decoration:none;"> A Free Man</span><br />
<span style="color:#51626F;font-size:1em;font-weight:bold;text-decoration:none;">by Aman Sethi</span><br />
<span>240pp/Paperback/Rs.399<br />
ISBN: 9788184001532<br />
Random House</span></div>
<div style="float: left; border-top: 2px solid #7b1314; border-bottom: 2px solid #7b1314; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 195px; background-color: #e4deb0; margin-bottom: 15px;"><span style="font-size:13px;font-weight:normal;color:000;font-family:arial;"> If you have news, articles, blog postings or book launches and reviews  to submit, please email us at writetous@ thepublisherspost.com </span></div>
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<td style="font-size:12px;color:#000000;line-height:150%;font-family:trebuchet ms;" colspan="2" valign="top" bgcolor="#FFFFFF"><span style="font-family: tahoma,sans-serif;font-weight:bold;color:#ff0000;font-size:1.3em;">Blogs and Articles</span><br />
<span style="font-family: tahoma,sans-serif;color: #006600;">Comments and posts on trends and events in the book industry.</span></p>
<p><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">Hill&#8217;s Angels</span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: Outlook</span><br />
Bhutan&#8217;s litfest was a perfectly curated retreat</p>
<blockquote style="background-color:#F9F5E1; margin: 1em 0.5em; border-left: 2px solid #999; padding-left: 0.5em; padding-right: 0.5em;"><p>With  no publishers and high printing costs, one would think it&#8217;s tough to be  a writer in Bhutan. All of them are self-published authors but it&#8217;s not  like the vanity publishing we know. They could teach our publishers a  thing or two about marketing. Take former diplomat Lily Wangchhuk. Last  year, when she wrote her first book, Facts About Bhutan, she couldn&#8217;t  find a publisher abroad. They kept trying to turn it into something it  wasn&#8217;t: a guide book. Then Lily decided to publish it on her own,  hawking it to every outlet, official and unofficial, she could think of.  The result: 25,000 copies sold in less than five months. Nor is her  book cheap: it&#8217;s priced at Rs 1,250.</p></blockquote>
<p><a href="http://bit.ly/jxwEhM" target="_blank">Read more »</a><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">New equations</span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: The Hindu</span><br />
David  Davidar, who made books fashionable for the urban middle class, returns  to the Indian publishing scene with Aleph, a high-end company forged in  partnership with Rupa and Co.</p>
<blockquote style="background-color:#F9F5E1; margin: 1em 0.5em; border-left: 2px solid #999; padding-left: 0.5em; padding-right: 0.5em;"><p>David  is clear what kind of titles he would opt for. He even admits he is not  looking for mass production and very many authors. He would rather want  Aleph to be like Faber or Hamilton. &#8220;It has to be a high-end publishing  company and we are looking for novelists. We will be selective. We will  take a book if it is distinctive, will make a mark. A good book should  achieve 90 per cent of what it set out to do in its genre. As beginners  we have the luxury of being able to choose. It is like we don&#8217;t have  certain figures of the previous year to live up to.&#8221; Kapish adds, &#8220;The  reader cannot be persuaded to buy a bad book.&#8221;</p></blockquote>
<p><a href="http://bit.ly/krVaSC" target="_blank">Read more »</a><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">The corruption in Indian publishing</span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: Tehelka</span><br />
Poor  and gutsy Indian authors don&#8217;t seem to get published. Maybe a  consortium of billionaires must buy half the industry and clean it up.</p>
<blockquote style="background-color:#F9F5E1; margin: 1em 0.5em; border-left: 2px solid #999; padding-left: 0.5em; padding-right: 0.5em;"><p>Why  is it that Salman Rushdie and his elite friends, mostly from the upper  middle class or wealthy families and elite schools, hog 90 per cent of  the sales and advances granted to Indian authors by Western publishers?  They tend to present a synthetic literary picture of India, while a  rainbow-variety of discordant and authentic voices is suppressed. There  is greed and dishonesty here. The spokesmen Indian authors who pretend  theirs is the only point of view, that they represent the hundreds of  millions of Indians they have never met, never socialise with, and never  could begin to understand &#8211; because they have never been truly poor and  unprivileged, and only have learned how to copy the Western literary  masters and to write snake-charming sentences. America would find it  intolerable if all its authors were Ivy League products coming from  privileged backgrounds, and the working class Americans who managed to  squeak through community colleges were never heard from.</p></blockquote>
<p><a href="http://bit.ly/jLWvx3" target="_blank">Read more »</a><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">Story-telling takes on graphic form</span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: The Hindu</span><br />
Looking  beyond the categorisation of illustrated novels as &#8216;children&#8217;s books&#8217;,  many publishers are encouraging readers to engage with literature  differently.</p>
<blockquote style="background-color:#F9F5E1; margin: 1em 0.5em; border-left: 2px solid #999; padding-left: 0.5em; padding-right: 0.5em;"><p>India&#8217;s  first widely marketed graphic novel was published only in 2004. While  the readership remains niche, the variety and diversity of themes and  forms being explored by graphic novels have rapidly increased. Pure text  will soon start facing stiff competition from graphic novels, say  publishers.</p>
<p>Ashok Rajagopalan, a graphic novel artist, says that  there is wide degree of acceptance and the form is being given some  prestige now. &#8220;A number of Chennai-based publishers have started  experimenting with illustration-based books.&#8221;</p>
<p>He identifies two  reasons behind the increasing readership for graphic novels. &#8220;People are  getting lazier. So publishers are experimenting with short visual-based  reads. In airport bookstores, for example, you won&#8217;t find 60,000-word  classics. Secondly, print is slowly going out of fashion. The medium is  changing due to the Internet and devices such as the Kindle. People are  engaging with literature differently.&#8221;</p></blockquote>
<p><a href="http://bit.ly/mjgTsx" target="_blank">Read more »</a><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">Can English rescue regional writing?</span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: DNA</span><br />
After being felicitated for receiving the Tagore Literature Award for her work <em>Badlondian Bahaaraan</em>,  Dogri writer Santosh Khajuria did not mince words in holding  Dogri-speaking people responsible for what she called the &#8220;sorry state&#8221;  the language has been reduced to.</p>
<p>&#8220;Just like those who negate  their mothers once they reach the pinnacle, these people seem to feel  ashamed to speak their own language,&#8221; she said, adding, &#8220;This can end up  killing our traditional languages and we may lose a really rich trove  of our cultural legacy in the process.&#8221;</p>
<p>So, is translation the  only way out of this situation? Khajuria admitted wryly, &#8220;I don&#8217;t know.  Maybe we should look at translations into other Indian regional  languages and not English alone.&#8221; <a href="http://bit.ly/muh0QQ" target="_blank">Read more »</a></p>
<p><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">In defence of books</span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: The Hindu</span><br />
What is it that lawmakers fear when they resort to banning books?</p>
<blockquote style="background-color:#F9F5E1; margin: 1em 0.5em; border-left: 2px solid #999; padding-left: 0.5em; padding-right: 0.5em;"><p>When  it comes to books, what do the lawmakers fear? Moral corruption?  Violence? Sentiments being hurt? Then they should be barking up the  right tree! When they choose to ban these books, aren&#8217;t they being  rather presumptuous? They believe for instance that a huge majority of  the population reads/buys books; that the people who buy these books  actually read/analyse them; that those who do analyse them get  corrupted/motivated enough to act against the state. (Most of those who  do make the grade are academics and litterateurs by the way, denied the  opportunity to even discuss/debate the subject.)</p></blockquote>
<p><a href="http://bit.ly/irZ7Tp" target="_blank">Read more »</a><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">Dewdrops and dunes</span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: livemint.com</span><br />
Romance novels are the world&#8217;s best-selling fiction category. In India, the market picks up</p>
<blockquote style="background-color:#F9F5E1; margin: 1em 0.5em; border-left: 2px solid #999; padding-left: 0.5em; padding-right: 0.5em;"><p>Unlike  the course of true love, Mills &amp; Boon India is finding the going  smooth. In a typical Indian book store, 30% of all books sold are either  children&#8217;s books, or romance novels. Romance &#8220;comes in just behind  children&#8217;s fiction as the largest selling category of English books in  India,&#8221; says Manish Singh, country head, Mills &amp; Boon India.</p>
<p>Some  of that optimism informed Sandhya Sridhar and Sunita Suresh&#8217;s decision  to begin their own publishing house, Pageturn Publishers, in Chennai  last year. &#8220;We&#8217;re both avid readers of romance, and have always dreamt  of filling this odd gap in the Indian media,&#8221; Sridhar says. They both  quit their jobs to set up Pageturn, which now puts out two titles a  month under its imprint, Red Romance.</p></blockquote>
<p><a href="http://bit.ly/kobyWF" target="_blank">Read more »</a><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">The top five political comic books</span><br />
Navayana&#8217;s  Bhimayana is the sole book from India (even Asia) to make it to comics  curator Paul Gravett list of Top 5 political comic books on  CNN&#8217;s  international website, sharing space with genre classics like Maus,  Palestine and Persepolis.</p>
<blockquote style="background-color:#F9F5E1; margin: 1em 0.5em; border-left: 2px solid #999; padding-left: 0.5em; padding-right: 0.5em;"><p>Bhimayana  explores the plight of India&#8217;s Dalits, or Untouchables, who &#8212; despite  the abolition of the country&#8217;s ancient caste system &#8212; continue to face  routine discrimination based on the idea that they are impure.</p>
<p>The  book, published this year, combines the biography of Indian activist  and Dalit champion Bhimrao Ambedkar &#8211; who himself grew up Untouchable &#8211;  with a present-day conversation between two people at a bus stop about  whether or not the problem still exists.</p></blockquote>
<p><a href="http://bit.ly/m9pIbi" target="_blank">Read more »</a><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">&#8216;Upside Down&#8217; lands right side up</span><br />
T.R Rajesh, author and illustrator of &#8216;Upside Down&#8217; has another reason to smile.</p>
<p>The  book, originally in Malayalam, was awarded the Balasahithya Puraskaram  2010 for Best Picture Book by the KSICL (Kerala State Institute of  Children&#8217;s Literature) at the awards ceremony held on the 11th of May in  Ernakulam. The Balasahithya Puraskaram is an annual award for books  published in Kerala and the Malayalam edition of &#8216;Upside Down&#8217; by T. R.  Rajesh was co-published by Tulika and KSICL. <a href="http://www.ksicl.org/eng/award" target="_blank">Read more »</a></p>
<p><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">The Indie Boom</span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: Business Standard</span><br />
Over  the last few years, the subtlest shifts in the way we read have been  brought about by a thriving company of independent publishers, ranging  from veterans like Seagull and Katha to relative newcomers like Queer  Ink. Nilanjana Roy, author and literary critic presents a handful of  indie favourites, and why you should read them. <a href="http://bit.ly/l9S24G" target="_blank">Read more »</a></p>
<p><span style="font-family: tahoma,sans-serif;font-weight:bold;color:#ff0000;font-size:1.3em;">New Book Releases and Events</span><br />
<span style="font-family: tahoma,sans-serif;color: #006600;">New book and journal releases, new imprints and other similar events.</span></p>
<p><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">Muse India announces National Literary Awards</span><br />
To  recognize and reward excellence in Indian literature, Muse India is  happy to announce institution of two National Awards to be given  annually, during Hyderabad Literary Festival. These are:</p>
<p>a) Muse  India Young Writer Award to be given to an outstanding original work in  English or in English translation from an Indian language. Each year the  award will be for a different literary genre (poetry, short fiction,  play, novel etc.). For the 2011 award, the genre will be poetry.</p>
<p>b)  Muse India Translator Award to be given to a significant work of  translation into English from any of the Indian languages. Translation  should be of a classic or any other important literary work, preferably  not translated earlier, and seen as an important contribution to Indian  Literature. <a href="http://bit.ly/kKwpQy" target="_blank">Read more »</a></p>
<p><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">History of Marathi literature in parts</span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: Times of India</span><br />
Pune  based Maharashtra Sahitya Parishad &#8211; the apex Marathi literary body  involved in publishing research volumes tracing the history of Marathi  literature, [has released] the last two parts of the seventh volume on  May 27.</p>
<p>A statement issued by the Parishad said that the six  volumes published earlier traced the history of Marathi literature till  the year 1950. &#8220;The Parishad undertook the task of compiling the history  of Marathi literature post 1950 in 2006. This volume has four parts,  two of which were published in May 2009 and February 2010. The volume  has become big as a period of 50 years from 1950 to 2000 has been  covered in it&#8221;, the statement said.</p>
<p>The volumes on history of  Marathi literature not only act as valuable reference material for  students and researchers of Marathi literature but also guides future  direction of research. Rare photographs of authors are also included in  the volumes. <a href="http://bit.ly/lqZ4aW" target="_blank">Read more »</a></p>
<p><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">Captivating young minds through comics</span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: The Hindu</span><br />
Wilco  Publishers recently launched eight more English titles from the Wilco  Picture Library (WPL) series of comic books. The publishing house has  also released 20 Kannada titles.</p>
<p>The comic books explore subjects  ranging from mythology and ancient history to religion. The titles also  include the science of inventions, discoveries, new cities and  festivals.</p>
<p>Ajai Shah, Managing Director of Wilco Publishers said:  &#8220;The Wilco comic books are a combination of education and entertainment  called edutainment. &#8220;We aim to captivate young minds and make even  boring material fun and educative.</p>
<p>The comic books will be  published in multiple regional languages so as to inculcate the habit of  reading among young people and also improve literacy levels.&#8221;<a href="http://bit.ly/me98PM" target="_blank">Read more »</a></p>
<p><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">Tagore works transcribed into Braille</span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: Deccan Herald</span><br />
Chennai-based  Third Eye Charitable Trust plans to transcribe literary works,  including those of Tagore, into Braille by tying-up with publishing  houses like Scholastic India, Penguin and Tulika Publishers.</p>
<p>&#8220;We  have already converted two volumes of Tagore&#8217;s &#8220;Gitobitan&#8221; (a collection  of songs) into Braille. The third volume is under production now and  will be ready in the next few months,&#8221; Mahua Seth, founder trustee of  the NGO, said.<a href="http://bit.ly/jltTal" target="_blank">Read more »</a></p>
<p><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">Pottekatt&#8217;s &#8216;Desam&#8217; breaks translation jinx</span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: expressbuzz.com</span><br />
<em>Oru Desathinte Kadha</em> had warded off attempts at translation and remained unavailable to the  non-Malayalee reading community for four decades despite its epic  status. One of S K Pottekatt&#8217;s few books that has not been translated,  it can also be singled out among Jnanpith and Sahitya Akademi  award-winning works for remaining  untranslated for so long.</p>
<p>It  took Sreedevi K Nair and P Radhika five years to dissect through the  resistance put up by the voluminous vernacular to wrap up &#8216;The Story of a  Desam&#8217;. The project, selected for the 2010-11 Translation Grant from  the International Center for Writing and Translation (ICWT), University  of California, Irvine, will duly be published in book form.  <a href="http://bit.ly/khqNt0" target="_blank">Read more »</a></p>
<p><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">&#8216;Adopt an ebook&#8217; to preserve manuscripts</span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: The Economic Times</span><br />
Book  lovers in the city have launched an initiative called &#8216;Adopt an ebook&#8217;  to preserve manuscripts and ancient literature by digitally converting  them into ebooks. People who participate in the project will be called  &#8216;parents&#8217; as they will &#8216;adopt&#8217; these ebooks.</p>
<p>&#8220;There are lots of  manuscripts, so converting them into the digital format is a huge task.  So we have decided to involve the public in this project,&#8221; said Mandar  Joglekar, founder of Bookganga.com. &#8220;Our first goal is to convert old  Marathi literature texts into ebooks.&#8221;</p>
<p>Joglekar, who also runs an  IT firm in the US, said that a similar initiative has already been  started in the US. The Pune project has received response from five  persons, and more volunteers are joining. <a href="http://bit.ly/m9Hqwr" target="_blank">Read more »</a></p>
<p><span style="font-family: tahoma,sans-serif;font-weight:bold;color:#ff0000;font-size:1.3em;">Elsewhere&#8230;</span><br />
<span style="font-family: tahoma,sans-serif;color: #006600;">News from around the world&#8230;</span></p>
<p><span style="font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;">Global book club launches on Twitter</span><br />
<span style="font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;">Source: The Guardian</span><br />
From  New Zealand to Brazil, India to Japan, thousands of readers around the  world are coming together to tackle Margaret Atwood&#8217;s Booker-prize  winning novel The Blind Assassin through a global Twitter book club.</p>
<p>1book140  follows last summer&#8217;s One Book, One Twitter club, which saw 12,000  people discussing Neil Gaiman&#8217;s American Gods on the micro-blogging  site. Originator Jeff Howe, author of Crowdsourcing and a professor of  journalism at Northeastern University in Boston, decided to relaunch the  initiative this year, in conjunction with the Atlantic magazine, and to  make it a monthly virtual meet-up for readers. &#8220;One Book, One Twitter  was a smash. The only problem? It disappeared, like barbecues and  seersucker suits, when summer came to a close,&#8221; said Howe. &#8220;Now it&#8217;s  back &#8230; It has a new name &#8211; 1book140 &#8211; but what hasn&#8217;t changed is the  global, participatory nature of the affair: The crowd is still in  charge.&#8221; <a href="http://bit.ly/l7lcOK" target="_blank">Read more »</a></td>
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<p>News Submissions: If you have news and events to report, please email us  at writetous@ thepublisherspost.com with the word &#8220;SUBMISSION&#8221; in the  subject line. News that includes book launches, book signings, launch of  new imprints and publishing houses, book fairs, new entrants among  publishers, writer and publisher blogs, comments, opinions, relevant job  postings, the works. The newsletter is sent every month during the last  week of each month.</p>
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		<title>The Publisher&#8217;s Post &#8211; April 2011</title>
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Happenings
On what&#8217;s  been happening. If there’s news you have heard of and think it would  make for interesting reading, please share it with us.
UN urges debate of publishing trends
Source: newKerala.com
The  head of the United Nations agency tasked with preserving the world&#8217;s  cultural heritage called for a debate to examine the changing [...]]]></description>
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<span style="font-family: tahoma,sans-serif; color: #006600;">On what&#8217;s  been happening. If there’s news you have heard of and think it would  make for interesting reading, please share it with us.</span></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">UN urges debate of publishing trends</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: newKerala.com</span><br />
The  head of the United Nations agency tasked with preserving the world&#8217;s  cultural heritage called for a debate to examine the changing trends in  book publishing and copyrights, saying new technologies are transforming  the industry and having an impact on publishers, authors and readers.</p>
<p>&#8220;Change  is giving rise also to sharp new debates &#8211; about the strengths and  weaknesses of different kinds of products, about the nature of copyright  today, about the role of libraries relative to online knowledge, about  the meaning of &#8216;authorship&#8217; in a world of blogs and wikis,&#8221; said Irina  Bokova, the Director-General of the UN Educational, Scientific and  Cultural Organization (UNESCO) in a message to mark the World Book and  Copyright Day (on April 23). <a href="http://bit.ly/lpz4dF" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Upcoming writers find a place in Marathi literature</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Times of India</span><br />
New  and unpublished writers are slowly finding a platform to showcase their  work, with a host of city-based publishers opening their doors to  first-time and new authors, especially in Marathi literature, citing  greater market share as one of the main reasons.</p>
<p>Every month,  Prakash Ranade from Neelkanth Prakashan receives at least 10 to 15  enquiries from new writers from across the state and beyond. &#8220;There is  certainly a rise in the number of new writers wanting to get their works  published. They belong to various professional fields and choose to  write on anything, spanning from social issues, to environment to  women&#8217;s problems. I prefer manuscripts that address the current reality  of life and society,&#8221; says Ranade, who has just published five works by  first-time writers in Marathi. <a href="http://bit.ly/jpEM5G" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Veteran writer of science, crime in Urdu passes away unsung</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Indian Express</span><br />
Izhar  Asar, who died aged 82 on April 15, was a remarkable man, a writer of  nearly 1,000 novels in Urdu, who found the time and dedication to teach  himself Kathak, and perform for nearly 10 years. He was also a rare  Muslim who, after Partition, migrated from Lahore, where he had gone to  live in the 1940s, to India.</p>
<p>As a writer in Urdu, Asar was  unusual. His repertoire included crime, pulp and science fiction. A  rationalist and a progressive, he was part of the Progressive Writers&#8217;  Association, PWA. In 2006, he was honoured with the Ghalib Award.</p>
<p>And  yet, in his last few years, the Bijnore-based veteran had become, as  his eldest son said without a hint of irony, &#8220;a general merchant&#8221; of the  letters &#8211; a man who would write on demand, virtually a novel every  week. <a href="http://bit.ly/kXKWoD" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Bhutan literature fest, Edition Two</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Assam Tribune</span><br />
Come  May and literature enthusiasts can head to Bhutan, the land of scenic  landscapes and fabled dragons for a festival that seeks to bring  authors, poets, writers and other celebrities on a common platform.</p>
<p>&#8220;We  had a resounding success last year when the festival was held for the  first time and we are returning again with a lot more programmes,&#8221; Mita  Kapur, founder director of the festival &#8220;Mountain Echoes&#8221; to be held in  Thimphu.</p>
<p>The five-day festival beginning May 20 seeks to explore  and celebrate the rich literary culture of both India and Bhutan and  would focus on themes like the need and importance of preserving  languages; oral traditions; the contemporary art of science fiction;  story writing; ballads; fantasy fiction, among others.<br />
<a href="http://bit.ly/mjwF0F" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">India Poised To Emerge As The Global Publishing BPO Services Hub </span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Assam Tribune</span><br />
The  3rd Publishing BPO Services Conference organized by Confederation of  Indian Industry (CII), Chennai Zone on 08th April 2011 at Chennai,  deliberated on the &#8220;digital wave&#8221; in publishing offshoring and how India  (Chennai region including Puducherry) as the Global Publishing BPO  Services Hub leverage it and move up the value chain.</p>
<p>The  Publishing BPO conference this year addressed the increased dominance of  digital publishing compared to the traditional print (Hard cover,  Books), the increased dependency on technology and changing consumer  preferences.</p>
<p>This conference provides the right platform for  industry to deliberate, discuss best practices, understand trends and  provide directions for publishing BPO vendors to convert this challenge  into a big opportunity and continue to sustain India as the Publishing  BPO Services hub of the world. <a href="http://bit.ly/j3bo1C" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Navayana-Avarna fellowship for NBT Publishing Course, July 2011</span><br />
In  July 2011, NBT is conducing the annual four-week course in Delhi.  Following similar initiatives in 2009 and 2010,Navayana once again seeks  to provide fellowships to five dalit/ adivasi students who get selected  for the NBT course. The details of the comprehensive course, where the best professionals  from the publishing industry teach, are available at this link:<br />
http://www.nbtindia.org.in/download/April2010/BookPub/InfoDelhi.pdf.</p>
<p>Application: http://www.nbtindia.org.in/download/April2010/BookPub/Application%20Form.pdf</p>
<p>Last date for sending applications: 10 June 2011.</p>
<p>Candidates are to apply directly to NBT as instructed on the NBT  website. There is no entrance test; any graduate may apply. Navayana  shall play no role in the selection of the candidates. Candidates who  happen to be Dalit/ Adivasi and are selected by NBT may then apply to  Navayana for financial support. Navayana shall pay the course fee (Rs  5,000) for up to five Dalit/ Adivasi candidates. NBT this year is also  arranging accommodation for outstation candidates at Rs 3,000 for four  weeks. Navayana shall also subsidize this amount. In all, the net value  of the Avarna Fellowship shall be Rs 8,000.<br />
NBT also has an internship program for promising students from which the selected Avarna fellows could benefit.</p>
<p>In case of queries, please write to avarna@ navayana.org</p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Course for Editors in Publishing</span><br />
The  &#8220;4th Intensive Course for Editors in Publishing&#8221; organized by the  Institute of Book Publishing will be held from May 23- 28, 2011 at India  International Centre, New Delhi. The Course details and application  form is available on the website www.ibpindia.org</td>
<td style="background-color: #ffffff; border-left: 1px solid #cccccc; text-align: left;" width="200" valign="top"><span style="font-size: 11px; font-weight: normal; color: #3e1c1b; font-family: arial; line-height: 150%;"></p>
<div id="navcontainer"><span style="font-size: 14px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Book Releases</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">To have your book listed here, write to us with all details and a cover image</span></p>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; height: 110px; border: 1px solid #ffffff; margin: 1px; padding-right: 2px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9789380637013.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Influencing India: Lobbying in the world&#8217;s largest Democracy</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Sugato Hazra</span><br />
<span>240p/Hardcover/Rs.495<br />
ISBN:978-93-80637-01-3<br />
Bridging Borders</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; height: 100px; margin: 1px; padding-right: 2px; padding-bottom: 30px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9788132105909.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Lost Years of the RSS</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Sanjeev Kelkar</span><br />
<span>392p/Paperback<br />
ISBN: 9788132105909<br />
SAGE India</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; margin: 1px; padding-right: 2px; padding-bottom: 20px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9780143416487.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Daughters: A Story of Five Generations</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">By Bharati Ray, Translated By Madhuchanda Karlekar, Foreword by Amartya Sen </span><br />
<span>336pp/Paperback/Rs. 399<br />
ISBN: 9780143416487<br />
Penguin India</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; margin: 1px; padding-right: 2px; padding-bottom: 20px; float: left;" src="http://www.dogearsetc.com/pubpost/images/8178243334.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Islam Translated: Literature, Conversion, and the Arabic Cosmopolis of South and Southeast Asia</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Ronit Ricci</span><br />
<span>312pp/Hardback/Rs. 750<br />
ISBN: 81-7824-333-4<br />
Permanent Black, Co-published by the University of Chicago Press</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; margin: 1px; padding-right: 2px; padding-bottom: 20px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9789380028989.jpeg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Ravana: Roar of the Demon King</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">By Abhimanyu Singh Sisodia, Illustrated by Sachin Nagar</span><br />
<span>96pp/Paperback/Rs. 195<br />
ISBN: 978-93-80028-98-9<br />
Campfire</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; margin: 1px; padding-right: 2px; padding-bottom: 20px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9781107014114.gif" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Gandhi in the West &#8211; The Mahatma and the Rise of Radical Protest</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">By Sean Scalmer</span><br />
<span>254pp/Hardback/Rs. 795<br />
ISBN: 9781107014114<br />
Cambridge University Press</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; margin: 1px; padding-right: 2px; padding-bottom: 20px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9788189884604.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">The Cousins</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Prema Raghunath</span><br />
<span>352pp/Paperback/Rs. 325<br />
ISBN: 9788189884604<br />
Zubaan</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; margin: 1px; padding-right: 2px; padding-bottom: 20px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9781444734096.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Geek Nation</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Angela Saini</span><br />
<span>288pp/Hardcover/Rs. 499<br />
ISBN: 9781444734096<br />
Hachette India</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; margin: 1px; padding-right: 2px; padding-bottom: 20px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9788192040301.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Down The Road</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">Edited by Ahmed Faiyaz, Rohini Kejriwal</span><br />
<span>225pp/Paperback/Rs. 195<br />
ISBN: 9788192040301<br />
Grey Oak Publishers India Pvt. Ltd.</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; height: 100px; margin: 1px; padding-right: 2px; padding-bottom: 20px; float: left;" src="http://bit.ly/dN9DSq" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Govind Lahari</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Asuri Vasudevan</span><br />
<span>192p/Paperback/Rs 260<br />
ISBN: 978-93-80151-82-3<br />
CinnamonTeal Publishing</span></div>
<div style="float: left; border-bottom: 1px solid #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; height: 100px; margin: 1px; padding-right: 2px; padding-bottom: 12px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9789380739151.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">The Last Prabhu: A Hunt for Roots &#8211; DNA, Ancient Documents and Migration in Goa </span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by By Bernardo Elvino De Sousa</span><br />
<span>172p/Paperback/Rs.950<br />
ISBN: 9789380739151<br />
Goa 1556</span></div>
<div style="float: left; border-top: 2px solid #7b1314; border-bottom: 2px solid #7b1314; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 195px; background-color: #e4deb0; margin-bottom: 15px;"><span style="font-size: 13px; font-weight: normal; color: #000000; font-family: arial;"> If you have news, articles, blog postings or book launches and reviews  to submit, please email us at writetous@ thepublisherspost.com </span></div>
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<td style="font-size: 12px; color: #000000; line-height: 150%; font-family: trebuchet ms;" colspan="2" valign="top" bgcolor="#FFFFFF"><span style="font-family: tahoma,sans-serif; font-weight: bold; color: #ff0000; font-size: 1.3em;">Blogs and Articles</span><br />
<span style="font-family: tahoma,sans-serif; color: #006600;">Comments and posts on trends and events in the book industry.</span></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Indian Publishing</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Himal Southasian</span><br />
Himal  Southasian, in its May issue, has extensively covered the publishing  industry in India and indeed the entire subcontinent. With articles by,  among others, Urvashi Butalia and Ameena Saiyid, the issue provides an  insider&#8217;s perspective on India&#8217;s &#8220;booming&#8221; book industry and that in its  neighbours. Sample an article titled &#8220;When markets commission&#8221; by  Akshay Pathak, Director of the German Book Office, New Delhi</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>The  &#8216;new&#8217; writer, then, has an interesting arena in which to work. With a  growing market in the Subcontinent, the old argument of writing for a  foreign readership is losing its logic. Chetan Bhagat and Amish  Tripathi, each selling over 50,000 copies in India alone, represent a  new breed of writers who are able to defy previous notions of what the  market demands. Literary quality apart (defined, in any case, by a  handful of critics fighting for the scant space the media permits for  reviews), the mood that these authors create lends a new flavour to the  scope of English-language publishing in India.</p></blockquote>
<p><a href="http://bit.ly/iSAZTU" target="_blank">Read more »</a><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Waiting on Words</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Indian Express</span><br />
Eshwar  Rao or &#8216;Hyderabadi&#8217; as he is popularly known is not your usual hotel  employee who just reads off a list of delicacies to help hungry  customers make up their minds about what to order. The 53-year-old, who  works as a supervisor at Bhagwati Hotel in Charkop, Kandivali after  doing a myriad of odd jobs throughout his life, is also a renowned poet.</p>
<p>Rao,  a regular at mushairas and other such literary events in the locality,  claims to have written over a thousand ghazals and poems. Amongst the  various local awards that he has received over the years, his work has  earned him the Kavi Ratna Puraskar and Ambedkar National Award from the  Dalit Sahitya Akademi &#8211; an organisation working to promote Dalit  literature, encourage Dalit writers and recognise the services of those  engaged in the field of Dalit welfare. <a href="http://bit.ly/jiKgeN" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Art, within and without lines</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: DNA</span><br />
While art should encourage open-endedness, imagination and self-expression in children, colouring books too have their merits.</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>These  seemingly-innocent books meet two key parental desires: perfection in  the child&#8217;s &#8216;performance&#8217;, and secondly, quiet engagement, or  &#8216;timepass&#8217;. Like the classes, they leave no room for open-endedness,  imagination and self-expression. They also pass on a subtle signal to  kids: drawing is grown-up&#8217;s work, and should not be attempted by you.  You just colour. Neatly and within the lines.</p></blockquote>
<p><a href="http://bit.ly/mqaesV" target="_blank">Read more »</a><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Untold stories &#8211; India&#8217;s non-fiction</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Business Standard</span><br />
While art should encourage open-endedness, imagination and self-expression in children, colouring books too have their merits.</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>Samanth  Subramanian, like Sonia Faleiro, is one of the new stars of  non-fiction; Following Fish, narrative journalism exploring India&#8217;s  coastline, remains one of the best food and travel books of recent  times. &#8220;This is just the beginning,&#8221; he says. We both agree that a  handful of authors and non-fiction books from the subcontinent isn&#8217;t  enough to call a movement, yet.</p>
<p>But as Subramanian points out,  what may be changing is a sensibility, as our curiosity about our own  stories is matched by the willingness to actually go out and tell them.</p>
<p>Few  Indian publications support essays longer than 1,500-2,000 words; and  even fewer would offer that space to issues other than politics. The  Caravan, run by Jonathan Shainin and a crack team of writer-editors, who  include author Anjum Hassan and former Random House editor Rajni  George, is one of the few magazines that look for and nurture narrative  non-fiction, aside from a handful of menâ€™s magazines that occasionally  commission lengthy essays.</p>
<p>It&#8217;s tempting to see Siddhartha  Mukherjee&#8217;s Pulitzer triumph as confirmation of the Indian success story  in non-fiction; but in a way, Mukherjee&#8217;s success as a writer is a very  American, not Indian, success. What would it take to have a <em>The Emperor of Maladies</em> come out of India? More supportive publishing houses, more magazines  with demanding editorial standards, more imagination and willingness to  go after the untold stories on the part of writers? I don&#8217;t really have  the answers, but it&#8217;s an interesting question.</p></blockquote>
<p><a href="http://bit.ly/iSQwbf" target="_blank">Read more »</a><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Mills &amp; Boon to adopt teaser route for e-books</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Financial Express</span><br />
Harlequin  Mills and Boon India will be promoting the growth of e-book vertical in  the Indian market with a series of customer-centred teaser initiatives,  according to Manish Singh, country manager of the publishing company.</p>
<p>&#8220;Currently  the company derives 2 to 3% revenue from the online and e-book  categories. We wish to boost the e-book adoption among Indians with a  variety of sops including buy one get one offer, free online access to  select titles and other innovative promotions like free mystery gifts to  induce the next generation bibliophiles to embrace the tech platform of  their choice,&#8221; he said in an interview with the Financial Express.  <a href="http://bit.ly/iuTnyP" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Silence! The ego is reading</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Tehelka</span><br />
The  solitary, brooding writer is nearly extinct. Writers are now public  property, but is that good for them or the reading public, asks author  Anjum Hasan</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>Even  if one does manage to reconcile writing with speaking, the two are  obviously very different kinds of performances. Having learnt about  Franz Kafka&#8217;s petrifaction and Philip Larkin&#8217;s diffidence about reading  in public, I&#8217;ve always assumed writing and reading must be judged  independently. Having seen Orhan Pamuk display, as a speaker, a  teacherly style that sits oddly with the lyricism of his prose or heard  the seemingly stone-hearted VS Naipaul confess that listening to other  people read aloud from his work moves him to tears, I&#8217;ve realised that  writers as people of flesh, blood and vocal chords are not to be  measured exactly against writers as people we encounter in print.</p></blockquote>
<p><a href="http://bit.ly/mqLYb8" target="_blank">Read more »</a><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">World of books hardly lags behind</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Hindu</span><br />
It  is not just the classics or the popular works in contemporary  literature that are drawing readers. What is commonly perceived as  serious literature is increasingly seeing more takers.</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>The  success of Tamil books mirrors some larger trends in Tamil literature  itself, says Sirpi Balasubramaniam, executive board member and convener  of the Tamil advisory Board, Sahitya Akademi.</p>
<p>&#8220;The field is  flourishing in terms of quality in writing and business. It is almost  like another Sangam era. Classics are being reprinted. Short stories of  writers such as Pudhumaipithan are seeing multiple editions. Many  publishers are re-printing the works of Jayakanthan, Sa. Kandasamy and  Asokamithran,&#8221; he says.</p>
<p>On other genres, Mr. Balasubramaniam says  the patronage is equally encouraging. Dalit literature, including the  works of writers such as Imayam, Azhagiya Periyavan and Bama, is  building a good repository on the lives and reflections of dalits.</p>
<p>&#8220;There  is a transition from giving accounts of one&#8217;s problems to giving a  perspective of a Dalit&#8217;s life and relationships. There is some very  powerful writing coming out,&#8221; he adds. Feminist and post-modernist  literature, and poetry are seeing some valuable contributions. &#8220;Folk and  Tamil Diaspora literature is enriching the Tamil vocabulary with rare  usages and powerful metaphors.&#8221;</p></blockquote>
<p><a href="http://bit.ly/iAraOw" target="_blank">Read more »</a><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">National shelf life</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Mint</span><br />
A store in Delhi&#8217;s book publishing hub has the country&#8217;s largest collection of non-fiction on India</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>The  bookshop doubles as a publishing and distribution company. Books from  here are parcelled daily to Kyoto, Kolhapur, Heidelberg, Prague, Patna,  Toulouse, Dublin, Bangalore, Boston, London and Lahore. &#8220;We have  religion and arts, music and crafts, politics and cultural studies,&#8221;  says Ajay, the owner&#8217;s son. &#8220;Which means we are a one-stop shop for  academic needs,&#8221; adds his father.</p>
<p>What is scholarly for  professors could simply be a pleasure read for a lay reader. The shop&#8217;s  eclectic collection comprises titles that give a tantalizing glimpse  into a world right under our noses, yet unexplored. Sample a few: <em>From Sacred Servant to Profane Prostitute; The Social History of Health and Medicine in Colonial India</em>, <em>Muslim Architecture of South India</em>, <em>Boats of South Asia</em>, <em>Pied Pipers in North-East India</em>, <em>Frogs in a Well-Indian Women in Purdah</em> and <em>Criminal Gods and Demon Devotees</em>.</p>
<p>The  shop, spread over five floors, has 25,000 books. Many lie locked in the  basement. The browsing area on the ground floor is divided by wooden  shelves into two rows, with a seating space that has two coffee tables  with eight low chairs. The late scholar Simon Digby, who divided his  time between Delhi and the UK, was a regular. He would make two piles of  books; one for immediate reading went to his apartment in Nizamuddin  West, the other would be shipped to England.</p></blockquote>
<p><a href="http://bit.ly/iAraOw" target="_blank">Read more »</a></p>
<p><span style="font-family: tahoma,sans-serif; font-weight: bold; color: #ff0000; font-size: 1.3em;">New Book Releases and Events</span><br />
<span style="font-family: tahoma,sans-serif; color: #006600;">New book and journal releases, new imprints and other similar events.</span></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Blaft announces tie-up with Westland Ltd.</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Company Press Note</span><br />
BLAFT  Publications, the newsmaking independent publishing house, has  announced a fresh programme in association with Westland Ltd. The  association kicks off with a series of four titles by one of the  subcontinent&#8217;s best-loved fiction writers, Ibne Safi. These will be  published, appropriately, under Westland&#8217;s literary imprint, Tranquebar.   Blaft is confident that the tie-up will enable all [those concerned]  to expand and diversify its list of books even more grandly.</p>
<p>Ibne Safi&#8217;s <em>Jasusi Dunya</em> is a dysfunctional world of titanic villains, mad-genius detectives,  and alluring femmes fatales. With a huge cult following among readers in  both India and Pakistan, this series spans 125 novels published between  1952 and 1979. They remain some of the bestselling books in Urdu even  today. Blaft and Westland will bring out the evocative &#8211; even eerie &#8211;  titles <em>Poisoned Arrow</em>, <em>Smokewater</em>, <em>The Laughing Corpse</em> and <em>Doctor Dread</em> translated by the renowned Urdu scholar Shamsur Rahman Faruqi.</p>
<p>Westland  Limited is a general trade publishing and distribution house, which  includes EastWest Books and the newer Tranquebar Press. Our list of  titles includes books on literary and popular fiction and non-fiction,  food and cooking, erotica, spirituality and self-help, health and  wellness, business, management, travel and a host of other subjects  including graphic fiction and satire.</p>
<p>Blaft is an independent  house based in Chennai has a wide and varied list, including bestselling  Indian crime novels, experimental fiction, pulp art, and graphic  novels.</p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Tara book receives special mention in White Ravens Catalogue</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Company Press Note</span><br />
<em>I See the Promised Land</em>,  published by Tara Books has been singled out for Special Mention in the  White Ravens Catalogue of the world&#8217;s best books for young people,  released at the Bologna Book Fair.Described by the jury as &#8216;an  extraordinary collaboration between devoted artists from three  continents&#8217; it was praised for being, &#8216;an engaging and challenging  graphic novel for a young (and older) audience.&#8217;</p>
<p>I See the  Promised Land is an unusual, graphic retelling of the life of Martin  Luther King Jr. African American performance poet Arthur Flowers tells a  masterful story in musical prose, while Manu Chitrakar, a traditional  scroll-painter from Bengal, carries the tale confidently into the vivid  idiom of Patua art. This is the eighth book by South Indian independent  publishing house Tara Books to be included in this prestigious list of  noteworthy international books.</p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">NJP Digital Connections Private Limited launches company, www.notjustpublishing.in</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Company Press Note</span><br />
NJP  Digital Connections Private Limited has announced the launch of the  company and its product, www.notjustpublishing.in. While NJP Digital  Connections will provide web and mobile solutions, products, and  consultancy for publishing and allied industries, the portal  www.notjustpublishing.in is about people in publishing and associated  industries, their publishing careers, and lives beyond the office. In a  casual chat, the portal will feature a new professional every week in  video and text interviews. Through this interactive portal, you can  write to the featured personalities and also recommend people to be  featured.</p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">And then there were two</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Tehelka</span><br />
The  recent reissue of two detective fiction series &#8211; the Inspector Ghote  mysteries and four Urdu novels in English translation from Ibne Safi&#8217;s <em>Jasoosi Duniya</em> series &#8211; reminds you of all that is wonderful about the genre</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>This  interest in unpeeling the social world around the crime, the clear-eyed  understanding of how class and power operate, influencing even the most  intimate relationships, is perhaps the only thing common to these very  different styles of fiction. If Inspector Ghote Trusts the Heart unpacks  the precarious circumstances created by a rich man being asked to pay a  ransom for the tailor&#8217;s son who has been kidnapped instead of his own,  The Laughing Corpse centres around the kidnapping of a &#8220;lowly typist&#8221;  whose unexpected inheritance had suddenly made her the town&#8217;s most  eligible girl. The staunchly middle class Ghote, who worries about taxi  fares, dreams of cold buttermilk when he watches his rich complainant  pour himself a Scotch and must muster all the courage at his command to  exert a semblance of authority in the face of social superiors, could  not be more unlike Faridi, a man with a private income who comes to  detection out of a passion for criminology, has a degree from Oxford and  owns a palatial house with its own laboratory and library. But in both  Keating and Safi, there is that deepdown stock-in-trade of the best  crime fiction â€” an abiding interest in how the world works.</p></blockquote>
<p><a href="http://bit.ly/iow8Kb" target="_blank">Read more »</a><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Marketing professionals and literary pursuits</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Economic Times</span><br />
Rama  Bijapurkar, independent market strategy consultant, has written,  Winning in the Indian Market &#8211; Understanding the Transformation of  Consumer India and her new book called Customer In The Boardroom?  Crafting Customer Based Business Strategy is coming out soon. Marketing  consultants Santosh Desai and Harish Bijoor are also prolific writers.</p>
<p>They  could be writing a treatise on what they practice &#8211; in this case  marketing and branding &#8211; or it could be totally unrelated, as is the  case with JWT&#8217;s former creative director Anuja Chauhan&#8217;s two  bestsellers, <em>The Zoya Factor</em> and <em>Battle For Bittora</em>.  Or Publicis Ambience&#8217;s NCD, Ashish Khazanchi&#8217;s (yet to be published)  pictorial prose in the form of very specialised artists books. Whatever  be the output, the moot point is the fact that more people from the  industry want to tell a story, which may not necessarily be a brand  story.  <a href="http://bit.ly/mwbCp3" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Reading Satyajit Ray</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: DNA</span><br />
On  the eve of his 90th birth anniversary, a collection of his film scripts  has been translated into English and published in book form.</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>In  1992, the American Academy of Motion Picture Arts and Sciences,the  Satyajit Ray Society and funding agencies such as the Rajiv Gandhi  Foundation, the Ford Foundation, the India Foundation of the Arts, and  other organisations came together to try preserving and restoring Ray&#8217;s  heritage. Part of this archiving effort has been preserving Ray&#8217;s paper  archives, for he left extensive &#8216;Notebooks&#8217; of each of his productions.  These have draft storylines, scenarios, draft dialogue, character  outlines, musical annotations, story-boards, detailed pictures of  costumes, shot breakdowns etc &#8211; in short, the entire visual and aural  creative process of one of India&#8217;s foremost artistes, in detail. There  are full musical annotations both in staff notation and in <em>sargam</em>, or all the musical treatments and background music for most of his films.</p></blockquote>
<p><a href="http://bit.ly/kDM4KC" target="_blank">Read more »</a><span style="font-family: tahoma,sans-serif; font-weight: bold; color: #ff0000; font-size: 1.3em;">Elsewhere&#8230;</span><br />
<span style="font-family: tahoma,sans-serif; color: #006600;">News from around the world&#8230;</span></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Iraq concludes first book fair in 20 years</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: google.com/hostednews/afp</span><br />
Iraq&#8217;s  first book fair in 20 years concluded on Thursday with organisers and  attendees hailing it as a return for the violence-wracked country to the  global literary scene.</p>
<p>The two-week exhibition featured more  than 200 publishing houses from 32 countries displaying about 37,000  books at a massive conference hall in Mansur, west Baghdad, according to  the event&#8217;s organisers.</p>
<p>The books on offer were mostly in Arabic, but English and French literature was also on sale. <a href="http://bit.ly/l7lcOK" target="_blank">Read more »</a></td>
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<td style="background-color: #e4deb0; border-top: 10px solid #ffffff;" colspan="2" valign="top"><span style="font-size: 10px; color: #08396a; line-height: 100%; font-family: verdana;"> This newsletter is developed by Dogears Print Media Pvt Ltd. with inputs  from various sources. Special thanks to Ms. Jaya Bhattacharji Rose for  the many articles she has submitted.</p>
<p>News Submissions: If you have news and events to report, please email us  at writetous@ thepublisherspost.com with the word &#8220;SUBMISSION&#8221; in the  subject line. News that includes book launches, book signings, launch of  new imprints and publishing houses, book fairs, new entrants among  publishers, writer and publisher blogs, comments, opinions, relevant job  postings, the works. The newsletter is sent every month during the last  week of each month.</p>
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<p>&lt;p&gt;<br />
&lt;span style=&#8221;font-size:12px;font-weight:bold;color:#0F8385;font-family:tahoma;line-height:80%;&#8221;&gt;April 2011&lt;/span&gt;<br />
&lt;/p&gt;</p>
<p>&lt;!&#8211;happenings starts here&#8211;&gt;<br />
&lt;p&gt;<br />
&lt;span style=&#8221;font-family: tahoma,sans-serif;font-weight:bold;color:#ff0000;font-size:1.3em;&#8221;&gt;Happenings&lt;/span&gt;<br />
&lt;br/&gt;<br />
&lt;span style=&#8221;font-family: tahoma,sans-serif;color: #006600;&#8221;&gt;On what&#8217;s been happening. If there&amp;#8217;s news you have heard of and think it would make for interesting reading, please share it with us.&lt;/span&gt;<br />
&lt;/p&gt;</p>
<p>&lt;p&gt;&lt;span style=&#8221;font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;&#8221;&gt;UN urges debate of publishing trends&lt;/span&gt;&lt;br&gt;&lt;span style=&#8221;font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;&#8221;&gt;Source: newKerala.com&lt;/span&gt;&lt;br/&gt;The head of the United Nations agency tasked with preserving the world&#8217;s cultural heritage called for a debate to examine the changing trends in book publishing and copyrights, saying new technologies are transforming the industry and having an impact on publishers, authors and readers.&lt;br /&gt;&lt;br /&gt;&#8221;Change is giving rise also to sharp new debates &#8211; about the strengths and weaknesses of different kinds of products, about the nature of copyright today, about the role of libraries relative to online knowledge, about the meaning of &#8216;authorship&#8217; in a world of blogs and wikis,&#8221; said Irina Bokova, the Director-General of the UN Educational, Scientific and Cultural Organization (UNESCO) in a message to mark the World Book and Copyright Day (on April 23). &lt;a href=&#8221;http://bit.ly/lpz4dF&#8221; target=&#8221;_blank&#8221;&gt;Read more &amp;#187;&lt;/a&gt;&lt;/p&gt;</p>
<p>&lt;p&gt;&lt;span style=&#8221;font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;&#8221;&gt;Upcoming writers find a place in Marathi literature&lt;/span&gt;&lt;br&gt;&lt;span style=&#8221;font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;&#8221;&gt;Source: Times of India&lt;/span&gt;&lt;br/&gt;New and unpublished writers are slowly finding a platform to showcase their work, with a host of city-based publishers opening their doors to first-time and new authors, especially in Marathi literature, citing greater market share as one of the main reasons.&lt;br /&gt;&lt;br /&gt;Every month, Prakash Ranade from Neelkanth Prakashan receives at least 10 to 15 enquiries from new writers from across the state and beyond. &#8220;There is certainly a rise in the number of new writers wanting to get their works published. They belong to various professional fields and choose to write on anything, spanning from social issues, to environment to women&#8217;s problems. I prefer manuscripts that address the current reality of life and society,&#8221; says Ranade, who has just published five works by first-time writers in Marathi. &lt;a href=&#8221;http://bit.ly/jpEM5G&#8221; target=&#8221;_blank&#8221;&gt;Read more &amp;#187;&lt;/a&gt;&lt;/p&gt;</p>
<p>&lt;p&gt;&lt;span style=&#8221;font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;&#8221;&gt;Veteran writer of science, crime in Urdu passes away unsung&lt;/span&gt;&lt;br&gt;&lt;span style=&#8221;font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;&#8221;&gt;Source: Indian Express&lt;/span&gt;&lt;br/&gt;Izhar Asar, who died aged 82 on April 15, was a remarkable man, a writer of nearly 1,000 novels in Urdu, who found the time and dedication to teach himself Kathak, and perform for nearly 10 years. He was also a rare Muslim who, after Partition, migrated from Lahore, where he had gone to live in the 1940s, to India. &lt;br /&gt;&lt;br /&gt;As a writer in Urdu, Asar was unusual. His repertoire included crime, pulp and science fiction. A rationalist and a progressive, he was part of the Progressive Writers&#8217; Association, PWA. In 2006, he was honoured with the Ghalib Award.&lt;br /&gt;&lt;br /&gt;And yet, in his last few years, the Bijnore-based veteran had become, as his eldest son said without a hint of irony, &#8220;a general merchant&#8221; of the letters &#8211; a man who would write on demand, virtually a novel every week. &lt;a href=&#8221;http://bit.ly/kXKWoD&#8221; target=&#8221;_blank&#8221;&gt;Read more &amp;#187;&lt;/a&gt;&lt;/p&gt;</p>
<p>&lt;p&gt;&lt;span style=&#8221;font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;&#8221;&gt;Bhutan literature fest, Edition Two&lt;/span&gt;&lt;br&gt;&lt;span style=&#8221;font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;&#8221;&gt;Source: The Assam Tribune&lt;/span&gt;&lt;br/&gt;Come May and literature enthusiasts can head to Bhutan, the land of scenic landscapes and fabled dragons for a festival that seeks to bring authors, poets, writers and other celebrities on a common platform.&lt;br /&gt;&lt;br /&gt;&#8221;We had a resounding success last year when the festival was held for the first time and we are returning again with a lot more programmes,&#8221; Mita Kapur, founder director of the festival &#8220;Mountain Echoes&#8221; to be held in Thimphu.&lt;br /&gt;&lt;br /&gt;The five-day festival beginning May 20 seeks to explore and celebrate the rich literary culture of both India and Bhutan and would focus on themes like the need and importance of preserving languages; oral traditions; the contemporary art of science fiction; story writing; ballads; fantasy fiction, among others. &lt;br /&gt; &lt;a href=&#8221;http://bit.ly/mjwF0F&#8221; target=&#8221;_blank&#8221;&gt;Read more &amp;#187;&lt;/a&gt;&lt;/p&gt;</p>
<p>&lt;p&gt;&lt;span style=&#8221;font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;&#8221;&gt;India Poised To Emerge As The Global Publishing BPO Services Hub &lt;/span&gt;&lt;br&gt;&lt;span style=&#8221;font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;&#8221;&gt;Source: The Assam Tribune&lt;/span&gt;&lt;br/&gt;The 3rd Publishing BPO Services Conference organized by Confederation of Indian Industry (CII), Chennai Zone on 08th April 2011 at Chennai, deliberated on the &#8220;digital wave&#8221; in publishing offshoring and how India (Chennai region including Puducherry) as the Global Publishing BPO Services Hub leverage it and move up the value chain.&lt;br /&gt;&lt;br /&gt;The Publishing BPO conference this year addressed the increased dominance of digital publishing compared to the traditional print (Hard cover, Books), the increased dependency on technology and changing consumer preferences.&lt;br /&gt;&lt;br /&gt;This conference provides the right platform for industry to deliberate, discuss best practices, understand trends and provide directions for publishing BPO vendors to convert this challenge into a big opportunity and continue to sustain India as the Publishing BPO Services hub of the world. &lt;a href=&#8221;http://bit.ly/j3bo1C&#8221; target=&#8221;_blank&#8221;&gt;Read more &amp;#187;&lt;/a&gt;&lt;/p&gt;</p>
<p>&lt;p&gt;&lt;span style=&#8221;font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;&#8221;&gt;Navayana-Avarna fellowship for NBT Publishing Course, July 2011&lt;/span&gt;&lt;br&gt;In July 2011, NBT is conducing the annual four-week course in Delhi. Following similar initiatives in 2009 and 2010,Navayana once again seeks to provide fellowships to five dalit/ adivasi students who get selected for the NBT course.<br />
The details of the comprehensive course, where the best professionals from the publishing industry teach, are available at this link:&lt;br /&gt;http://www.nbtindia.org.in/download/April2010/BookPub/InfoDelhi.pdf.&lt;br /&gt;&lt;br /&gt;<br />
Application: http://www.nbtindia.org.in/download/April2010/BookPub/Application%20Form.pdf&lt;br /&gt;&lt;br /&gt;<br />
Last date for sending applications: 10 June 2011.&lt;br /&gt;&lt;br /&gt;<br />
Candidates are to apply directly to NBT as instructed on the NBT website. There is no entrance test; any graduate may apply. Navayana shall play no role in the selection of the candidates. Candidates who happen to be Dalit/ Adivasi and are selected by NBT may then apply to Navayana for financial support. Navayana shall pay the course fee (Rs 5,000) for up to five Dalit/ Adivasi candidates. NBT this year is also arranging accommodation for outstation candidates at Rs 3,000 for four weeks. Navayana shall also subsidize this amount. In all, the net value of the Avarna Fellowship shall be Rs 8,000.&lt;br /&gt;NBT also has an internship program for promising students from which the selected Avarna fellows could benefit.&lt;br /&gt;&lt;br /&gt;In case of queries, please write to avarna@ navayana.org<br />
&lt;/p&gt;</p>
<p>&lt;p&gt;&lt;span style=&#8221;font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;&#8221;&gt;Course for Editors in Publishing&lt;/span&gt;&lt;br&gt;The &#8220;4th Intensive Course for Editors in Publishing&#8221; organized by the Institute of Book Publishing will be held from May 23- 28, 2011 at India International Centre, New Delhi. The Course details and application form is available on the website www.ibpindia.org&lt;/p&gt;</p>
<p>&lt;!&#8211;happenings ends here&#8211;&gt;<br />
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<p>&lt;!&#8211;end of featured publisher, book releases next&#8211;&gt;</p>
<p>&lt;span style=&#8221;font-size:14px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;&#8221;&gt;Book Releases&lt;/span&gt;&lt;br&gt;&lt;span style=&#8221;font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;&#8221;&gt;&lt;!&#8211; Source:Scholars Without Borders &lt;br&gt;&#8211;&gt;To have your book listed here, write to us with all details and a cover image&lt;/span&gt;&lt;br/&gt;</p>
<p>&lt;div style=&#8221;float:left;border-bottom:1px dashed #CCCCCC;height:auto;overflow:hidden;padding:5px;position:relative;text-align:left;width:180px;&#8221;&gt;&lt;img src=&#8221;http://www.dogearsetc.com/pubpost/images/9789380637013.jpg&#8221; style=&#8221;width:66px;height:110px;border:1px solid #FFFFFF;margin:1px;padding-right:2px;padding-bottom:14x;float:left;&#8221;&gt;&lt;span style=&#8221;color:#881518;font-family:Trebuchet;font-size:1.0em;font-weight:bold;text-decoration:none;&#8221;&gt;Influencing India: Lobbying in the world&#8217;s largest Democracy&lt;/span&gt;&lt;br&gt;&lt;span style=&#8221;color:#51626F;font-size:1em;font-weight:bold;text-decoration:none;&#8221;&gt;by Sugato Hazra&lt;/span&gt;&lt;br&gt;&lt;span&gt;240p/Hardcover/Rs.495&lt;br&gt;ISBN:978-93-80637-01-3&lt;br&gt;Bridging Borders&lt;/span&gt;&lt;/div&gt;</p>
<p>&lt;div style=&#8221;float:left;border-bottom:1px dashed #CCCCCC;height:auto;overflow:hidden;padding:5px;position:relative;text-align:left;width:180px;&#8221;&gt;&lt;img src=&#8221;http://www.dogearsetc.com/pubpost/images/9788132105909.jpg&#8221; style=&#8221;width:66px;border:1px solid #FFFFFF;height:100px;margin:1px;padding-right:2px;padding-bottom:30px;float:left;&#8221;&gt;&lt;span style=&#8221;color:#881518;font-family:Trebuchet;font-size:1.0em;font-weight:bold;text-decoration:none;&#8221;&gt;Lost Years of the RSS&lt;/span&gt;&lt;br&gt;&lt;span style=&#8221;color:#51626F;font-size:1em;font-weight:bold;text-decoration:none;&#8221;&gt;by Sanjeev Kelkar&lt;/span&gt;&lt;br&gt;&lt;span&gt;392p/Paperback&lt;br&gt;ISBN: 9788132105909&lt;br&gt;SAGE India&lt;/span&gt;&lt;/div&gt;</p>
<p>&lt;div style=&#8221;float:left;border-bottom:1px dashed #CCCCCC;height:auto;overflow:hidden;padding:5px;position:relative;text-align:left;width:180px;&#8221;&gt;&lt;img src=&#8221;http://www.dogearsetc.com/pubpost/images/9780143416487.jpg&#8221; style=&#8221;width:66px;border:1px solid #FFFFFF;margin:1px;padding-right:2px;padding-bottom:20px;float:left;&#8221;&gt;&lt;span style=&#8221;color:#881518;font-family:Trebuchet;font-size:1.0em;font-weight:bold;text-decoration:none;&#8221;&gt;Daughters: A Story of Five Generations&lt;/span&gt;&lt;br&gt;&lt;span style=&#8221;color:#51626F;font-size:1em;font-weight:bold;text-decoration:none;&#8221;&gt;By Bharati Ray, Translated By Madhuchanda Karlekar, Foreword by Amartya Sen &lt;/span&gt;&lt;br&gt;&lt;span&gt;336pp/Paperback/Rs. 399&lt;br&gt;ISBN: 9780143416487&lt;br&gt;Penguin India&lt;/span&gt;&lt;/div&gt;</p>
<p>&lt;div style=&#8221;float:left;border-bottom:1px dashed #CCCCCC;height:auto;overflow:hidden;padding:5px;position:relative;text-align:left;width:180px;&#8221;&gt;&lt;img src=&#8221;http://www.dogearsetc.com/pubpost/images/8178243334.jpg&#8221; style=&#8221;width:66px;border:1px solid #FFFFFF;margin:1px;padding-right:2px;padding-bottom:20px;float:left;&#8221;&gt;&lt;span style=&#8221;color:#881518;font-family:Trebuchet;font-size:1.0em;font-weight:bold;text-decoration:none;&#8221;&gt;Islam Translated: Literature, Conversion, and the Arabic Cosmopolis of South and Southeast Asia&lt;/span&gt;&lt;br&gt;&lt;span style=&#8221;color:#51626F;font-size:1em;font-weight:bold;text-decoration:none;&#8221;&gt;by Ronit Ricci&lt;/span&gt;&lt;br&gt;&lt;span&gt;312pp/Hardback/Rs. 750&lt;br&gt;ISBN: 81-7824-333-4&lt;br&gt;Permanent Black, Co-published by the University of Chicago Press&lt;/span&gt;&lt;/div&gt;</p>
<p>&lt;div style=&#8221;float:left;border-bottom:1px dashed #CCCCCC;height:auto;overflow:hidden;padding:5px;position:relative;text-align:left;width:180px;&#8221;&gt;&lt;img src=&#8221;http://www.dogearsetc.com/pubpost/images/9789380028989.jpeg&#8221; style=&#8221;width:66px;border:1px solid #FFFFFF;margin:1px;padding-right:2px;padding-bottom:20px;float:left;&#8221;&gt;&lt;span style=&#8221;color:#881518;font-family:Trebuchet;font-size:1.0em;font-weight:bold;text-decoration:none;&#8221;&gt;Ravana: Roar of the Demon King&lt;/span&gt;&lt;br&gt;&lt;span style=&#8221;color:#51626F;font-size:1em;font-weight:bold;text-decoration:none;&#8221;&gt;By Abhimanyu Singh Sisodia, Illustrated by Sachin Nagar&lt;/span&gt;&lt;br&gt;&lt;span&gt;96pp/Paperback/Rs. 195&lt;br&gt;ISBN: 978-93-80028-98-9&lt;br&gt;Campfire&lt;/span&gt;&lt;/div&gt;</p>
<p>&lt;div style=&#8221;float:left;border-bottom:1px dashed #CCCCCC;height:auto;overflow:hidden;padding:5px;position:relative;text-align:left;width:180px;&#8221;&gt;&lt;img src=&#8221;http://www.dogearsetc.com/pubpost/images/9781107014114.gif&#8221; style=&#8221;width:66px;border:1px solid #FFFFFF;margin:1px;padding-right:2px;padding-bottom:20px;float:left;&#8221;&gt;&lt;span style=&#8221;color:#881518;font-family:Trebuchet;font-size:1.0em;font-weight:bold;text-decoration:none;&#8221;&gt;Gandhi in the West &#8211; The Mahatma and the Rise of Radical Protest&lt;/span&gt;&lt;br&gt;&lt;span style=&#8221;color:#51626F;font-size:1em;font-weight:bold;text-decoration:none;&#8221;&gt;By Sean Scalmer&lt;/span&gt;&lt;br&gt;&lt;span&gt;254pp/Hardback/Rs. 795&lt;br&gt;ISBN: 9781107014114&lt;br&gt;Cambridge University Press&lt;/span&gt;&lt;/div&gt;</p>
<p>&lt;div style=&#8221;float:left;border-bottom:1px dashed #CCCCCC;height:auto;overflow:hidden;padding:5px;position:relative;text-align:left;width:180px;&#8221;&gt;&lt;img src=&#8221;http://www.dogearsetc.com/pubpost/images/9788189884604.jpg&#8221; style=&#8221;width:66px;border:1px solid #FFFFFF;margin:1px;padding-right:2px;padding-bottom:20px;float:left;&#8221;&gt;&lt;span style=&#8221;color:#881518;font-family:Trebuchet;font-size:1.0em;font-weight:bold;text-decoration:none;&#8221;&gt;The Cousins&lt;/span&gt;&lt;br&gt;&lt;span style=&#8221;color:#51626F;font-size:1em;font-weight:bold;text-decoration:none;&#8221;&gt;by Prema Raghunath&lt;/span&gt;&lt;br&gt;&lt;span&gt;352pp/Paperback/Rs. 325&lt;br&gt;ISBN: 9788189884604&lt;br&gt;Zubaan&lt;/span&gt;&lt;/div&gt;</p>
<p>&lt;div style=&#8221;float:left;border-bottom:1px dashed #CCCCCC;height:auto;overflow:hidden;padding:5px;position:relative;text-align:left;width:180px;&#8221;&gt;&lt;img src=&#8221;http://www.dogearsetc.com/pubpost/images/9781444734096.jpg&#8221; style=&#8221;width:66px;border:1px solid #FFFFFF;margin:1px;padding-right:2px;padding-bottom:20px;float:left;&#8221;&gt;&lt;span style=&#8221;color:#881518;font-family:Trebuchet;font-size:1.0em;font-weight:bold;text-decoration:none;&#8221;&gt;Geek Nation&lt;/span&gt;&lt;br&gt;&lt;span style=&#8221;color:#51626F;font-size:1em;font-weight:bold;text-decoration:none;&#8221;&gt;by Angela Saini&lt;/span&gt;&lt;br&gt;&lt;span&gt;288pp/Hardcover/Rs. 499&lt;br&gt;ISBN: 9781444734096&lt;br&gt;Hachette India&lt;/span&gt;&lt;/div&gt;</p>
<p>&lt;div style=&#8221;float:left;border-bottom:1px dashed #CCCCCC;height:auto;overflow:hidden;padding:5px;position:relative;text-align:left;width:180px;&#8221;&gt;&lt;img src=&#8221;http://www.dogearsetc.com/pubpost/images/9788192040301.jpg&#8221; style=&#8221;width:66px;border:1px solid #FFFFFF;margin:1px;padding-right:2px;padding-bottom:20px;float:left;&#8221;&gt;&lt;span style=&#8221;color:#881518;font-family:Trebuchet;font-size:1.0em;font-weight:bold;text-decoration:none;&#8221;&gt;Down The Road&lt;/span&gt;&lt;br&gt;&lt;span style=&#8221;color:#51626F;font-size:1em;font-weight:bold;text-decoration:none;&#8221;&gt;Edited by Ahmed Faiyaz, Rohini Kejriwal&lt;/span&gt;&lt;br&gt;&lt;span&gt;225pp/Paperback/Rs. 195&lt;br&gt;ISBN: 9788192040301&lt;br&gt;Grey Oak Publishers India Pvt. Ltd.&lt;/span&gt;&lt;/div&gt;</p>
<p>&lt;div style=&#8221;float:left;border-bottom:1px dashed #CCCCCC;height:auto;overflow:hidden;padding:5px;position:relative;text-align:left;width:180px;&#8221;&gt;&lt;img src=&#8221;http://bit.ly/dN9DSq&#8221; style=&#8221;width:66px;border:1px solid #FFFFFF;height:100px;margin:1px;padding-right:2px;padding-bottom:20px;float:left;&#8221;&gt;&lt;span style=&#8221;color:#881518;font-family:Trebuchet;font-size:1.0em;font-weight:bold;text-decoration:none;&#8221;&gt;Govind Lahari&lt;/span&gt;&lt;br&gt;&lt;span style=&#8221;color:#51626F;font-size:1em;font-weight:bold;text-decoration:none;&#8221;&gt;by Asuri Vasudevan&lt;/span&gt;&lt;br&gt;&lt;span&gt;192p/Paperback/Rs 260&lt;br&gt;ISBN: 978-93-80151-82-3 &lt;br&gt;CinnamonTeal Publishing&lt;/span&gt;&lt;/div&gt;</p>
<p>&lt;div style=&#8221;float:left;border-bottom:1px solid #CCCCCC;height:auto;overflow:hidden;padding:5px;position:relative;text-align:left;width:180px;&#8221;&gt;&lt;img src=&#8221;http://www.dogearsetc.com/pubpost/images/9789380739151.jpg&#8221; style=&#8221;width:66px;height:110px;border:1px solid #FFFFFF; height:100px;margin:1px;padding-right:2px;padding-bottom:12px;float:left;&#8221;&gt;&lt;span style=&#8221;color:#881518;font-family:Trebuchet;font-size:1.0em;font-weight:bold;text-decoration:none;&#8221;&gt;The Last Prabhu: A Hunt for Roots &#8211; DNA, Ancient Documents and Migration in Goa &lt;/span&gt;&lt;br&gt;&lt;span style=&#8221;color:#51626F;font-size:1em;font-weight:bold;text-decoration:none;&#8221;&gt;by By Bernardo Elvino De Sousa&lt;/span&gt;&lt;br&gt;&lt;span&gt;172p/Paperback/Rs.950&lt;br&gt;ISBN: 9789380739151&lt;br&gt;Goa 1556&lt;/span&gt;&lt;/div&gt;<br />
&lt;div style=&#8221;float:left;border-top:2px solid #7B1314;border-bottom:2px solid #7B1314;height:auto;overflow:hidden;padding:5px;position:relative;text-align:left;width:195px;background-color:#E4DEB0;margin-bottom:15px;&#8221;&gt;&lt;span style=&#8221;font-size:13px;font-weight:normal;color:000;font-family:arial;&#8221;&gt;<br />
If you have news, articles, blog postings or book launches and reviews to submit, please email us at writetous@ thepublisherspost.com<br />
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&lt;!&#8211;blogs/articles starts here&#8211;&gt;<br />
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&lt;span style=&#8221;font-family: tahoma,sans-serif;font-weight:bold;color:#ff0000;font-size:1.3em;&#8221;&gt;Blogs and Articles&lt;/span&gt;<br />
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<p>&lt;p&gt;&lt;span style=&#8221;font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;&#8221;&gt;Indian Publishing&lt;/span&gt;&lt;br&gt;&lt;span style=&#8221;font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;&#8221;&gt;Source: Himal Southasian&lt;/span&gt;&lt;br /&gt;Himal Southasian, in its May issue, has extensively covered the publishing industry in India and indeed the entire subcontinent. With articles by, among others, Urvashi Butalia and Ameena Saiyid, the issue provides an insider&#8217;s perspective on India&#8217;s &#8220;booming&#8221; book industry and that in its neighbours. Sample an article titled &#8220;When markets commission&#8221; by Akshay Pathak, Director of the German Book Office, New Delhi &lt;blockquote style=&#8221;background-color:#F9F5E1; margin: 1em 0.5em; border-left: 2px solid #999; padding-left: 0.5em; padding-right: 0.5em;&#8221;&gt;The &#8216;new&#8217; writer, then, has an interesting arena in which to work. With a growing market in the Subcontinent, the old argument of writing for a foreign readership is losing its logic. Chetan Bhagat and Amish Tripathi, each selling over 50,000 copies in India alone, represent a new breed of writers who are able to defy previous notions of what the market demands. Literary quality apart (defined, in any case, by a handful of critics fighting for the scant space the media permits for reviews), the mood that these authors create lends a new flavour to the scope of English-language publishing in India.&lt;/blockquote&gt; &lt;a href=&#8221;http://bit.ly/iSAZTU&#8221; target=&#8221;_blank&#8221;&gt;Read more &amp;#187;&lt;/a&gt;&lt;/p&gt;</p>
<p>&lt;p&gt;&lt;span style=&#8221;font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;&#8221;&gt;Waiting on Words&lt;/span&gt;&lt;br&gt;&lt;span style=&#8221;font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;&#8221;&gt;Source: Indian Express&lt;/span&gt;&lt;br /&gt;Eshwar Rao or &#8216;Hyderabadi&#8217; as he is popularly known is not your usual hotel employee who just reads off a list of delicacies to help hungry customers make up their minds about what to order. The 53-year-old, who works as a supervisor at Bhagwati Hotel in Charkop, Kandivali after doing a myriad of odd jobs throughout his life, is also a renowned poet.&lt;br /&gt;&lt;br /&gt;Rao, a regular at mushairas and other such literary events in the locality, claims to have written over a thousand ghazals and poems. Amongst the various local awards that he has received over the years, his work has earned him the Kavi Ratna Puraskar and Ambedkar National Award from the Dalit Sahitya Akademi &#8211; an organisation working to promote Dalit literature, encourage Dalit writers and recognise the services of those engaged in the field of Dalit welfare.&lt;/blockquote&gt; &lt;a href=&#8221;http://bit.ly/jiKgeN&#8221; target=&#8221;_blank&#8221;&gt;Read more &amp;#187;&lt;/a&gt;&lt;/p&gt;</p>
<p>&lt;p&gt;&lt;span style=&#8221;font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;&#8221;&gt;Art, within and without lines&lt;/span&gt;&lt;br&gt;&lt;span style=&#8221;font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;&#8221;&gt;Source: DNA&lt;/span&gt;&lt;br /&gt;While art should encourage open-endedness, imagination and self-expression in children, colouring books too have their merits.&lt;blockquote style=&#8221;background-color:#F9F5E1; margin: 1em 0.5em; border-left: 2px solid #999; padding-left: 0.5em; padding-right: 0.5em;&#8221;&gt;These seemingly-innocent books meet two key parental desires: perfection in the child&#8217;s &#8216;performance&#8217;, and secondly, quiet engagement, or &#8216;timepass&#8217;. Like the classes, they leave no room for open-endedness, imagination and self-expression. They also pass on a subtle signal to kids: drawing is grown-up&#8217;s work, and should not be attempted by you. You just colour. Neatly and within the lines. &lt;/blockquote&gt; &lt;a href=&#8221;http://bit.ly/mqaesV&#8221; target=&#8221;_blank&#8221;&gt;Read more &amp;#187;&lt;/a&gt;&lt;/p&gt;</p>
<p>&lt;p&gt;&lt;span style=&#8221;font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;&#8221;&gt;Untold stories &#8211; India&#8217;s non-fiction&lt;/span&gt;&lt;br&gt;&lt;span style=&#8221;font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;&#8221;&gt;Source: Business Standard&lt;/span&gt;&lt;br /&gt;While art should encourage open-endedness, imagination and self-expression in children, colouring books too have their merits.&lt;blockquote style=&#8221;background-color:#F9F5E1; margin: 1em 0.5em; border-left: 2px solid #999; padding-left: 0.5em; padding-right: 0.5em;&#8221;&gt;Samanth Subramanian, like Sonia Faleiro, is one of the new stars of non-fiction; Following Fish, narrative journalism exploring India&#8217;s coastline, remains one of the best food and travel books of recent times. &#8220;This is just the beginning,&#8221; he says. We both agree that a handful of authors and non-fiction books from the subcontinent isn&#8217;t enough to call a movement, yet.&lt;br /&gt;&lt;br /&gt;But as Subramanian points out, what may be changing is a sensibility, as our curiosity about our own stories is matched by the willingness to actually go out and tell them.&lt;br /&gt;&lt;br /&gt;Few Indian publications support essays longer than 1,500-2,000 words; and even fewer would offer that space to issues other than politics. The Caravan, run by Jonathan Shainin and a crack team of writer-editors, who include author Anjum Hassan and former Random House editor Rajni George, is one of the few magazines that look for and nurture narrative non-fiction, aside from a handful of men&#8217;s magazines that occasionally commission lengthy essays.&lt;br /&gt;&lt;br /&gt;It&#8217;s tempting to see Siddhartha Mukherjee&#8217;s Pulitzer triumph as confirmation of the Indian success story in non-fiction; but in a way, Mukherjee&#8217;s success as a writer is a very American, not Indian, success. What would it take to have a &lt;em&gt;The Emperor of Maladies&lt;/em&gt; come out of India? More supportive publishing houses, more magazines with demanding editorial standards, more imagination and willingness to go after the untold stories on the part of writers? I don&#8217;t really have the answers, but it&#8217;s an interesting question.&lt;/blockquote&gt; &lt;a href=&#8221;http://bit.ly/iSQwbf&#8221; target=&#8221;_blank&#8221;&gt;Read more &amp;#187;&lt;/a&gt;&lt;/p&gt;</p>
<p>&lt;p&gt;&lt;span style=&#8221;font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;&#8221;&gt;Mills &amp; Boon to adopt teaser route for e-books&lt;/span&gt;&lt;br&gt;&lt;span style=&#8221;font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;&#8221;&gt;Source: Financial Express&lt;/span&gt;&lt;br /&gt;Harlequin Mills and Boon India will be promoting the growth of e-book vertical in the Indian market with a series of customer-centred teaser initiatives, according to Manish Singh, country manager of the publishing company.&lt;br /&gt;&lt;br /&gt;&#8221;Currently the company derives 2 to 3% revenue from the online and e-book categories. We wish to boost the e-book adoption among Indians with a variety of sops including buy one get one offer, free online access to select titles and other innovative promotions like free mystery gifts to induce the next generation bibliophiles to embrace the tech platform of their choice,&#8221; he said in an interview with the Financial Express.  &lt;a href=&#8221;http://bit.ly/iuTnyP&#8221; target=&#8221;_blank&#8221;&gt;Read more &amp;#187;&lt;/a&gt;&lt;/p&gt;</p>
<p>&lt;p&gt;&lt;span style=&#8221;font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;&#8221;&gt;Silence! The ego is reading&lt;/span&gt;&lt;br&gt;&lt;span style=&#8221;font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;&#8221;&gt;Source: Tehelka&lt;/span&gt;&lt;br /&gt;The solitary, brooding writer is nearly extinct. Writers are now public property, but is that good for them or the reading public, asks author Anjum Hasan&lt;blockquote style=&#8221;background-color:#F9F5E1; margin: 1em 0.5em; border-left: 2px solid #999; padding-left: 0.5em; padding-right: 0.5em;&#8221;&gt;Even if one does manage to reconcile writing with speaking, the two are obviously very different kinds of performances. Having learnt about Franz Kafka&#8217;s petrifaction and Philip Larkin&#8217;s diffidence about reading in public, I&#8217;ve always assumed writing and reading must be judged independently. Having seen Orhan Pamuk display, as a speaker, a teacherly style that sits oddly with the lyricism of his prose or heard the seemingly stone-hearted VS Naipaul confess that listening to other people read aloud from his work moves him to tears, I&#8217;ve realised that writers as people of flesh, blood and vocal chords are not to be measured exactly against writers as people we encounter in print.&lt;/blockquote&gt; &lt;a href=&#8221;http://bit.ly/mqLYb8&#8243; target=&#8221;_blank&#8221;&gt;Read more &amp;#187;&lt;/a&gt;&lt;/p&gt;</p>
<p>&lt;p&gt;&lt;span style=&#8221;font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;&#8221;&gt;World of books hardly lags behind&lt;/span&gt;&lt;br&gt;&lt;span style=&#8221;font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;&#8221;&gt;Source: The Hindu&lt;/span&gt;&lt;br /&gt;It is not just the classics or the popular works in contemporary literature that are drawing readers. What is commonly perceived as serious literature is increasingly seeing more takers. &lt;blockquote style=&#8221;background-color:#F9F5E1; margin: 1em 0.5em; border-left: 2px solid #999; padding-left: 0.5em; padding-right: 0.5em;&#8221;&gt;The success of Tamil books mirrors some larger trends in Tamil literature itself, says Sirpi Balasubramaniam, executive board member and convener of the Tamil advisory Board, Sahitya Akademi.&lt;br /&gt;&lt;br /&gt;&#8221;The field is flourishing in terms of quality in writing and business. It is almost like another Sangam era. Classics are being reprinted. Short stories of writers such as Pudhumaipithan are seeing multiple editions. Many publishers are re-printing the works of Jayakanthan, Sa. Kandasamy and Asokamithran,&#8221; he says.&lt;br /&gt;&lt;br /&gt;On other genres, Mr. Balasubramaniam says the patronage is equally encouraging. Dalit literature, including the works of writers such as Imayam, Azhagiya Periyavan and Bama, is building a good repository on the lives and reflections of dalits.&lt;br /&gt;&lt;br /&gt;&#8221;There is a transition from giving accounts of one&#8217;s problems to giving a perspective of a Dalit&#8217;s life and relationships. There is some very powerful writing coming out,&#8221; he adds. Feminist and post-modernist literature, and poetry are seeing some valuable contributions. &#8220;Folk and Tamil Diaspora literature is enriching the Tamil vocabulary with rare usages and powerful metaphors.&#8221; &lt;/blockquote&gt; &lt;a href=&#8221;http://bit.ly/iAraOw&#8221; target=&#8221;_blank&#8221;&gt;Read more &amp;#187;&lt;/a&gt;&lt;/p&gt;</p>
<p>&lt;p&gt;&lt;span style=&#8221;font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;&#8221;&gt;National shelf life&lt;/span&gt;&lt;br&gt;&lt;span style=&#8221;font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;&#8221;&gt;Source: Mint&lt;/span&gt;&lt;br /&gt;A store in Delhi&#8217;s book publishing hub has the country&#8217;s largest collection of non-fiction on India &lt;blockquote style=&#8221;background-color:#F9F5E1; margin: 1em 0.5em; border-left: 2px solid #999; padding-left: 0.5em; padding-right: 0.5em;&#8221;&gt;The bookshop doubles as a publishing and distribution company. Books from here are parcelled daily to Kyoto, Kolhapur, Heidelberg, Prague, Patna, Toulouse, Dublin, Bangalore, Boston, London and Lahore. &#8220;We have religion and arts, music and crafts, politics and cultural studies,&#8221; says Ajay, the owner&#8217;s son. &#8220;Which means we are a one-stop shop for academic needs,&#8221; adds his father.&lt;br /&gt;&lt;br /&gt;What is scholarly for professors could simply be a pleasure read for a lay reader. The shop&#8217;s eclectic collection comprises titles that give a tantalizing glimpse into a world right under our noses, yet unexplored. Sample a few: &lt;em&gt;From Sacred Servant to Profane Prostitute; The Social History of Health and Medicine in Colonial India&lt;/em&gt;, &lt;em&gt;Muslim Architecture of South India&lt;/em&gt;, &lt;em&gt;Boats of South Asia&lt;/em&gt;, &lt;em&gt;Pied Pipers in North-East India&lt;/em&gt;, &lt;em&gt;Frogs in a Well-Indian Women in Purdah&lt;/em&gt; and &lt;em&gt;Criminal Gods and Demon Devotees&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;The shop, spread over five floors, has 25,000 books. Many lie locked in the basement. The browsing area on the ground floor is divided by wooden shelves into two rows, with a seating space that has two coffee tables with eight low chairs. The late scholar Simon Digby, who divided his time between Delhi and the UK, was a regular. He would make two piles of books; one for immediate reading went to his apartment in Nizamuddin West, the other would be shipped to England.&lt;/blockquote&gt; &lt;a href=&#8221;http://bit.ly/iAraOw&#8221; target=&#8221;_blank&#8221;&gt;Read more &amp;#187;&lt;/a&gt;&lt;/p&gt;</p>
<p>&lt;!&#8211;blogs/articles ends here&#8211;&gt;<br />
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<p>&lt;!&#8211;new book releases/events starts here&#8211;&gt;</p>
<p>&lt;p&gt;<br />
&lt;span style=&#8221;font-family: tahoma,sans-serif;font-weight:bold;color:#ff0000;font-size:1.3em;&#8221;&gt;New Book Releases and Events&lt;/span&gt;<br />
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&lt;span style=&#8221;font-family: tahoma,sans-serif;color: #006600;&#8221;&gt;New book and journal releases, new imprints and other similar events.&lt;/span&gt;<br />
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<p>&lt;p&gt;&lt;span style=&#8221;font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;&#8221;&gt;Blaft announces tie-up with Westland Ltd.&lt;/span&gt;&lt;br&gt;&lt;span style=&#8221;font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;&#8221;&gt;Source: Company Press Note&lt;/span&gt;&lt;br /&gt;BLAFT Publications, the newsmaking independent publishing house, has announced a fresh programme in association with Westland Ltd. The association kicks off with a series of four titles by one of the subcontinent&#8217;s best-loved fiction writers, Ibne Safi. These will be published, appropriately, under Westland&#8217;s literary imprint, Tranquebar.  Blaft is confident that the tie-up will enable all [those concerned] to expand and diversify its list of books even more grandly.&lt;br /&gt;&lt;br /&gt;Ibne Safi&#8217;s &lt;em&gt;Jasusi Dunya&lt;/em&gt; is a dysfunctional world of titanic villains, mad-genius detectives, and alluring femmes fatales. With a huge cult following among readers in both India and Pakistan, this series spans 125 novels published between 1952 and 1979. They remain some of the bestselling books in Urdu even today. Blaft and Westland will bring out the evocative &#8211; even eerie &#8211; titles &lt;em&gt;Poisoned Arrow&lt;/em&gt;, &lt;em&gt;Smokewater&lt;/em&gt;, &lt;em&gt;The Laughing Corpse&lt;/em&gt; and &lt;em&gt;Doctor Dread&lt;/em&gt; translated by the renowned Urdu scholar Shamsur Rahman Faruqi.&lt;br /&gt;&lt;br /&gt;Westland Limited is a general trade publishing and distribution house, which includes EastWest Books and the newer Tranquebar Press. Our list of titles includes books on literary and popular fiction and non-fiction, food and cooking, erotica, spirituality and self-help, health and wellness, business, management, travel and a host of other subjects including graphic fiction and satire.&lt;br /&gt;&lt;br /&gt;Blaft is an independent house based in Chennai has a wide and varied list, including bestselling Indian crime novels, experimental fiction, pulp art, and graphic novels.&lt;/p&gt;</p>
<p>&lt;p&gt;&lt;span style=&#8221;font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;&#8221;&gt;Tara book receives special mention in White Ravens Catalogue&lt;/span&gt;&lt;br&gt;&lt;span style=&#8221;font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;&#8221;&gt;Source: Company Press Note&lt;/span&gt;&lt;br /&gt;&lt;em&gt;I See the Promised Land&lt;/em&gt;, published by Tara Books has been singled out for Special Mention in the White Ravens Catalogue of the world&#8217;s best books for young people, released at the Bologna Book Fair.Described by the jury as &#8216;an extraordinary collaboration between devoted artists from three continents&#8217; it was praised for being, &#8216;an engaging and challenging graphic novel for a young (and older) audience.&#8217;&lt;br /&gt;&lt;br /&gt;I See the Promised Land is an unusual, graphic retelling of the life of Martin Luther King Jr. African American performance poet Arthur Flowers tells a masterful story in musical prose, while Manu Chitrakar, a traditional scroll-painter from Bengal, carries the tale confidently into the vivid idiom of Patua art. This is the eighth book by South Indian independent publishing house Tara Books to be included in this prestigious list of noteworthy international books.&lt;/p&gt;</p>
<p>&lt;p&gt;&lt;span style=&#8221;font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;&#8221;&gt;NJP Digital Connections Private Limited launches company, www.notjustpublishing.in&lt;/span&gt;&lt;br&gt;&lt;span style=&#8221;font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;&#8221;&gt;Source: Company Press Note&lt;/span&gt;&lt;br /&gt;NJP Digital Connections Private Limited has announced the launch of the company and its product, www.notjustpublishing.in. While NJP Digital Connections will provide web and mobile solutions, products, and consultancy for publishing and allied industries, the portal www.notjustpublishing.in is about people in publishing and associated industries, their publishing careers, and lives beyond the office. In a casual chat, the portal will feature a new professional every week in video and text interviews. Through this interactive portal, you can write to the featured personalities and also recommend people to be featured.&lt;/p&gt;</p>
<p>&lt;p&gt;&lt;span style=&#8221;font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;&#8221;&gt;And then there were two&lt;/span&gt;&lt;br&gt;&lt;span style=&#8221;font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;&#8221;&gt;Source: Tehelka&lt;/span&gt;&lt;br /&gt;The recent reissue of two detective fiction series &#8211; the Inspector Ghote mysteries and four Urdu novels in English translation from Ibne Safi&#8217;s &lt;em&gt;Jasoosi Duniya&lt;/em&gt; series &#8211; reminds you of all that is wonderful about the genre &lt;blockquote style=&#8221;background-color:#F9F5E1; margin: 1em 0.5em; border-left: 2px solid #999; padding-left: 0.5em; padding-right: 0.5em;&#8221;&gt;This interest in unpeeling the social world around the crime, the clear-eyed understanding of how class and power operate, influencing even the most intimate relationships, is perhaps the only thing common to these very different styles of fiction. If Inspector Ghote Trusts the Heart unpacks the precarious circumstances created by a rich man being asked to pay a ransom for the tailor&#8217;s son who has been kidnapped instead of his own, The Laughing Corpse centres around the kidnapping of a &#8220;lowly typist&#8221; whose unexpected inheritance had suddenly made her the town&#8217;s most eligible girl. The staunchly middle class Ghote, who worries about taxi fares, dreams of cold buttermilk when he watches his rich complainant pour himself a Scotch and must muster all the courage at his command to exert a semblance of authority in the face of social superiors, could not be more unlike Faridi, a man with a private income who comes to detection out of a passion for criminology, has a degree from Oxford and owns a palatial house with its own laboratory and library. But in both Keating and Safi, there is that deepdown stock-in-trade of the best crime fiction — an abiding interest in how the world works.&lt;/blockquote&gt; &lt;a href=&#8221;http://bit.ly/iow8Kb&#8221; target=&#8221;_blank&#8221;&gt;Read more &amp;#187;&lt;/a&gt;&lt;/p&gt;</p>
<p>&lt;p&gt;&lt;span style=&#8221;font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;&#8221;&gt;Marketing professionals and literary pursuits&lt;/span&gt;&lt;br&gt;&lt;span style=&#8221;font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;&#8221;&gt;Source: The Economic Times&lt;/span&gt;&lt;br /&gt;Rama Bijapurkar, independent market strategy consultant, has written, Winning in the Indian Market &#8211; Understanding the Transformation of Consumer India and her new book called Customer In The Boardroom? Crafting Customer Based Business Strategy is coming out soon. Marketing consultants Santosh Desai and Harish Bijoor are also prolific writers.&lt;br /&gt;&lt;br /&gt;They could be writing a treatise on what they practice &#8211; in this case marketing and branding &#8211; or it could be totally unrelated, as is the case with JWT&#8217;s former creative director Anuja Chauhan&#8217;s two bestsellers, &lt;em&gt;The Zoya Factor&lt;/em&gt; and &lt;em&gt;Battle For Bittora&lt;/em&gt;. Or Publicis Ambience&#8217;s NCD, Ashish Khazanchi&#8217;s (yet to be published) pictorial prose in the form of very specialised artists books. Whatever be the output, the moot point is the fact that more people from the industry want to tell a story, which may not necessarily be a brand story.  &lt;a href=&#8221;http://bit.ly/mwbCp3&#8243; target=&#8221;_blank&#8221;&gt;Read more &amp;#187;&lt;/a&gt;&lt;/p&gt;</p>
<p>&lt;p&gt;&lt;span style=&#8221;font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;&#8221;&gt;Reading Satyajit Ray&lt;/span&gt;&lt;br&gt;&lt;span style=&#8221;font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;&#8221;&gt;Source: DNA&lt;/span&gt;&lt;br /&gt;On the eve of his 90th birth anniversary, a collection of his film scripts has been translated into English and published in book form. &lt;blockquote style=&#8221;background-color:#F9F5E1; margin: 1em 0.5em; border-left: 2px solid #999; padding-left: 0.5em; padding-right: 0.5em;&#8221;&gt;In 1992, the American Academy of Motion Picture Arts and Sciences,the Satyajit Ray Society and funding agencies such as the Rajiv Gandhi Foundation, the Ford Foundation, the India Foundation of the Arts, and other organisations came together to try preserving and restoring Ray&#8217;s heritage. Part of this archiving effort has been preserving Ray&#8217;s paper archives, for he left extensive &#8216;Notebooks&#8217; of each of his productions. These have draft storylines, scenarios, draft dialogue, character outlines, musical annotations, story-boards, detailed pictures of costumes, shot breakdowns etc &#8211; in short, the entire visual and aural creative process of one of India&#8217;s foremost artistes, in detail. There are full musical annotations both in staff notation and in &lt;em&gt;sargam&lt;/em&gt;, or all the musical treatments and background music for most of his films.&lt;/blockquote&gt; &lt;a href=&#8221;http://bit.ly/kDM4KC&#8221; target=&#8221;_blank&#8221;&gt;Read more &amp;#187;&lt;/a&gt;&lt;/p&gt;<br />
&lt;!&#8211;new book releases/events ends here&#8211;&gt;<br />
&lt;!-elsewhere starts here&#8211;&gt;</p>
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&lt;span style=&#8221;font-family: tahoma,sans-serif;font-weight:bold;color:#ff0000;font-size:1.3em;&#8221;&gt;Elsewhere&#8230;&lt;/span&gt;<br />
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&lt;span style=&#8221;font-family: tahoma,sans-serif;color: #006600;&#8221;&gt;News from around the world&#8230;&lt;/span&gt;<br />
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<p>&lt;p&gt;&lt;span style=&#8221;font-size:1.5em;color:#aa0000;font-family: arial;line-height:110%;&#8221;&gt;Iraq concludes first book fair in 20 years&lt;/span&gt;&lt;br&gt;&lt;span style=&#8221;font-size:11px;font-weight:normal;color:#666666;font-style:italic;font-family:arial;&#8221;&gt;Source: google.com/hostednews/afp&lt;/span&gt;&lt;br /&gt;Iraq&#8217;s first book fair in 20 years concluded on Thursday with organisers and attendees hailing it as a return for the violence-wracked country to the global literary scene.&lt;br /&gt;&lt;br /&gt;The two-week exhibition featured more than 200 publishing houses from 32 countries displaying about 37,000 books at a massive conference hall in Mansur, west Baghdad, according to the event&#8217;s organisers.&lt;br /&gt;&lt;br /&gt;The books on offer were mostly in Arabic, but English and French literature was also on sale.&lt;/blockquote&gt; &lt;a href=&#8221;http://bit.ly/l7lcOK&#8221; target=&#8221;_blank&#8221;&gt;Read more &amp;#187;&lt;/a&gt;&lt;/p&gt;</p>
<p>&lt;!&#8211;elsewhere ends here&#8211;&gt;</p>
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<p><span style="font-family: tahoma,sans-serif; font-weight: bold; color: #ff0000; font-size: 1.3em;">Happenings</span><br />
<span style="font-family: tahoma,sans-serif; color: #006600;">On what&#8217;s  been happening. If there’s news you have heard of and think it would  make for interesting reading, please share it with us.</span></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">UN urges debate of publishing trends</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: newKerala.com</span><br />
The  head of the United Nations agency tasked with preserving the world&#8217;s  cultural heritage called for a debate to examine the changing trends in  book publishing and copyrights, saying new technologies are transforming  the industry and having an impact on publishers, authors and readers.</p>
<p>&#8220;Change  is giving rise also to sharp new debates &#8211; about the strengths and  weaknesses of different kinds of products, about the nature of copyright  today, about the role of libraries relative to online knowledge, about  the meaning of &#8216;authorship&#8217; in a world of blogs and wikis,&#8221; said Irina  Bokova, the Director-General of the UN Educational, Scientific and  Cultural Organization (UNESCO) in a message to mark the World Book and  Copyright Day (on April 23). <a href="http://bit.ly/lpz4dF" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Upcoming writers find a place in Marathi literature</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Times of India</span><br />
New  and unpublished writers are slowly finding a platform to showcase their  work, with a host of city-based publishers opening their doors to  first-time and new authors, especially in Marathi literature, citing  greater market share as one of the main reasons.</p>
<p>Every month,  Prakash Ranade from Neelkanth Prakashan receives at least 10 to 15  enquiries from new writers from across the state and beyond. &#8220;There is  certainly a rise in the number of new writers wanting to get their works  published. They belong to various professional fields and choose to  write on anything, spanning from social issues, to environment to  women&#8217;s problems. I prefer manuscripts that address the current reality  of life and society,&#8221; says Ranade, who has just published five works by  first-time writers in Marathi. <a href="http://bit.ly/jpEM5G" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Veteran writer of science, crime in Urdu passes away unsung</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Indian Express</span><br />
Izhar  Asar, who died aged 82 on April 15, was a remarkable man, a writer of  nearly 1,000 novels in Urdu, who found the time and dedication to teach  himself Kathak, and perform for nearly 10 years. He was also a rare  Muslim who, after Partition, migrated from Lahore, where he had gone to  live in the 1940s, to India.</p>
<p>As a writer in Urdu, Asar was  unusual. His repertoire included crime, pulp and science fiction. A  rationalist and a progressive, he was part of the Progressive Writers&#8217;  Association, PWA. In 2006, he was honoured with the Ghalib Award.</p>
<p>And  yet, in his last few years, the Bijnore-based veteran had become, as  his eldest son said without a hint of irony, &#8220;a general merchant&#8221; of the  letters &#8211; a man who would write on demand, virtually a novel every  week. <a href="http://bit.ly/kXKWoD" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Bhutan literature fest, Edition Two</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Assam Tribune</span><br />
Come  May and literature enthusiasts can head to Bhutan, the land of scenic  landscapes and fabled dragons for a festival that seeks to bring  authors, poets, writers and other celebrities on a common platform.</p>
<p>&#8220;We  had a resounding success last year when the festival was held for the  first time and we are returning again with a lot more programmes,&#8221; Mita  Kapur, founder director of the festival &#8220;Mountain Echoes&#8221; to be held in  Thimphu.</p>
<p>The five-day festival beginning May 20 seeks to explore  and celebrate the rich literary culture of both India and Bhutan and  would focus on themes like the need and importance of preserving  languages; oral traditions; the contemporary art of science fiction;  story writing; ballads; fantasy fiction, among others.<br />
<a href="http://bit.ly/mjwF0F" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">India Poised To Emerge As The Global Publishing BPO Services Hub </span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Assam Tribune</span><br />
The  3rd Publishing BPO Services Conference organized by Confederation of  Indian Industry (CII), Chennai Zone on 08th April 2011 at Chennai,  deliberated on the &#8220;digital wave&#8221; in publishing offshoring and how India  (Chennai region including Puducherry) as the Global Publishing BPO  Services Hub leverage it and move up the value chain.</p>
<p>The  Publishing BPO conference this year addressed the increased dominance of  digital publishing compared to the traditional print (Hard cover,  Books), the increased dependency on technology and changing consumer  preferences.</p>
<p>This conference provides the right platform for  industry to deliberate, discuss best practices, understand trends and  provide directions for publishing BPO vendors to convert this challenge  into a big opportunity and continue to sustain India as the Publishing  BPO Services hub of the world. <a href="http://bit.ly/j3bo1C" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Navayana-Avarna fellowship for NBT Publishing Course, July 2011</span><br />
In  July 2011, NBT is conducing the annual four-week course in Delhi.  Following similar initiatives in 2009 and 2010,Navayana once again seeks  to provide fellowships to five dalit/ adivasi students who get selected  for the NBT course. The details of the comprehensive course, where the best professionals  from the publishing industry teach, are available at this link:<br />
http://www.nbtindia.org.in/download/April2010/BookPub/InfoDelhi.pdf.</p>
<p>Application: http://www.nbtindia.org.in/download/April2010/BookPub/Application%20Form.pdf</p>
<p>Last date for sending applications: 10 June 2011.</p>
<p>Candidates are to apply directly to NBT as instructed on the NBT  website. There is no entrance test; any graduate may apply. Navayana  shall play no role in the selection of the candidates. Candidates who  happen to be Dalit/ Adivasi and are selected by NBT may then apply to  Navayana for financial support. Navayana shall pay the course fee (Rs  5,000) for up to five Dalit/ Adivasi candidates. NBT this year is also  arranging accommodation for outstation candidates at Rs 3,000 for four  weeks. Navayana shall also subsidize this amount. In all, the net value  of the Avarna Fellowship shall be Rs 8,000.<br />
NBT also has an internship program for promising students from which the selected Avarna fellows could benefit.</p>
<p>In case of queries, please write to avarna@ navayana.org</p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Course for Editors in Publishing</span><br />
The  &#8220;4th Intensive Course for Editors in Publishing&#8221; organized by the  Institute of Book Publishing will be held from May 23- 28, 2011 at India  International Centre, New Delhi. The Course details and application  form is available on the website www.ibpindia.org</td>
<td style="background-color: #ffffff; border-left: 1px solid #cccccc; text-align: left;" width="200" valign="top"><span style="font-size: 11px; font-weight: normal; color: #3e1c1b; font-family: arial; line-height: 150%;"></p>
<div id="navcontainer"><span style="font-size: 14px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Book Releases</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">To have your book listed here, write to us with all details and a cover image</span></p>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; height: 110px; border: 1px solid #ffffff; margin: 1px; padding-right: 2px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9789380637013.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Influencing India: Lobbying in the world&#8217;s largest Democracy</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Sugato Hazra</span><br />
<span>240p/Hardcover/Rs.495<br />
ISBN:978-93-80637-01-3<br />
Bridging Borders</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; height: 100px; margin: 1px; padding-right: 2px; padding-bottom: 30px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9788132105909.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Lost Years of the RSS</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Sanjeev Kelkar</span><br />
<span>392p/Paperback<br />
ISBN: 9788132105909<br />
SAGE India</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; margin: 1px; padding-right: 2px; padding-bottom: 20px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9780143416487.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Daughters: A Story of Five Generations</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">By Bharati Ray, Translated By Madhuchanda Karlekar, Foreword by Amartya Sen </span><br />
<span>336pp/Paperback/Rs. 399<br />
ISBN: 9780143416487<br />
Penguin India</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; margin: 1px; padding-right: 2px; padding-bottom: 20px; float: left;" src="http://www.dogearsetc.com/pubpost/images/8178243334.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Islam Translated: Literature, Conversion, and the Arabic Cosmopolis of South and Southeast Asia</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Ronit Ricci</span><br />
<span>312pp/Hardback/Rs. 750<br />
ISBN: 81-7824-333-4<br />
Permanent Black, Co-published by the University of Chicago Press</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; margin: 1px; padding-right: 2px; padding-bottom: 20px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9789380028989.jpeg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Ravana: Roar of the Demon King</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">By Abhimanyu Singh Sisodia, Illustrated by Sachin Nagar</span><br />
<span>96pp/Paperback/Rs. 195<br />
ISBN: 978-93-80028-98-9<br />
Campfire</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; margin: 1px; padding-right: 2px; padding-bottom: 20px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9781107014114.gif" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Gandhi in the West &#8211; The Mahatma and the Rise of Radical Protest</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">By Sean Scalmer</span><br />
<span>254pp/Hardback/Rs. 795<br />
ISBN: 9781107014114<br />
Cambridge University Press</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; margin: 1px; padding-right: 2px; padding-bottom: 20px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9788189884604.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">The Cousins</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Prema Raghunath</span><br />
<span>352pp/Paperback/Rs. 325<br />
ISBN: 9788189884604<br />
Zubaan</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; margin: 1px; padding-right: 2px; padding-bottom: 20px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9781444734096.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Geek Nation</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Angela Saini</span><br />
<span>288pp/Hardcover/Rs. 499<br />
ISBN: 9781444734096<br />
Hachette India</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; margin: 1px; padding-right: 2px; padding-bottom: 20px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9788192040301.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Down The Road</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">Edited by Ahmed Faiyaz, Rohini Kejriwal</span><br />
<span>225pp/Paperback/Rs. 195<br />
ISBN: 9788192040301<br />
Grey Oak Publishers India Pvt. Ltd.</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; height: 100px; margin: 1px; padding-right: 2px; padding-bottom: 20px; float: left;" src="http://bit.ly/dN9DSq" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Govind Lahari</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Asuri Vasudevan</span><br />
<span>192p/Paperback/Rs 260<br />
ISBN: 978-93-80151-82-3<br />
CinnamonTeal Publishing</span></div>
<div style="float: left; border-bottom: 1px solid #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; height: 100px; margin: 1px; padding-right: 2px; padding-bottom: 12px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9789380739151.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">The Last Prabhu: A Hunt for Roots &#8211; DNA, Ancient Documents and Migration in Goa </span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by By Bernardo Elvino De Sousa</span><br />
<span>172p/Paperback/Rs.950<br />
ISBN: 9789380739151<br />
Goa 1556</span></div>
<div style="float: left; border-top: 2px solid #7b1314; border-bottom: 2px solid #7b1314; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 195px; background-color: #e4deb0; margin-bottom: 15px;"><span style="font-size: 13px; font-weight: normal; color: #000000; font-family: arial;"> If you have news, articles, blog postings or book launches and reviews  to submit, please email us at writetous@ thepublisherspost.com </span></div>
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<td style="font-size: 12px; color: #000000; line-height: 150%; font-family: trebuchet ms;" colspan="2" valign="top" bgcolor="#FFFFFF"><span style="font-family: tahoma,sans-serif; font-weight: bold; color: #ff0000; font-size: 1.3em;">Blogs and Articles</span><br />
<span style="font-family: tahoma,sans-serif; color: #006600;">Comments and posts on trends and events in the book industry.</span></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Indian Publishing</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Himal Southasian</span><br />
Himal  Southasian, in its May issue, has extensively covered the publishing  industry in India and indeed the entire subcontinent. With articles by,  among others, Urvashi Butalia and Ameena Saiyid, the issue provides an  insider&#8217;s perspective on India&#8217;s &#8220;booming&#8221; book industry and that in its  neighbours. Sample an article titled &#8220;When markets commission&#8221; by  Akshay Pathak, Director of the German Book Office, New Delhi</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>The  &#8216;new&#8217; writer, then, has an interesting arena in which to work. With a  growing market in the Subcontinent, the old argument of writing for a  foreign readership is losing its logic. Chetan Bhagat and Amish  Tripathi, each selling over 50,000 copies in India alone, represent a  new breed of writers who are able to defy previous notions of what the  market demands. Literary quality apart (defined, in any case, by a  handful of critics fighting for the scant space the media permits for  reviews), the mood that these authors create lends a new flavour to the  scope of English-language publishing in India.</p></blockquote>
<p><a href="http://bit.ly/iSAZTU" target="_blank">Read more »</a><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Waiting on Words</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Indian Express</span><br />
Eshwar  Rao or &#8216;Hyderabadi&#8217; as he is popularly known is not your usual hotel  employee who just reads off a list of delicacies to help hungry  customers make up their minds about what to order. The 53-year-old, who  works as a supervisor at Bhagwati Hotel in Charkop, Kandivali after  doing a myriad of odd jobs throughout his life, is also a renowned poet.</p>
<p>Rao,  a regular at mushairas and other such literary events in the locality,  claims to have written over a thousand ghazals and poems. Amongst the  various local awards that he has received over the years, his work has  earned him the Kavi Ratna Puraskar and Ambedkar National Award from the  Dalit Sahitya Akademi &#8211; an organisation working to promote Dalit  literature, encourage Dalit writers and recognise the services of those  engaged in the field of Dalit welfare. <a href="http://bit.ly/jiKgeN" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Art, within and without lines</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: DNA</span><br />
While art should encourage open-endedness, imagination and self-expression in children, colouring books too have their merits.</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>These  seemingly-innocent books meet two key parental desires: perfection in  the child&#8217;s &#8216;performance&#8217;, and secondly, quiet engagement, or  &#8216;timepass&#8217;. Like the classes, they leave no room for open-endedness,  imagination and self-expression. They also pass on a subtle signal to  kids: drawing is grown-up&#8217;s work, and should not be attempted by you.  You just colour. Neatly and within the lines.</p></blockquote>
<p><a href="http://bit.ly/mqaesV" target="_blank">Read more »</a><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Untold stories &#8211; India&#8217;s non-fiction</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Business Standard</span><br />
While art should encourage open-endedness, imagination and self-expression in children, colouring books too have their merits.</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>Samanth  Subramanian, like Sonia Faleiro, is one of the new stars of  non-fiction; Following Fish, narrative journalism exploring India&#8217;s  coastline, remains one of the best food and travel books of recent  times. &#8220;This is just the beginning,&#8221; he says. We both agree that a  handful of authors and non-fiction books from the subcontinent isn&#8217;t  enough to call a movement, yet.</p>
<p>But as Subramanian points out,  what may be changing is a sensibility, as our curiosity about our own  stories is matched by the willingness to actually go out and tell them.</p>
<p>Few  Indian publications support essays longer than 1,500-2,000 words; and  even fewer would offer that space to issues other than politics. The  Caravan, run by Jonathan Shainin and a crack team of writer-editors, who  include author Anjum Hassan and former Random House editor Rajni  George, is one of the few magazines that look for and nurture narrative  non-fiction, aside from a handful of menâ€™s magazines that occasionally  commission lengthy essays.</p>
<p>It&#8217;s tempting to see Siddhartha  Mukherjee&#8217;s Pulitzer triumph as confirmation of the Indian success story  in non-fiction; but in a way, Mukherjee&#8217;s success as a writer is a very  American, not Indian, success. What would it take to have a <em>The Emperor of Maladies</em> come out of India? More supportive publishing houses, more magazines  with demanding editorial standards, more imagination and willingness to  go after the untold stories on the part of writers? I don&#8217;t really have  the answers, but it&#8217;s an interesting question.</p></blockquote>
<p><a href="http://bit.ly/iSQwbf" target="_blank">Read more »</a><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Mills &amp; Boon to adopt teaser route for e-books</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Financial Express</span><br />
Harlequin  Mills and Boon India will be promoting the growth of e-book vertical in  the Indian market with a series of customer-centred teaser initiatives,  according to Manish Singh, country manager of the publishing company.</p>
<p>&#8220;Currently  the company derives 2 to 3% revenue from the online and e-book  categories. We wish to boost the e-book adoption among Indians with a  variety of sops including buy one get one offer, free online access to  select titles and other innovative promotions like free mystery gifts to  induce the next generation bibliophiles to embrace the tech platform of  their choice,&#8221; he said in an interview with the Financial Express.  <a href="http://bit.ly/iuTnyP" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Silence! The ego is reading</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Tehelka</span><br />
The  solitary, brooding writer is nearly extinct. Writers are now public  property, but is that good for them or the reading public, asks author  Anjum Hasan</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>Even  if one does manage to reconcile writing with speaking, the two are  obviously very different kinds of performances. Having learnt about  Franz Kafka&#8217;s petrifaction and Philip Larkin&#8217;s diffidence about reading  in public, I&#8217;ve always assumed writing and reading must be judged  independently. Having seen Orhan Pamuk display, as a speaker, a  teacherly style that sits oddly with the lyricism of his prose or heard  the seemingly stone-hearted VS Naipaul confess that listening to other  people read aloud from his work moves him to tears, I&#8217;ve realised that  writers as people of flesh, blood and vocal chords are not to be  measured exactly against writers as people we encounter in print.</p></blockquote>
<p><a href="http://bit.ly/mqLYb8" target="_blank">Read more »</a><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">World of books hardly lags behind</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Hindu</span><br />
It  is not just the classics or the popular works in contemporary  literature that are drawing readers. What is commonly perceived as  serious literature is increasingly seeing more takers.</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>The  success of Tamil books mirrors some larger trends in Tamil literature  itself, says Sirpi Balasubramaniam, executive board member and convener  of the Tamil advisory Board, Sahitya Akademi.</p>
<p>&#8220;The field is  flourishing in terms of quality in writing and business. It is almost  like another Sangam era. Classics are being reprinted. Short stories of  writers such as Pudhumaipithan are seeing multiple editions. Many  publishers are re-printing the works of Jayakanthan, Sa. Kandasamy and  Asokamithran,&#8221; he says.</p>
<p>On other genres, Mr. Balasubramaniam says  the patronage is equally encouraging. Dalit literature, including the  works of writers such as Imayam, Azhagiya Periyavan and Bama, is  building a good repository on the lives and reflections of dalits.</p>
<p>&#8220;There  is a transition from giving accounts of one&#8217;s problems to giving a  perspective of a Dalit&#8217;s life and relationships. There is some very  powerful writing coming out,&#8221; he adds. Feminist and post-modernist  literature, and poetry are seeing some valuable contributions. &#8220;Folk and  Tamil Diaspora literature is enriching the Tamil vocabulary with rare  usages and powerful metaphors.&#8221;</p></blockquote>
<p><a href="http://bit.ly/iAraOw" target="_blank">Read more »</a><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">National shelf life</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Mint</span><br />
A store in Delhi&#8217;s book publishing hub has the country&#8217;s largest collection of non-fiction on India</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>The  bookshop doubles as a publishing and distribution company. Books from  here are parcelled daily to Kyoto, Kolhapur, Heidelberg, Prague, Patna,  Toulouse, Dublin, Bangalore, Boston, London and Lahore. &#8220;We have  religion and arts, music and crafts, politics and cultural studies,&#8221;  says Ajay, the owner&#8217;s son. &#8220;Which means we are a one-stop shop for  academic needs,&#8221; adds his father.</p>
<p>What is scholarly for  professors could simply be a pleasure read for a lay reader. The shop&#8217;s  eclectic collection comprises titles that give a tantalizing glimpse  into a world right under our noses, yet unexplored. Sample a few: <em>From Sacred Servant to Profane Prostitute; The Social History of Health and Medicine in Colonial India</em>, <em>Muslim Architecture of South India</em>, <em>Boats of South Asia</em>, <em>Pied Pipers in North-East India</em>, <em>Frogs in a Well-Indian Women in Purdah</em> and <em>Criminal Gods and Demon Devotees</em>.</p>
<p>The  shop, spread over five floors, has 25,000 books. Many lie locked in the  basement. The browsing area on the ground floor is divided by wooden  shelves into two rows, with a seating space that has two coffee tables  with eight low chairs. The late scholar Simon Digby, who divided his  time between Delhi and the UK, was a regular. He would make two piles of  books; one for immediate reading went to his apartment in Nizamuddin  West, the other would be shipped to England.</p></blockquote>
<p><a href="http://bit.ly/iAraOw" target="_blank">Read more »</a></p>
<p><span style="font-family: tahoma,sans-serif; font-weight: bold; color: #ff0000; font-size: 1.3em;">New Book Releases and Events</span><br />
<span style="font-family: tahoma,sans-serif; color: #006600;">New book and journal releases, new imprints and other similar events.</span></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Blaft announces tie-up with Westland Ltd.</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Company Press Note</span><br />
BLAFT  Publications, the newsmaking independent publishing house, has  announced a fresh programme in association with Westland Ltd. The  association kicks off with a series of four titles by one of the  subcontinent&#8217;s best-loved fiction writers, Ibne Safi. These will be  published, appropriately, under Westland&#8217;s literary imprint, Tranquebar.   Blaft is confident that the tie-up will enable all [those concerned]  to expand and diversify its list of books even more grandly.</p>
<p>Ibne Safi&#8217;s <em>Jasusi Dunya</em> is a dysfunctional world of titanic villains, mad-genius detectives,  and alluring femmes fatales. With a huge cult following among readers in  both India and Pakistan, this series spans 125 novels published between  1952 and 1979. They remain some of the bestselling books in Urdu even  today. Blaft and Westland will bring out the evocative &#8211; even eerie &#8211;  titles <em>Poisoned Arrow</em>, <em>Smokewater</em>, <em>The Laughing Corpse</em> and <em>Doctor Dread</em> translated by the renowned Urdu scholar Shamsur Rahman Faruqi.</p>
<p>Westland  Limited is a general trade publishing and distribution house, which  includes EastWest Books and the newer Tranquebar Press. Our list of  titles includes books on literary and popular fiction and non-fiction,  food and cooking, erotica, spirituality and self-help, health and  wellness, business, management, travel and a host of other subjects  including graphic fiction and satire.</p>
<p>Blaft is an independent  house based in Chennai has a wide and varied list, including bestselling  Indian crime novels, experimental fiction, pulp art, and graphic  novels.</p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Tara book receives special mention in White Ravens Catalogue</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Company Press Note</span><br />
<em>I See the Promised Land</em>,  published by Tara Books has been singled out for Special Mention in the  White Ravens Catalogue of the world&#8217;s best books for young people,  released at the Bologna Book Fair.Described by the jury as &#8216;an  extraordinary collaboration between devoted artists from three  continents&#8217; it was praised for being, &#8216;an engaging and challenging  graphic novel for a young (and older) audience.&#8217;</p>
<p>I See the  Promised Land is an unusual, graphic retelling of the life of Martin  Luther King Jr. African American performance poet Arthur Flowers tells a  masterful story in musical prose, while Manu Chitrakar, a traditional  scroll-painter from Bengal, carries the tale confidently into the vivid  idiom of Patua art. This is the eighth book by South Indian independent  publishing house Tara Books to be included in this prestigious list of  noteworthy international books.</p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">NJP Digital Connections Private Limited launches company, www.notjustpublishing.in</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Company Press Note</span><br />
NJP  Digital Connections Private Limited has announced the launch of the  company and its product, www.notjustpublishing.in. While NJP Digital  Connections will provide web and mobile solutions, products, and  consultancy for publishing and allied industries, the portal  www.notjustpublishing.in is about people in publishing and associated  industries, their publishing careers, and lives beyond the office. In a  casual chat, the portal will feature a new professional every week in  video and text interviews. Through this interactive portal, you can  write to the featured personalities and also recommend people to be  featured.</p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">And then there were two</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Tehelka</span><br />
The  recent reissue of two detective fiction series &#8211; the Inspector Ghote  mysteries and four Urdu novels in English translation from Ibne Safi&#8217;s <em>Jasoosi Duniya</em> series &#8211; reminds you of all that is wonderful about the genre</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>This  interest in unpeeling the social world around the crime, the clear-eyed  understanding of how class and power operate, influencing even the most  intimate relationships, is perhaps the only thing common to these very  different styles of fiction. If Inspector Ghote Trusts the Heart unpacks  the precarious circumstances created by a rich man being asked to pay a  ransom for the tailor&#8217;s son who has been kidnapped instead of his own,  The Laughing Corpse centres around the kidnapping of a &#8220;lowly typist&#8221;  whose unexpected inheritance had suddenly made her the town&#8217;s most  eligible girl. The staunchly middle class Ghote, who worries about taxi  fares, dreams of cold buttermilk when he watches his rich complainant  pour himself a Scotch and must muster all the courage at his command to  exert a semblance of authority in the face of social superiors, could  not be more unlike Faridi, a man with a private income who comes to  detection out of a passion for criminology, has a degree from Oxford and  owns a palatial house with its own laboratory and library. But in both  Keating and Safi, there is that deepdown stock-in-trade of the best  crime fiction â€” an abiding interest in how the world works.</p></blockquote>
<p><a href="http://bit.ly/iow8Kb" target="_blank">Read more »</a><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Marketing professionals and literary pursuits</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Economic Times</span><br />
Rama  Bijapurkar, independent market strategy consultant, has written,  Winning in the Indian Market &#8211; Understanding the Transformation of  Consumer India and her new book called Customer In The Boardroom?  Crafting Customer Based Business Strategy is coming out soon. Marketing  consultants Santosh Desai and Harish Bijoor are also prolific writers.</p>
<p>They  could be writing a treatise on what they practice &#8211; in this case  marketing and branding &#8211; or it could be totally unrelated, as is the  case with JWT&#8217;s former creative director Anuja Chauhan&#8217;s two  bestsellers, <em>The Zoya Factor</em> and <em>Battle For Bittora</em>.  Or Publicis Ambience&#8217;s NCD, Ashish Khazanchi&#8217;s (yet to be published)  pictorial prose in the form of very specialised artists books. Whatever  be the output, the moot point is the fact that more people from the  industry want to tell a story, which may not necessarily be a brand  story.  <a href="http://bit.ly/mwbCp3" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Reading Satyajit Ray</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: DNA</span><br />
On  the eve of his 90th birth anniversary, a collection of his film scripts  has been translated into English and published in book form.</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>In  1992, the American Academy of Motion Picture Arts and Sciences,the  Satyajit Ray Society and funding agencies such as the Rajiv Gandhi  Foundation, the Ford Foundation, the India Foundation of the Arts, and  other organisations came together to try preserving and restoring Ray&#8217;s  heritage. Part of this archiving effort has been preserving Ray&#8217;s paper  archives, for he left extensive &#8216;Notebooks&#8217; of each of his productions.  These have draft storylines, scenarios, draft dialogue, character  outlines, musical annotations, story-boards, detailed pictures of  costumes, shot breakdowns etc &#8211; in short, the entire visual and aural  creative process of one of India&#8217;s foremost artistes, in detail. There  are full musical annotations both in staff notation and in <em>sargam</em>, or all the musical treatments and background music for most of his films.</p></blockquote>
<p><a href="http://bit.ly/kDM4KC" target="_blank">Read more »</a><span style="font-family: tahoma,sans-serif; font-weight: bold; color: #ff0000; font-size: 1.3em;">Elsewhere&#8230;</span><br />
<span style="font-family: tahoma,sans-serif; color: #006600;">News from around the world&#8230;</span></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Iraq concludes first book fair in 20 years</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: google.com/hostednews/afp</span><br />
Iraq&#8217;s  first book fair in 20 years concluded on Thursday with organisers and  attendees hailing it as a return for the violence-wracked country to the  global literary scene.</p>
<p>The two-week exhibition featured more  than 200 publishing houses from 32 countries displaying about 37,000  books at a massive conference hall in Mansur, west Baghdad, according to  the event&#8217;s organisers.</p>
<p>The books on offer were mostly in Arabic, but English and French literature was also on sale. <a href="http://bit.ly/l7lcOK" target="_blank">Read more »</a></td>
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<p>News Submissions: If you have news and events to report, please email us  at writetous@ thepublisherspost.com with the word &#8220;SUBMISSION&#8221; in the  subject line. News that includes book launches, book signings, launch of  new imprints and publishing houses, book fairs, new entrants among  publishers, writer and publisher blogs, comments, opinions, relevant job  postings, the works. The newsletter is sent every month during the last  week of each month.</p>
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		<title>The Publisher&#8217;s Post &#8211; March 2011</title>
		<link>http://www.thepublisherspost.com/the-publishers-post-march-2011/</link>
		<comments>http://www.thepublisherspost.com/the-publishers-post-march-2011/#comments</comments>
		<pubDate>Wed, 06 Apr 2011 09:14:52 +0000</pubDate>
		<dc:creator>Editors</dc:creator>
				<category><![CDATA[Newsletters]]></category>
		<category><![CDATA[Reading Hour]]></category>

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March 2011
Happenings
On  what&#8217;s been happening. If there’s news you have heard of and think it  would make for interesting reading, please share it with us.
Literary Fest to focus on India
Source: montrealgazette.com
The  Blue Metropolis Montreal International Literary Festival gathers more  than 200 writers and artists from 12 countries for 170 activities in [...]]]></description>
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<p><span style="font-family: tahoma,sans-serif; font-weight: bold; color: #ff0000; font-size: 1.3em;">Happenings</span><br />
<span style="font-family: tahoma,sans-serif; color: #006600;">On  what&#8217;s been happening. If there’s news you have heard of and think it  would make for interesting reading, please share it with us.</span></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Literary Fest to focus on India</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: montrealgazette.com</span><br />
The  Blue Metropolis Montreal International Literary Festival gathers more  than 200 writers and artists from 12 countries for 170 activities in  seven languages, beginning April 27. The year&#8217;s special focus is  literature from India, acknowledging the Year of India in Canada. Indian  poet Kamala Das will be honoured, and author Amitav Ghosh will be in  attendance.</p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Assam Valley Literary Award presented</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Assam Tribune</span><br />
Noted  Hindi poet Dr Kedar Nath Singh today laid stress on translation of  Indian regional language literature into other Indian languages so as to  strengthen the multi-coloured diversity of Indian languages, literature  and culture for the sake of uniting the nation.</p>
<p>He was  presenting the 21st Assam Valley Literary Award to noted litterateur  Harekrishna Deka at the Mackhowa ITA Centre for Performing Arts in  Guwahati.</p>
<p>In his acceptance speech, Deka said that language  cannot be dissociated from the social reality. Language is a  socially-conditioned act. Laying stress on writing in one&#8217;s own tongue,  he said that the objective of doing that is to serve the cause of the  people, whose heritage forms the source of a writer&#8217;s creativity. The  highest standards in writing can be achieved through sheer  professionalism but if regional writers were to peruse mere individual  agendas, the community and the language would suffer.<a href="http://bit.ly/hX0uAY" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">&#8216;Translations of Indian works set to find more readership&#8217;</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Times of India</span><br />
While  common Indian readers have been exposed to several works translated  from European languages into their own, the interest in translation of  Indian works is largely limited to departments of Indology and academic  circles in universities abroad.</p>
<p>However, considering the  ever-evolving socio-political-economic motives that govern translations  and India&#8217;s growing clout as an emerging economic power, this situation  is expected to change in the days to come, according to Sunanda Mahajan,  German language translator and professor of German at the department of  foreign languages, University of Pune.</p>
<p>She was speaking at the  international conference on the status and significance of Indian  languages for east-west understanding, organised by the Aikyabharati  Research Institute.</p>
<p>Anagha Bhatt, professor of Russian and head  of the department of foreign languages, University of Pune, also  co-edits &#8216;Kelyane Bhashantar&#8217;, a 12-year-old quarterly  journal-cum-&#8221;cross-cultural bridge&#8221;, which translates various genres of  European literature &#8211; including novellas, short stories and plays &#8211; into  Marathi. She said: &#8220;Just as English works translated into Marathi in  the 19th century were instrumental in shaping modern-day Marathi prose,  so would these translations impact Marathi in days to come.&#8221;</p>
<p>The session was chaired by Sanskrit scholar Pramod Lale. <a href="http://bit.ly/hQRxuj" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">First Urdu Diwan of North India to be published soon</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Milli Gazette</span><br />
Rare  manuscripts in languages like Arabic, Persian, Sanskrit and Dravidian  are to be published soon. In this regard, the first Urdu Diwan of  Northern India &#8220;Diwanzada&#8221; composed by Shah Hatim in 18 the century  &#8220;Chahar Gulsan&#8221; in Persian is expected to be published by April.</p>
<p>So  far more than 2 million rare manuscripts have already been published.  Dipti Triphati, Director, National Mission for Manuscripts (NMM), said,  &#8220;The publication of unpublished manuscripts has been taken up recently.  The goal is to publish 50 manuscripts in the current fiscal.&#8221;</p>
<p>Till  date, 45,863 manuscripts have been digitised. The mission under the  supervision of the Culture Ministry was launched by Former Prime  Minister Atal Bihari Vajpayee in 2003 to survey, identify, collect,  copy, catalogue and publish manuscripts that are lying scattered all  across India.</p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Publishers Training Programme Concludes</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: German Book Office</span><br />
On  Friday, March 4, the first batch of the first Publishers Training  Programme jointly organized by the Frankfurt Book Fair, German Book  Office New Delhi and the Indian Institute of Management, Ahmedabad, 30  publishing professionals became alumni of the prestigious IIMA, having  successfully completed the programme.</p>
<p>The course was designed by  H. Anil Kumar, Librarian and Head NICMAN, and Akshay Pathak, German Book  Office, who brought in the academic and industry elements respectively.  The course faculty at IIMA had prepared enough course material by way  of case studies and reading material to give the participants sleepless  nights, something they seem to have got into the rhythm of. The cases  were chosen from the publishing industry as well as other industries to  bring out aspects of strategy, marketing, finance and leadership.</p>
<p>The  industry experts complemented the academic sessions by providing actual  insights into the business at hand. The session on strategy had Mr.  Ajay Shukla talk about his own experience with Tata McGraw Hill and the  shaping of a strategy in a complex market like India. Other sessions  included Rajesh Lalwani&#8217;s session on social media and its growing  importance, a session on digital technologies and future of Publishing  by Brij Singh as well as a very insightful and entertaining session by  Devdutt Pattnaik on weaving mythology into business. Other industry  specific sessions included a brilliant session on Independent Publishing  by Urvashi Butalia and Bipin Shah, which left everyone wanting more as  well as sessions on IPR and Copyright issues by Kevin Fitzgerald and  Nikhil Krishnamurthy.</p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Hindi translations of Sangam literature released</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Hindu</span><br />
In  a bid to secure the literature treasure troves of the state, Hindi  translations of eighteen books of Sangam literature &#8211; Pathupattu and  Ettuthogai &#8211; were released at the Tamil University here on Wednesday.  Pon.Kothandaraman (Portko), former Vice chancellor, University of  Madras, gave the first copy of the translations to Asko Parpola,  Professor Emeritus, University of Helsinki, Finland.</p>
<p>Reiterating  the fact that Sangam literature is secular, Dr. Kothandaraman said that  translations help in reaching out to people of other cultures.  Translations of Sangam books into other foreign languages such as  French, Russian, English, and other Indian languages like Bengali,  Marati, Gujarati, should follow suit.</p>
<p>The occasion also witnessed  publishing of ten volumes of papers, on a website, that were presented  at the world classical Tamil conference held in Coimbatore recently .  Lauding that the classical Tamil Conference was unique in many aspects,  Mr. Kothandaraman said that it is an achievement that papers presented  at the conference have been published within nine months after the  conference. The compilations in Hindi were taken up by a team of ten  Hindi experts headed by P.K.Balasubramanian, Former Hindi professor of  Christian College and Dr.Sundaram, former Hindi professor of Presidency  College. <a href="http://bit.ly/dXlFm3" target="_blank">Read more »</a></td>
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<span style="font-family: tahoma,sans-serif; color: #006600;">LeftWord Books</span></p>
<p style="color: #000000;">LeftWord  Books is a publishing venture that seeks to reflect the views of the  left in India and South Asia. We publish critical and analytical works  on a range of subjects, and pay special attention to works on Marxist  theory. We project the interests of the working people and movements for  social transformation.</p>
<p>LeftWord Books was set up in 1999 and our  first release was A World to Win: Essays on the Communist Manifesto by  Aijaz Ahmad, Prabhat Patnaik and Irfan Habib, edited by Prakash Karat.  Since then, we have published a number of titles on globalization and  the world economy, Indian politics and international affairs,  imperialism, development issues, and so on. We count among our authors  Naomi Klein, A.G. Noorani, N. Ram, Vijay Prashad, Ellen Meiksins Wood,  John Harriss, Tanya Reinhart, C.P. Chandrasekhar, Jayati Ghosh, Ninan  Koshy, Prabir Purkayastha, Praveen Swami, Richard W. Franke, T.M. Thomas  Isaac, and others. We have published some of the texts of Karl Marx,  Frederick Engels and Lenin, and more classics from the Marxist tradition  are envisaged.</p>
<p>Apart from our general list, we run two series &#8211; Signpost: Issues that Matter and LeftWord Classics.</p>
<p>Signpost:  Issues that Matter is a series that aims to reflect the views of the  left and help create a common, progressive understanding of issues that  matter.</p>
<p>Signpost addresses a wide variety of subjects. Each  publication in the series focuses on a single topic that is significant  in debates of the day, in a manner that is serious, informative,  analytically sound and politically interventionist. The series aims to  bring advanced knowledge to the general readers and to activists in  movements for social transformation.</p>
<p>LeftWord Classics is a  series of some classical works of socialist thought in moderately priced  and attractively printed editions. Each volume in the series contains  an introduction by an eminent Marxist thinker that places the text in  its own and our context.</p>
<p>Leftword has recently published Karl Marx&#8217;s classic work <em>Capital: Vol. I, II, III</em> in hardbound along with Marx&#8217;s <em>Capital: An Introductory Reader</em>, a companion volume to the three volume Capital set. This introductory Reader has essays by Prabhat Patnaik et al.</p>
<p>For more information on LeftWord Books log on to www.leftword.com or write to adminleftword@ gmail.com</p>
<p>LeftWord Books<br />
12 Rajendra Prasad Road<br />
New Delhi 110001 India<br />
Phone: (91-11) 2335 6966, 2335 9456</p>
<p>Latest publications include:</p>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; height: 100px; margin: 1px; padding-right: 3px; padding-bottom: 16px; float: left;" src="http://www.dogearsetc.com/pubpost/images/Capital.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Capital: Volumes I, II, III</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Karl Marx</span><br />
<span>ISBN: 978-81-87496-94-6</span><br />
<span>pp. 768+564+960</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; height: 100px; margin: 1px; padding-right: 3px; padding-bottom: 16px; float: left;" src="http://www.dogearsetc.com/pubpost/images/reader.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Marx&#8217;s Capital: An Introductory Reader</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Prabhat Patnaik et. al</span><br />
<span>ISBN: 978-93-80118-00-0<br />
pp. 135</span></div>
<div style="float: left; border-bottom: 0px none; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; height: 100px; margin: 1px; padding-right: 3px; padding-bottom: 32px; float: left;" src="http://www.dogearsetc.com/pubpost/images/SR2011.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Socialist Register 2011: The Crisis This Time</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">Ed. By: Leo Panitch,Greg Albo, Vivek Chibber </span><br />
<span>ISBN: 978-81-87496-99-1<br />
pp. 323</span></div>
</div>
<p><span style="font-size: 14px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Book Releases</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source:Scholars Without Borders<br />
To have your book listed here, write to us with all details and a cover image</span></p>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; height: 100px; margin: 1px; padding-right: 2px; padding-bottom: 14px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9788131603956.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Women, Religion and Tradition: The Cult of Jogins, Matangis and Basvis</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Vakulabharanam Lalitha</span><br />
<span>312p/Hardcover/Rs.795<br />
ISBN: 9788131603956<br />
Rawat Publications, Jaipur</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; height: 100px; margin: 1px; padding-right: 2px; padding-bottom: 20px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9788187358459.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Jassa Singh Ahluwalia (1718-1783): The Forgotten Hero of Punjab</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Sumant Dhamija</span><br />
<span>284p/Paperback/Rs.295<br />
ISBN: 9788187358459<br />
Social Science Press</span></div>
<div style="float: left; border-bottom: 1px solid #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; height: 100px; margin: 1px; padding-right: 2px; padding-bottom: 22px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9788132105862.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">In Search of Change Maestros</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Pritam Singh and Asha Bhandarker</span><br />
<span>400p/Hardback/Rs.850<br />
ISBN: 9788132105862<br />
Sage</span></div>
</div>
<p></span></td>
</tr>
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<td style="font-size: 12px; color: #000000; line-height: 150%; font-family: trebuchet ms;" colspan="2" valign="top" bgcolor="#ffffff"><span style="font-family: tahoma,sans-serif; font-weight: bold; color: #ff0000; font-size: 1.3em;">Blogs and Articles</span><br />
<span style="font-family: tahoma,sans-serif; color: #006600;">Comments and posts on trends and events in the book industry.</span></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Graphic novels yet to catch a market in India</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: dnaindia.com</span><br />
Unlike  their steep rise in the West, the graphic novels in India are yet to  catch the imagination of readers and it will take some more time before  they set the cash registers ringing, say major publishers here.</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>Many readers sometimes confuse between graphic novels and comics as both of them use graphics and speech bubbles.</p>
<p>&#8220;It  is not something that is meant to make you laugh or scare, it is meant  to tell you a story with a difference,&#8221; says Lipika Bhushan, marketing  head, HarperCollins Publishers India Ltd.</p>
<p>&#8220;We try to stretch the  boundaries of traditional comic book fiction. Each story has a strong  social significance. These are stories about us, in our world,  surrounded by situations and circumstances that we can identify with,&#8221;  says Suhas Sundar. He and his friend,Shreyas Srinivas, started India&#8217;s  first serial graphic novel, &#8216;Jump&#8217;.</p>
<p>According to Orijit Sen,  graphic novels also deal with serious issues and are aimed at slightly  matured readers than those reading comics. They are a self-contained  story rather than an ongoing serial.</p></blockquote>
<p><a href="http://bit.ly/eNT0YM" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">E-books in India: The Fine Print</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: edu-leaders.com</span><br />
The article explores the impact of digital books and publications in Indian higher education</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>Given  the upside, it would be logical for the higher educational institutions  to adopt e-books for extensive research and student use. Yet, across  the board, the consistent message we heard from publishers and students  was that Indian universities, for the most part, have been slow to  embrace this technology, preferring to stick to known territory.  Students we spoke to had used e-books as supplementary reading material,  if at all, and complained that their institutions were woefully  inadequate in supporting such digital initiatives.</p></blockquote>
<p><a href="http://bit.ly/hwbJ0T" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">The Business of Learning</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Telegraph</span><br />
In  India, textbooks are the only lucrative enterprise for authors and  publishers. Because of the potential profits involved, commercial  textbook publishing is a highly competitive area. To be successful, a  textbook has to appeal not only to the teachers who decide to adopt a  book for their classes, but also to students, whose experience with the  book must be positive if it is to be re-ordered.</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>For  publishers, the crucial question is, how can the many factors that make  for the success of a book be covered by the review process? For one  thing, they should realize that while the price has to be pegged down,  it cannot be done at the expense of the quality of presentation, both in  terms of editorial input and the physical quality of production. This  would go a long way in loosening the budgetary constraints that  publishers have imposed on themselves. In the burgeoning educational  market, especially with the middle classes, quality matters, even if it  means paying a little more for it.</p></blockquote>
<p><a href="http://bit.ly/gO0FMy" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">The tale goes short!</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Times of India</span><br />
Stuck in a doctor&#8217;s waiting room, the metro or awaiting a delayed flight? How about picking up <em>Fish In Paneer Soup</em>&#8230; no, not a meal takeaway, but a book for your mind to snack on. There&#8217;s more where that comes from, with titles like <em>Mom Says No Girlfriend</em>, <em>Can&#8217;t Die for Size Zero</em>, <em>Losing My Virginity &amp; Other Dumb Ideas</em> and <em>Chocolate, Guitar, Momos</em> gracing bookshelves.</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>Communications  professional Deep Ghatak, author of Fish In Paneer Soup, finds that  publishing houses are more receptive to new age writing and move quickly  from acceptance to the proofing stage, although there remain some &#8220;that  don&#8217;t even follow guidelines specified on their own websites &#8221; .  Blogger and mom Parul Sharma made the transition to writing a book with  Bringing up Vasu and followed it up with By The Water Cooler.</p>
<p>Ismita  Tandon Dhankher, author of romantic thriller Love on the Rocks, recalls  when the writing bug bit her, &#8220;I began sailing with my husband in 2006  and discovered that sailors are colourful company. I was 26 years old  when I just started doing poetry on the deck one evening, and that one  poem changed it all!&#8221;</p>
<p>Before landing a publisher, Ismita says she faced at least a dozen rejections in the mail box every month, sometimes more.</p></blockquote>
<p><a href="http://bit.ly/hX0Aig" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">That great Sundanese novel you haven&#8217;t read</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: DNA</span><br />
Others,  better informed about India&#8217;s linguistic diversity, are shocked to  learn that there are thriving publishing industries in Tamil, Telugu,  Marathi, Gujarati, etc.</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>It  is difficult for most Americans or Europeans to comprehend the  multi-lingual stew of a typical Asian or African country, where minority  communities are often under little or no pressure to learn another  dominant language; where ethnic groups speaking unrelated tongues have  shared the same land for centuries, or where neighboring territories  with vastly different cultures have been thrown together inside strange  borders drawn on maps by European colonists. There&#8217;s a tendency to paint  the world with broad brushstrokes &#8211; &#8220;the Af-Pak Zone&#8221;, &#8220;the Arab  World&#8221;, &#8220;Francophone Africa&#8221; &#8211; and to defend an ignorance about the  diversity within those regions. But when influential leaders start to  think in terms of these lazy generalisations, it can have disastrous  results. I have noticed a worrying tendency among English-educated  Indians, who should know better, to do the same</p></blockquote>
<p><a href="http://bit.ly/hSuP6K" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Small Print &#8211; Literary Magazines</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Forbes India</span><br />
Janice Pariat seeks out literary spaces hidden in small magazines, old and new, print and online.</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>From the selection process involved, it&#8217;s clear that small magazines are willing to push literary boundaries.</p>
<p>Ambika Ananth, editor of <em>Muse India</em>,  says she prefers contemporary everyday realities and insightful social  observations to narratives that are &#8220;trying the tried and hitting the  hit&#8221;. At <em>Out of Print</em>, founding editor Indira Chandrasekhar  says their story choices are informed by the issue of living in an era  of intense and accelerated transition that may destroy the diverse, yet  common narratives that link us. Although only two issues old, it has  featured a fine selection of stories including pieces by Mridula Koshy  and Anjum Hassan. Pratilipi, around since 2008, has a long, illustrious  list of more than 350 contributors from 25 languages, including Keki  Daruwala, Rana Dasgupta, Ashis Nandy and Indira Goswami. According to  co-editors Soni and Giriraj Kiradoo, &#8220;At the end of the day (or night),  we look for voices that engage us, writers dealing with their language  and content without the mediation of dominant ancestral or contemporary  voices &#8211; qualities, therefore, of freshness, vitality and essentiality.&#8221;</p></blockquote>
<p><a href="http://bit.ly/hZZnuF" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Latest book haven in town</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Deccan Herald</span><br />
With  more bookstores closing down than opening, itâ€™s a sweet surprise to  find a new independent bookstore springing up in Bangalore.</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>Each  time I visited Bookstop! (which has become rather often) I saw patrons  either deep in conversation with Jayanti about books or browsing  intently. They have no plans to go online because â€” like all good  independent bookshops â€” they want to see the people they are selling  books to. The couple has plans to soon make this even more of a  speciality bookstore by devoting shelves to author-signed copies,  out-of-print editions, books about books, and showcase more titles from  smaller, independent publishers.</p></blockquote>
<p><a href="http://bit.ly/ftbNzx" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Lost art of Urdu storytelling returns to Delhi</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: BBC Radio</span><br />
From  ancient Sanskrit fables to Bollywood screenplays, India is known as one  of the world&#8217;s greatest storytelling nations and now an ancient  tradition is experiencing a revival, and cleansing old wounds.</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>Urdu once flowered in Delhi.</p>
<p>When  Central Asian conquerors swept into India 500 years ago, Persian,  Arabic and Turkic idiom tangled with the native tongue. The result was a  language so ornate, so feisty and full of pathos, it inspired north  Indian poetry, music and theatre for centuries to come.</p>
<p>Part of  its beauty lies in the ability to create long phrases which, like linked  carriages, create a train of thought fraught with multiple meanings.</p>
<p>In English, you would say &#8220;the moon rose&#8221;, In Urdu, it becomes, &#8220;the sorcerer of this world changed his robes&#8221;.</p>
<p>But in 1947, Urdu &#8211; associated with Muslims &#8211; became an enemy language and was slowly purged from public life.</p>
<p>And with it, one of South Asia&#8217;s great canons was lost.</p></blockquote>
<p><a href="http://bbc.in/eWOgAG" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Phantom power of language</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Hindu</span><br />
The author writes about something rarely discussed &#8211; the radiance of translation.</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>The  energy of India&#8217;s multilinguality is its greatest intangible wealth:  unrealised and untested. We know it takes many subtle shapes in terms of  services, products and concepts but its most powerful form is knowledge  transmitted through translation. The biggest intervention in the social  energy of our languages was the visitor language English, and the  pressure this single language applies today upon our language empire is  enormous. At some cost to our languages, while simultaneously enriching  us with outside influences, it has nudged us into a sense of needing to  keep up with world literature &#8211; a trend which has led to a near  gold-rush for translations of Indian literary works.</p></blockquote>
<p><a href="http://bit.ly/geP88g" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">The humble Marathi bookstore lives on</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: livemint.com</span><br />
Hercule Poirot mysteries in translation, a Barack Obama biography, classics from the 1920s &#8211; it has something for every taste</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>The  oldest outlet of the Majestic Book Depot &#8211; as old as the Quit India  Movement &#8211; hasn&#8217;t changed much with the passage of time. Since July  1942, this little bookstore in Girgaum Naka, a bustling traditional  precinct in south Mumbai, has catered to the city&#8217;s Marathi  bibliophiles. It began life as a hub for tomes and pamphlets on India&#8217;s  freedom struggle; now the life story of US President Barack Obama and  Harry Potter books are the hot favourites. But it hasn&#8217;t grown in size  or gone digital.</p>
<p>In the age of big retail chains and virtual  bookstores, Majestic is a little piece of the city&#8217;s history and a  testimony to the survival of the humble bookstore. Moreover, Majestic&#8217;s  sales figures, along with those of the few other shops in Mumbai selling  Marathi books, suggest that the Marathi bookstore is indeed not dead.  The storeâ€™s manager says they sold 18,000 copies of their current  best-seller, a biography of Obama by Marathi writer Sanjay Avte, in two  months.</p></blockquote>
<p><a href="http://bit.ly/hJWHHv" target="_blank">Read more »</a></p>
<p><span style="font-family: tahoma,sans-serif; font-weight: bold; color: #ff0000; font-size: 1.3em;">New Book Releases and Events</span><br />
<span style="font-family: tahoma,sans-serif; color: #006600;">New book and journal releases, new imprints and other similar events.</span></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;"><em>Reading Hour</em> Launched</span><br />
Reading  Hour is a new English bimonthly print magazine featuring short stories,  poetry, essays, book reviews and more. The content is fresh, by a mix  of established and new writers, aimed primarily at Indian readers. The  magazine is published by Differsense Ventures LLP out of Bangalore.</p>
<p>The  first issue was out in January, and the second issue is en route to the  stands. The feedback to the first issue has been greatly enthusiastic  with a number of readers writing in or posting reactions on the  magazine&#8217;s facebook page. People who wish to get the magazine can  subscribe online at www.readinghour.in &#8211; the print version is sent  within India, while a pdf version is available for those outside India.  Distributed by the Outlook Group, the magazine is also available in  stores across more than 10 cities in India.</p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Indo-Aus fiction anthology</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: roundtablewriting.com/(via Jaya Bhattacharjee Rose)</span><br />
Editors  Meenakshi Bharat and Sharon Rundle are approaching authors to  contribute to the next book of short stories. Their aim is to produce a  book of stories to follow &#8220;Fear Factor Terror Incognito&#8221;, a collection  of short fiction from Australia and the Indian subcontinent, published  Macmillan Picador India (2009) and Picador Australia (2010); which has  received critical acclaim and market success.</p>
<p>Authors are  invited to submit a fictional short story for consideration for an  anthology of stories from Australia and the Indian subcontinent. The  concept for this Indo-Aus anthology is a collaborative volume of fiction  short stories from Australia and the Indian subcontinent. The theme is  refugee/asylum seeker, which could include belonging, migration,  homelessness, climate.</p>
<p>Stories should be between 600 and 6000  words in length. The closing date for submission of stories for this  anthology is April 30, 2011. Indian authors may contact Meenakshi Bharat  at meenakshibharat@ gmail.com  to send your expression of interest in  submitting a story to our next anthology.</p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">India&#8217;s Hippocampus Writes a New Chapter for Children&#8217;s Libraries</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: knowledge@wharton</span><br />
Marketed  as an &#8220;experience center,&#8221; Hippocampus houses an extensive collection  of titles and has a changing roster of weekend activities, holiday  workshops and special events to keep young patrons coming back. There  are beanbag chairs for lounging, a leafy backyard for the  extra-energetic to tear around in, and a multimedia room to screen  educational films. &#8220;An initiative like this is huge though it seems like  a drop in the ocean,&#8221; notes Sandhya Rao, editor of Tulika, a bilingual  children&#8217;s publishing house in India. &#8220;More children can become readers  if they have access to books in a sunny environment.&#8221; The workshops and  changing roster of events are important because &#8220;there is constant need  to reinvent the ways of engagement,&#8221; says Mumbai-based Abhishek Chandan,  head of a new British Council Library initiative. &#8220;Exposure [to], and  the inclination to appreciate, creativity, arts [and] literature are  more essential attributes now than ever before in the turbulent world we  live in.&#8221; <a href="http://bit.ly/dW6K9C" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Danish researcher answers Vitthal&#8217;s call</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: DNA</span><br />
Lord  Vitthal, the popular deity of Maharashtra, has fascinated people all  over the world. But 57-year-old Erich Sand from Denmark stands out among  them. In the quest to understand Vitthal, he has been travelling  extensively for more than 25 years to various places in India and  gathering manuscripts on the deity. And these very efforts will  culminate in the first-volume on &#8216;Vitthal Mahatmya&#8217; to be released by  the end of this year.</p>
<p>Sand is a researcher under the department  of Cross Cultural and Regional Studies at the University of Copenhagen.  He first came to Pune to study Sanskrit in 1976-77. During this course  he also studied the abhangs by Marathi sants which is where he first  came across Lord Vitthal. He completed his doctorate in &#8216;Shradh&#8217; (a  ritual that is performed for the benefit of dead ancestors) of the  Hindus. In 1982 he walked from Alandi to Pandharpur in the wari to the  Vitthal temple held annually and later started searching for manuscripts  related to Vitthal Mahatmya. <a href="http://bit.ly/hnzW3l" target="_blank">Read more »</a></p>
<p><span style="font-family: tahoma,sans-serif; font-weight: bold; color: #ff0000; font-size: 1.3em;">Elsewhere&#8230;</span><br />
<span style="font-family: tahoma,sans-serif; color: #006600;">News from around the world&#8230;</span></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">2011 Best Translated Book Award Finalists</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Three Percent</span><br />
fter  months of reading, discussing, evaluating, and collaborating, the 14  fiction and poetry judges have settled on the 2011 Best Translated Book  Award Finalists.</p>
<p>Highlights from this year&#8217;s fiction list include Ernst Weiss&#8217;s <em>Georg Letham: Physician and Murder</em>, translated from the German by Joel Rotenberg; Tove Jansson&#8217;s <em>The True Deceiver</em>, translated from the Swedish by Thomas Teal; and Marlene Van Niekerk&#8217;s <em>Agaat</em>, translated from the Afrikaans by Michiel Heyns. And notable poetry finalists include Ales Å teger&#8217;s <em>The Book of Things</em>, translated from the Slovenian by Brian Henry; and Ayane Kawata&#8217;s T<em>ime of Sky &amp; Castles in the Air</em>, translated from the Japanese by previous BTBA winner, Sawako Nakayasu. <a href="http://bit.ly/gGuLC4" target="_blank">Read more »</a></td>
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<td style="background-color: #e4deb0; border-top: 10px solid #ffffff;" colspan="2" valign="top"><span style="font-size: 10px; color: #08396a; line-height: 100%; font-family: verdana;"> This newsletter is developed by Dogears Print Media Pvt Ltd. with inputs from various sources.</p>
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		<title>The Publisher&#8217;s Post &#8211; Feb 2011</title>
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		<pubDate>Sun, 06 Mar 2011 06:46:16 +0000</pubDate>
		<dc:creator>Editors</dc:creator>
				<category><![CDATA[Newsletters]]></category>
		<category><![CDATA[Comic Con India 2011]]></category>

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		<description><![CDATA[














Feb 2011
Happenings
On  what&#8217;s been happening. If there’s news you have heard of and think it  would make for interesting reading, please share it with us.
Comic Con India 2011
Contributor: Andrew Dodd (Campfire Books)
It  has never happened before, but it&#8217;s sure to happen again. Last weekend,  fifteen thousand comic book fans gathered together [...]]]></description>
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<td style="font-size: 12px; color: #000000; line-height: 150%; font-family: trebuchet ms;" width="500" valign="top" bgcolor="#ffffff"><span style="font-size: 12px; font-weight: bold; color: #0f8385; font-family: tahoma; line-height: 80%;">Feb 2011</span></p>
<p><span style="font-family: tahoma,sans-serif; font-weight: bold; color: #ff0000; font-size: 1.3em;">Happenings</span><br />
<span style="font-family: tahoma,sans-serif; color: #006600;">On  what&#8217;s been happening. If there’s news you have heard of and think it  would make for interesting reading, please share it with us.</span></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Comic Con India 2011</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Contributor: Andrew Dodd (Campfire Books)</span><br />
It  has never happened before, but it&#8217;s sure to happen again. Last weekend,  fifteen thousand comic book fans gathered together in Delhi for India&#8217;s  first ever comic con.</p>
<p>The two-day convention was a phenomenal  success, far exceeding the expectations of both the organisers (Twenty  Onwards Media) and the participants. In its inaugural year, this annual  comic con provided a much-needed platform for publishers, retailers,  writers and illustrators to meet with each other, and with their fans,  in a relaxed environment. Most of the 35 companies present boasted sales  much above what they had anticipated. Campfire graphic novels, for  example, raked in more revenue during the first day of the comic con  than in 10 days at the Delhi Book Fair, whilst Level 10 Comics and  Vimanika sold out of all their stock by half way through the second day.</p>
<p>Sales,  although important, were of course only one aspect of the event. A  programme of workshops, activities and book launches literally took  centre stage in a dedicated area at the hub of the venue. This allowed  the publishers to showcase their work to the public in a fun and  interactive way.</p>
<p>The location itself acted as the perfect  backdrop for this kind of event. Dilli Haat is a venue which has been  created to replicate the feel of a traditional Indian marketplace. It  offers handicrafts, food and cultural activities from every part of  India. Therefore, the infrastructure necessary for a comic con was  already in place, with catering, parking and the stall setup being taken  care of. Holding the convention in such a place allowed the comic book  industry to increase its exposure to the general public. With thousands  visiting Dilli Haat on a daily basis, it was great to see people  previously unaware of the comic book medium being drawn in by what they  saw. There was a perfect blend of lifelong enthusiasts and curious  newcomers, and it was awesome to see them mingling.</p>
<p>Some of the  enthusiasts made a particular effort to stand out from the crowd &#8211; and  did so brilliantly. Inspired by the chance to win one of various prizes,  many attendees turned up in full costume, as a comic book character of  their choice. From American superheroes such as Superman, Wolverine and  Harley Quinn to local Indian heroes like Chacha Chaudhary, all those who  dressed up appeared to be having a great time.</p>
<p>In addition to  the costume contest prizes, and of much greater importance, was a  Lifetime Achievement Award, presented to Anant Pai. Anant Pai is the  founder of Amar Chitra Katha, the most successful comic book publisher  in the history of Indian comics, and his work in converting Indian  epics, mythology, history, folklore and fables into the comic book  format is unprecedented. The Lifetime Achievement Award was presented to  him by another legend of Indian comics &#8211; Pran Kumar, the creator and  illustrator of  Chacha Chaudhary. With both the old guard and the new  innovators of Indian comics all present in one place for the first time,  this festival and celebration of comic books had a true feeling of  completeness.</p>
<p>With India&#8217;s comic book and graphic novel market  still in a fairly nascent stage, this was the perfect time for the  subcontinent to have its first event of this nature. The air of optimism  regarding the current state of Indian comics was tangible to anyone in  attendance. There was a buzz about the  place, and a real feeling that  this is the kind of platform that will catapult the comic book format  into India&#8217;s public consciousness.</p>
<p>That said, most Indians are  not totally unfamiliar with comics. Since the late 1960s, publishers  such as Amar Chitra Katha and Diamond Comics have been hugely popular  with a large portion of the Indian market. However, the popularity of  the medium plummeted in the 90s, with the advent of satellite television  and, more specifically, animated series on Cartoon Network and Pogo.  This, along with the prevalence of games consoles and the Internet, has  meant stiff competition for all varieties of publishers &#8211; not least  those focusing on the comic book medium.</p>
<p>And that is why the  recent steady growth in the popularity of this medium, culminating in  the industry&#8217;s ability to stage such a successful comic con, feels like  the start of a renaissance period for comics in this part of the world.</p>
<p>All  the signs from this spectacular weekend are positive. From the  attendance figures and the sales revenues to the press coverage and the  general excitement of the public, comic con has certainly proved that  there is a place for comics and graphic novels in the hearts and  bookshelves of people in India, and that big things lie ahead for all  those involved.</p>
<p>Here&#8217;s to next year, and an even bigger and better Comic Con India in 2012.</p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">10-day spring literary carnival in Delhi from March 4</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: newKerala.com</span><br />
Literature  and spring will blend to form a creative cocktail at the 10-day Spring  Fever, an annual literary festival, from March 4-13 at the India Habitat  Centre.The festival, presented by Penguin India, will feature writers  like Vishal Bharadwaj, Ruskin Bond, Javed Akhtar, William Dalrymple,  Shobhaa De and Gurcharan Das who will read out from their books and  discuss the emerging trends in literary arts.</p>
<p>Organizers say that  the festival, inaugurated in 2010, promotes quality literature among  the youth and helps readers buy books from an open air library that  stocks all Penguin imprints ranging from the early classics to the new  children&#8217;s series. <a href="http://bit.ly/hCJsa8" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">24 litterateurs gets &#8216;Sahitya Akademi Award 2010&#8242;</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: newKerala.com</span><br />
Litterateurs  in 24 Indian languages, including Bani Basu in Bengali, Esther David in  English, Uday Prakash in English and Sheen Kaaf Nizam in Urdu, were  honoured with &#8216;Sahitya Akademi Awards 2010&#8242; here at the &#8216;Festival of  Letters.&#8217;</p>
<p>The other winners include poets Aurobindi Uzir (Bodo),  Arun Sakhardande (Konkani), Gopi Narayan Pradhan (Nepali), Vanita  (Punjabi), Mangat Badal (Rajasthani), Mithila Prasad Tripathi (Sanskrit)  and Laxman Dubey (Sindhi).</p>
<p>Manoj (Dogri) and Nanjil Nadan (Tamil) were given the honour for their collection of short stories.</p>
<p>Besides,  Keshada Mahanta (Assamese), Rahmath Tarikere (Kannada), Basher Bashir  (Kashmiri) and Ashok R Kelkar (Marathi) received the award for their  books in the criticism genre. <a href="http://bit.ly/i9AFwN" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Amar Chitra Katha creator no more</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: livemint.com</span><br />
In  1967, Anant Pai and his wife, who were visiting New Delhi, were at a  bookstore in the city. The TV at the store was playing a quiz featuring  some students from St Stephen&#8217;s College and Pai was disappointed when  the participants couldn&#8217;t name the mother of Hindu god Ram. His  disappointment only increased when one of them answered a toughie about a  Greek god. And that was the moment Amar Chitra Katha (ACK) was born.</p>
<p>This  February, Pai, 81, &#8220;Uncle Pai&#8221; to many, died in Mumbai after a heart  attack, less than a week after receiving a lifetime achievement award  from the organizers of India&#8217;s first comic book convention, Comic Con  India. For the past three years he had been working on a book called  Glimpses of Glory, which dealt with 40 &#8220;defining moments&#8221; from India&#8217;s  history. <a href="http://bit.ly/f9zdxF" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Impact of Budget 2011 on Indian Publishing</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: printweek.com</span><br />
The  Union Budget will indirectly impact the Indian publishing industry due  to various duties on paper. Excise duty on writing and printing and  industrial paper increased. from 4% to 5%. Customs duty on waste paper  reduced from 5% to 2.5%, 1% excise duty introduced on wood pulp.  Enhanced allocation for education is expected to give an impetus to  demand for writing and printing paper.<br />
<a href="http://bit.ly/dFaOhr" target="_blank">Read more »</a></td>
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<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Vakulabharanam Lalitha,</span><br />
<span>312p/Hardcover/Rs.795<br />
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<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Goa Writers Group</span><br />
<span>228p/Paperback/Rs. 199<br />
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Goa 1556</span></div>
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<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Onir Anirban</span><br />
<span>136p/Paperback/Rs. 350<br />
ISBN: 9789380403014<br />
Yoda Press</span></div>
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<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Minnie Vaid</span><br />
<span>Hardcover/Rs. 350<br />
ISBN: 9788170289272<br />
Rajpal &amp; Sons</span></div>
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<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Pradip Kumar Datta</span><br />
<span>280p/Paperback/Rs. 500<br />
ISBN: 978-81-89487-69-0<br />
Tulika Books</span></div>
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<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Achyut Yagnik &amp; Suchitra Sheth</span><br />
<span>376pp/Paperback/Rs. 450<br />
ISBN: 9780143415787<br />
Penguin Books India<br />
<a href="http://bit.ly/ifEbry" target="_blank">Read a review »</a></span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; height: 100px; margin: 1px; padding-right: 2px; padding-bottom: 16px; float: left;" src="http://bit.ly/hCtsJ2" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">War and Peace in Modern India</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Srinath Raghavan</span><br />
<span>384pp/Paperback/Rs 395<br />
Permanent Black</span></div>
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<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Arthur Flowers<br />
Illustrated by Manu Chitrakar</span><br />
<span>156pp/Hardcover/Rs 550<br />
ISBN: 81-7824-320-2<br />
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<span>152pp/Paperback/Rs 299<br />
ISBN: 9789350290385<br />
HarperCollins</span></div>
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ISBN: 9788132105572<br />
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<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Satish Pande and Anvita Abbi</span><br />
<span>200p/Paperback/Rs.950<br />
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Oxford University Press</span></div>
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<span style="font-family: tahoma,sans-serif; color: #006600;">Comments and posts on trends and events in the book industry.</span></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Polishing Diamonds: Leading an Editorial Team into the 21st Century</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: peopleandmanagement.com</span><br />
Rows  of books by academic publishers may adorn your shelf, but do you know  what it takes to produce these? Payal Kumar (Vice President, Editorial  &amp; Production, SAGE Publications India Pvt Ltd.) turns the pages to  provide a candid account of the challenges of hiring and retaining  top-level talent in an increasingly technology-driven industry.</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>Over  the years the profile of an editor has certainly undergone a  metamorphosis of sorts. Whereas youngsters, about a decade ago, used to  enter this industry more out of default, we as employers are now on the  lookout for candidates with specialized backgrounds, including MBAs, in  order to manage the book list for professionals which covers vast  subject areas including HR, finance and marketing.</p>
<p>As more  specialized teams are groomed, ranging from copy editing, to quality  control to rewriting teams, there is a requirement for editors who are  also managers; for candidates who see publishing as a career with a  definite growth path, rather than simply as a job. Like most professions  today, an editor cannot be an &#8216;armchair&#8217; worker; rather he or she has  to keep providing value-addition in order to climb the ladder of  success.</p>
<p>Candidates high on interpersonal skills and multitasking  abilities and who are adaptable in their approach are definitely  prized. Market needs keep changing and our teams need to be robust  enough to produce a book in lightning speed if necessary (we recently  produced Malini Chib&#8217;s book <em>One Little Finger</em>r in a  record-breaking one month); or adapt to changing departmental processes  for example, the beginning of our working relationship with Chinese  authors is likely to merit greater language interventions than what we  are accustomed to.</p></blockquote>
<p><a href="http://bit.ly/ifkT6e" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Growing Pains Among India&#8217;s Elite</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: New York Times</span></p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>In  recent weeks, the writers William Dalrymple and Patrick French, among  others, have come before a fusillade of criticism in India, much of it  questioning not their facts, not their interpretations, but their  foreignness.</p>
<p>&#8220;Who gets to write about India?&#8221; <a href="http://on.wsj.com/i3UXZy" target="_blank">The Wall Street Journal</a> asked in its own report on this Indian literary feuding.</p>
<p>It  is a complicated question, not least because to decide who gets to  write about India, you would need to decide who gets to decide who gets  to write about India.</p>
<p>Rather than conjecturing some Committee for  the Deciding of the Deciding of Who Gets to Write About India, it might  be easier to let writers write what they please and readers read what  they wish.</p>
<p>The accusations pouring forth from a section of the  Indian commentariat are varied. Some criticism is of a genuine literary  nature, fair game, customary, expected. But lately a good amount of the  reproaching has been about identity.</p></blockquote>
<p><a href="http://nyti.ms/eb2cSP" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">New horizons, new challenges</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Hindu</span><br />
Publishing  in India, whether it is in English, the regional languages or  translations, is on a growth curve like never before. The multinationals  are here in force but the independent publishers are thriving too. A  look at the prospects ahead&#8230;</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>English  isn&#8217;t the only marker of success. Publishing in the Indian languages is  well set to grow. Languages such as Malayalam, Tamil, Bengali, Hindi,  Marathi already have much larger markets than English &#8211; at the annual  Chennai book fair there are over 400 publishers who participate  regularly, and many others fill the columns of the waiting list. The  story is the same in Bengal, and in many other parts of the country.  Indeed, if the National Readership Survey is to be believed, the growing  market for newspapers and magazines in India is not in English but in  the Indian languages. There is no reason why this should not be the same  for books &#8211; signs of this are already evident in the growing number of  translations between Indian languages.</p></blockquote>
<p><a href="http://bit.ly/fidU2M" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Notes to the self and the world</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Indian Express</span></p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>Locked  in a climate-controlled vault at the Newberry Library in Chicago, a  volume titled The Pen and the Book can be studied only under the watch  of security cameras. The book, about making a profit in publishing,  scarcely qualifies as a literary masterpiece. It is highly valuable,  instead, because a reader has scribbled in the margins of its pages. The  scribbler was Mark Twain, who had pencilled, among other observations, a  one-way argument with the author, Walter Besant, that &#8220;nothing could be  stupider&#8221; than using advertising to sell books as if they were  &#8220;essential goods&#8221; like &#8220;salt&#8221; or &#8220;tobacco.&#8221; On another page, Twain made  some snide remarks about the big sums being paid to another author of  his era. Like many readers, Twain was engaging in marginalia, writing  comments alongside passages and sometimes giving an author a piece of  his mind. It is a rich literary pastime, sometimes regarded as a tool of  literary archaeology, but it has an uncertain fate in a digitalised  world.</p>
<p>Marginalia was more common in the 1800s. Samuel Taylor  Coleridge was a prolific margin writer, as were William Blake and  Charles Darwin. In the 20th century it mostly came to be regarded like  graffiti: something polite and respectful people did not do. But  marginalia never vanished. When Nelson Mandela was imprisoned in South  Africa in 1977, a copy of Shakespeare was circulated among the inmates.  Mandela wrote his name next to the passage from Julius Caesar that  reads, &#8220;Cowards die many times before their deaths.&#8221; Studs Terkel, the  oral historian, was known to admonish friends who would read his books  but leave them free of markings. He told them that reading a book should  not be a passive exercise, but rather a raucous conversation.</p></blockquote>
<p><a href="http://bit.ly/hwa3AH" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">The global crime syndicate</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Times of India</span></p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>Crime  fiction continues to enthrall readers. And more writers than ever  before are taking to it, especially Indian regional writers.  Interestingly, Tamil and Bangla crime writers are particularly popular.  Even so, the mainstay of the genre &#8211; and that includes sub-genres like  whodunits, spy thrillers and detective stories &#8211; remains foreign  writers. Odd though it may sound, the adventures of Sherlock Holmes and  page-turners by Agatha Christie remain hugely popular. Even so, the  genre has broadened somewhat for Indian readers. They now revel  characters as diverse as the diabetic Swedish detective Kurt Wallander,  the African-American psychologist Alex Cross and the hard-boiled  Scottish inspector Rebus.</p>
<p>Kolkata, home to iconic fictional  detectives such as Satyajit Ray&#8217;s Feluda and Saradindu Bandopadhyay&#8217;s  Byomkesh Bakshi, would agree. Bookseller Saugata Chatterjee says his  shop in the city&#8217;s centrally located College Street gets many crime  fiction aficionados. &#8220;Crime fiction&#8221;, says the bookseller, &#8220;is an  evergreen genre. Popular foreign authors that are always in demand  include Steig Larsson, creator of the Millennium Trilogy, Joe Nesbo of  the Harry Hole series, Jim Butcher of The Dresden Files and Ian Rankin &#8211;  creator of Inspector Rebus.&#8221;</p></blockquote>
<p><a href="http://bit.ly/dXdZ1P" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Write Moves</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Hindustan Times</span></p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>Are  we, perhaps, turning into a nation of writers? &#8220;I don&#8217;t think so,&#8221; says  Urvashi Butalia, publisher, Zubaan, and whose initiative, Kali for  Women, started with Ritu Menon, was one of the first independent  publishing ventures in India. &#8220;Nor are we turning into a nation of  readers&#8230;our per capita book consumption is one of the lowest in the  world.&#8221;</p>
<p>If that is so, who is reading and who is writing? And why  does everyone want to write? An uncritical approval of authors as  people whose success is both the moral of the story and the &#8216;goal&#8217; of  publishing, has sent out mixed signals to readers, so much so that it is  the latter who now knocks at the publisherâ€™s door for entry. This is a  Reader who doesn&#8217;t want to Read any more. He wants to Write. And the  market has added to his confusion.</p>
<p>How? The Reader has seen that  the pop and &#8216;high&#8217; literature hierarchy can be reversed. A Meenakshi  Madhavan book has equal billing with an Amitava Ghosh book.  (Unsurprisingly, the random and personal banalities, views on  relationships, life, pets, of  25-year-old &#8216;Arshi&#8217; in books such as  Reddy&#8217;s <em>You Are Here</em> is now being seen as literature &#8211; Stephen  Dedalus and Joseph K go take a walk &#8211; as the &#8216;universal experience&#8217; of  an &#8216;individual&#8217;). The production values of both are the same. Advances  for first-time writers of commercial and literary fiction are on a par.</p></blockquote>
<p><a href="http://bit.ly/ifuqiM" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">E-books fail to lure Indian book lovers</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Times of India</span><br />
The  sales of digital books in India is expected to pick up in coming months  but that will not impact the aficionados love for hardcover books as  has been the case in the West, say major publishers here.</p>
<p>India  may see good rise in sales of digital books as downloading them on  mobiles becomes a possibility but their growth trajectory may not be  same as in the West, they say.</p>
<p>Managing Director of Rupa &amp;  Co, Kapish Mehra does not see iPads or Kindle book readers replacing the  hard copy. &#8220;New technology creates a new reader. Digital books will  have their share of techno enthusiasts who will read them. But, that  will not impact print versions of books,&#8221; says Mehra. <a href="http://bit.ly/gkNM0O" target="_blank">Read more »</a></p>
<p><span style="font-family: tahoma,sans-serif; font-weight: bold; color: #ff0000; font-size: 1.3em;">New Book Releases and Events</span><br />
<span style="font-family: tahoma,sans-serif; color: #006600;">New book and journal releases, new imprints and other similar events.</span></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Anwesha plans publication of &#8216;knowledge books&#8217;</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Assam Tribune</span><br />
Voluntary  organisation Anwesha, which has now emerged as a pioneer organisation  in the State&#8217;s reading movement with some remarkable publications and  the efforts to promote reading habit among the young people, has  embarked upon an ambitious Rs 5 crore project for preparation and  publication of &#8216;knowledge books&#8217; for the Assamese medium students.</p>
<p>It  has already formed the planning and advisory board of the mission with  Prof Mohammed Taher as the chairman and moved the State Chief Minister  and some public sector units (PSUs) seeking support.</p>
<p>Till date,  Assamese publications are dominated by fiction. Ninety per cent of the  Assamese translation works are also fiction, while the Assamese books  for children are mainly folktales and fairy tales. <a href="http://bit.ly/eKu7Ty" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Bombay Gazetteer in huge demand, third edition released</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Indian Express</span><br />
Intense  competition and demand for the old city gazettes published by the  British have compelled the Maharashtra State Gazetteers Department to  come out with a fresh stock of these documents â€” one of the most  authentic accounts of the city&#8217;s history.</p>
<p>The third edition was  released last week after private players started publishing them,  claiming the copyright law does not extend to government gazettes which  are over a century old.</p>
<p>First published in 1909, the gazettes  were reprinted in 1977-1978, but soon ran out of stock. For more than  three decades, the department did not publish them. The three volumes,  also sold in the e-book format, have information on every aspect of the  city from the macro-elements like history, geography to micro elements  like the communities, to even the taxes levied by various people who  ruled the city. It also has some rare photos of the city dating back to  the early 19th century. <a href="http://bit.ly/gelx0D" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Tamil dictionary for blind</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Deccan Chronicle</span><br />
A Madurai-based NGO, in collaboration with a publishing firm, has produced and released a Tamil dictionary for the blind.</p>
<p>R.  Balaganesan, a visually-challeged person who was involved in the  production of the dictionary, said a team of 33 members including 23  visually challenged persons took part in the process.The dictionary  comprises 53 volumes and runs to 6,250 pages. It had been distributed to  40 institutions, the NGO officials said.</p>
<p>While Indian  Association for Blind, the NGO, worked on the project, publishing firm  Cre-A provided editable electronic version of the dictionary, the NGO  officials said. <a href="http://bit.ly/ed9eZE" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Art Books, Pocket Priced</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Indian Express</span><br />
Publishers reach out to laypersons with art books priced at the cost of pizza</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>While  money exchanged hands and red dots went up on artwork at the India Art  Summit in Delhi, Harsha Bhatkal, Chairman of Popular Prakashan  Publishing House, busied himself in a corner educating new buyers about  art and artists. It was a soft launch of his latest art books, &#8220;The  Dialogue Series&#8221;. He followed it with a formal launch last fortnight in  Delhi and Mumbai. Five out of a series of 14 paperbacks, priced at Rs.  175 each, are now in the market. &#8220;Art is not a privy of the few, so why  should books on art be unaffordable?&#8221; asks Bhatkal.</p>
<p>Like works of  art, publications about art and artists come with a hefty price tag.  But, in recent months, several publishers have made a concerted effort  to reach out to lay readers through affordable books.</p></blockquote>
<p><a href="http://bit.ly/eQSYOs" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Re-Reading Karnataka</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Indian Express</span><br />
Has Kannada become a language that only receives knowledge? How does one end this lament?</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>Narayana  puts his questions in a historical context. He says in the past 50-odd  years (since the integration of Karnataka) in the process of building  the Kannada nation, we have conducted a massive exercise of offering  knowledge through Kannada. We undertook enormous translation projects of  social science and humanities texts to transfer the medium of knowledge  from English to Kannada. Even as we did this, we did not integrate the  various texts to understand the world around us. The volumes simply  created an illusion that we were creating knowledge in our language.  Students not only used Kannada to come to terms with the knowledge they  were being imparted, but also used the language to reproduce what they  had picked up. There is no doubt there have been some mature  contributions over the decades, but after a long journey we feel nothing  belongs to us. Despite all the knowledge we still seem to be wondering  about the inadequacy that surrounds us. Why is this so?</p></blockquote>
<p><a href="http://bit.ly/fUKGtl" target="_blank">Read more »</a></p>
<p><span style="font-family: tahoma,sans-serif; font-weight: bold; color: #ff0000; font-size: 1.3em;">Elsewhere&#8230;</span><br />
<span style="font-family: tahoma,sans-serif; color: #006600;">News from around the world&#8230;</span></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">What Children&#8217;s Publishers Are Doing in the Apps Space</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Publisher&#8217;s Weekly</span><br />
Houses are testing, experimenting</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>While  adult and children&#8217;s divisions face many of the same questions about  apps &#8211; costs, sales potential, and whether they should drive profits or  market books-children&#8217;s content is generally more suited to this space.  Still, like their adult counterparts, children&#8217;s publishers are  developing apps slowly.</p></blockquote>
<p><a href="http://bit.ly/hjAY3f" target="_blank">Read more »</a></td>
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				<category><![CDATA[Newsletters]]></category>
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January 2011
Happenings
On  what&#8217;s been happening. If there’s news you have heard of and think it  would make for interesting reading, please share it with us.
&#8220;A Thinking Person&#8217;s Carnival&#8221;
The  2011 edition of the DSC Jaipur Literature Festival lived up to its hype  and cemented its place [...]]]></description>
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<p><span style="font-family: tahoma,sans-serif; font-weight: bold; color: #ff0000; font-size: 1.3em;">Happenings</span><br />
<span style="font-family: tahoma,sans-serif; color: #006600;">On  what&#8217;s been happening. If there’s news you have heard of and think it  would make for interesting reading, please share it with us.</span></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">&#8220;A Thinking Person&#8217;s Carnival&#8221;</span><br />
The  2011 edition of the DSC Jaipur Literature Festival lived up to its hype  and cemented its place among the premier literature festivals of the  world. We have put together a small compilation of various articles  covering the festival for your reading pleasure. <a href="../jlf-a-compilation/" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Cultures of Peace: Festival of the Northeast</span><br />
The  recent Cultures of Peace festival (28-29 Jan 2011) at the India Habitat  Centre was organized by Zubaan and supported by the Heinrich Boll  Foundation. The event, showcasing culture, writing, photography, art,  poetry and music of India&#8217;s northeastern states, coincided with two,  very different but very significant, anniversaries: the tenth year of  activist Irom Sharmila&#8217;s hunger strike against the Armed Forces (Special  Powers) Act and twenty-five years of feminist publishing in India. No  surprise then, that the speakers &#8211; 30 in all &#8211; returned often to the  importance of protest, and of speaking out against injustice.</p>
<p>The  terms &#8216;mainland India&#8217; and &#8216;northeast&#8217; were discussed and questioned:  many felt that these &#8216;blanket&#8217; terms perpetuated the myth of homogeneity  &#8211; of both places. Journalist and poet, Monalisa Changkija, pointed out  there are over 16 separate tribes in Nagaland alone, each unknown to the  other. &#8220;There are too many borders to cross; we are very isolated from  one another.&#8221; Others both lamented the fact that there was not more  sharing and dialogue between the different states, whilst simultaneously  applauding initiatives like Zubaan&#8217;s for opening up dialogues between  activists and others from the northeast.</p>
<p>In a fascinating opening  discussion on the relationship between violence and creativity, Pradip  Phanjoubam pointed out the limitations of his own profession,  journalism, compared to the possibilities for creative writers to go  beyond the &#8216;mere&#8217; facts, and look at the psychological and social  repercussions of violence. Aruni Kashyap, a novelist from Assam, spoke  of his frustration at being &#8217;straight-jacketed&#8217; by others&#8217; expectations  that a writer from the northeast should only write about violence and  conflict.</p>
<p>If the first day centred on the histories and current  conflicts in the region, the second sought to move the discussion beyond  looking at conflict at possible futures. Sanjoy Hazarika and Laxmi  Murthy spoke inspiringly about how changes, large and small, can be  fostered. Laxmi posed a series of suggestive &#8216;what if&#8217; scenarios which  were then taken up by members of the audience in a lively exchange of  ideas.</p>
<p>And their session was followed up by a series of short  performances, largely by poets reading &#8211; and in the case of the  guitarist Akhu, singing &#8211; their work. Earlier, novelist Temsula Ao posed  a key question: &#8220;What is our definition of peace? Is it simply the  absence of violence?&#8221; The term in her own, Naga, language translates  more accurately as &#8216;harmony&#8217;, and as such, she said, &#8220;cannot be enforced  or forced upon us; we have to find it ourselves.&#8221; Harmonies were there  in abundance in the closing event &#8211; a performance of staggering  intensity by Shillong-based blues band, Soulmate. With the audience  singing and dancing in the aisles, the festival on a note of energy,  solidarity and hope.</p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Pakistan, Indian writers discuss literature</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: calcuttatube.com</span><br />
Kolkata  witnessed a literary discussion evening with a difference on Friday as  writers from Pakistan and India read portions from their works at the  Apeejay Kolkata Literary Festival 2011, in a special event named &#8216;An  Evening in Karachi&#8217;.</p>
<p>Pakistani writer Shehryar Fazli read out a  portion from his book named, &#8216;Invitation&#8217;, while Nighat M. Gandhi read a  small portion from his book titled &#8216;Ghalib at Dusk&#8217;. <a href="http://bit.ly/heiVXp" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Translation course planned at Stephen&#8217;s</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Times of India</span><br />
St  Stephen&#8217;s College inaugurated its Centre for Translations on Thursday  thus opening doors for all literary enthusiasts and linguists in the  university. The centre aims at translating academics texts and books of  cultural importance into vernacular and foreign languages. An initiative  of principal Valson Thampu, the centre has already got eminent  professors and alumni on board for carrying out translation projects.  The centre will also introduce a course on translation in July this  year. <a href="http://bit.ly/egOb0w" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Plans afoot to publish biographies of 100 writers</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Times of India</span><br />
Kannada  Book Authority (KBA) president Siddalingaiah spoke of KBA plans to  publish biographies of 100 famous authors who have made the language  rich with their works.</p>
<p>The work on publishing 25 Kannada books on  medicinal literature and introducing important books in Braille is  going on, Siddalingaiah said, and added that KBA distributed books worth  Rs 4 crore among the students of high schools and colleges. <a href="http://bit.ly/eYvBJd" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Meet on publishing industry held</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Hindu</span><br />
The  Vijayawada Book Festival Society (VBFS) organised a meeting on &#8216;200  years of printing and publishing industry&#8217; this month. On the occasion,  sharing his experiences, famous printer and publisher Paruchuri  Hanumantha Rao said that sea changes took place in the publishing  industry in the country. The companies here were able to compete with  their counterparts in US and European countries. The end product (books  etc) were being delivered within few days after manuscript reached the  printer or publisher with very less operational losses like waste of  paper, he explained.</p>
<p>Jolepalem Mangamma, who penned a book titled  &#8216;Printing India&#8217;, explaining about the printing and publishing sector,  said that printing machines were imported here two centuries ago to  publish Bible in Indian languages. The publishing industry began at  Srirampur and Kolkata, and later spread out to other regions. The  British wrote and published dictionaries, grammar etc of Indian  languages, while Bible was first published in 1719, she said. <a href="http://bit.ly/fcBGXg" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Call for New Vision for Promotion of Urdu</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Sify.com</span><br />
Union  Human Resource Development (HRD) Minister Kapil Sibal on Wednesday said  that a new vision and a national strategy is needed in order to  preserve the rich cultural heritage of the urdu language, literature and  the art forms like calligraphy.</p>
<p>Speaking at the 18th meeting of  the National Council for Promotion of Urdu Language (NCPUL) here, Sibal  underlined that we need to preserve the past and at the same time need  to make the study of Urdu relevant as regards, the aspiration of the  youth. <a href="http://bit.ly/dTdz87" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">&#8216;World Sanskrit Book Fair&#8217; a Resounding Success </span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: daijiworld.com</span><br />
The  book fair was the first in the country organized in association with 14  Sanskrit universities, 7 Sanskrit academies, and 16 leading Sanskrit  institutes under the aegis of Sanskrit Bharati that had organized  Sanskrit conversing camps in 674 places across Bangalore to prepare  thousands of activists who worked relentlessly for two months. <a href="http://www.daijiworld.com/news/news_disp.asp?n_id=93569&amp;n_tit=Bangalore%3A+%91World+Sanskrit+Book+Fair%92+Records+Resounding+Success" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Asian Publishing Conference 2011</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Publishing Today</span><br />
The  5th Asian Publishing Conference will be held in Bangkok from July 7-8,  2011. The theme of the conference is Where Print, Mobile &amp; Online  Converge For Profit. About 250-350 publishing industry managers and  professionals from more than 20 countries are expected to attend the  meet.</p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Going Desi</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: outlookindia.com</span><br />
With  publishing houses in the West in a slump, literary agencies have begun  to eye the booming Indian market. One of the best-known British agents  in India, Gillon Aitken, has just opened an office in India. But that  million-dollar advance may still not happen-as yet. The idea is to  provide &#8220;local support&#8221; to the existing list of 14 Indian authors, which  includes Pankaj Mishra, Manju Kapur, Aatish Taseer and Tarun Tejpal.  And to tap the creative hub that India is fast becoming, churning out  new authors by the minute. Shruti Debi, ex-editor of Picador India, will  head Aitken Alexander Associates&#8217;s India office. She plans to add at  least 20 new authors this year to the existing list.</td>
<td style="background-color: #ffffff; border-left: 1px solid #cccccc; text-align: left;" width="200" valign="top"><span style="font-size: 11px; font-weight: normal; color: #3e1c1b; font-family: arial; line-height: 150%;"></p>
<div id="navcontainer">
<div style="float: left; border-top: 2px solid #7b1314; border-bottom: 2px solid #7b1314; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 195px; background-color: #e4deb0; margin-bottom: 15px;"><span style="font-size: 13px; font-weight: normal; color: #000000; font-family: arial;">Featured Publisher</span><br />
<span style="font-family: tahoma,sans-serif; color: #006600;">YATRA BOOKS</span></p>
<p style="color: #000000;">Yatra  Books publish original creative writing and high quality translations  in Hindi, English and Indian regional languages for the powerful and  emergent internal market. Its endeavor is to create a new standard of  excellence in Indian Language Publishing.Initiatives to tap into local  languages to communicate development strategies at a grassroots level  are also part of Yatra&#8217;s agenda and commitment.</p>
<p>Yatra Books  commenced operations in January 2005. Following an MOU with Penguin  Books India that month, they launched 4 Hindi titles in April 2005. This  was the first time that Penguin had ventured into a non-English  language worldwide. Yatra books have since published over 200 titles in  Hindi, Marathi and Urdu.</p>
<p>Yatra&#8217;s association with Penguin has led  to several stimulating initiatives. A number of Penguin authors have  been successfully translated into Indian Languages and a host of Indian  authors have been exposed to International publishers via the  Penguin/Yatra Rights Catalogue. Being linked to a company like Penguin  gives Yatra the advantages of working on a larger scale; while retaining  an autonomous identity, allows for an independent voice.</p>
<p>Yatra  has also worked in close collaboration with Dorling Kindersley, India on  the Hindi Translation of their popular Work/Life Series and their  internationally acclaimed DK Bilingual Visual Dictionary.</p>
<p>Yatra  Books draws much of its talent from the Bharatiya Anuvad Parishad(The  Translators Association of India). Yatra Books and Bharatiya Anuvad  Parishad share their strategic strengths and draw synergy and creativity  from their complementary activities.</p>
<p>Yatra has worked on a  unique translation project for the UNESCO. &#8216;Traditional is Modern&#8217; is a  Hindi and Urdu translation of Randolph Langenbach&#8217;s Guidelines for  preserving Kashmiri Traditional Architecture after the 2005 Kashmir  Earthquake. The objective is to encourage local masons and contractors  to conserve vernacular traditions of construction.</p>
<p>Yatra Books  has launched a series of international titles in translation. It is  collaborating with European Publishers and Institutes to aid and assist  the prodcution of these quality editions. This independent Yatra  &#8216;International Bookshelf&#8217;, with translations from Catalan, French,  Italian and more include, among others, Merce Rodoreda&#8217;s Tots els Contes   (The Complete Short Stories of Merce Rodoreda), in association with  The  Institute Ramon Llull in Barcelona and Christophe Jaffrelot&#8217;s  L&#8217;Inde Contemporaine, in association with CEDUST, India (Centre de  documentation universitaire, scientifique et technique).</p>
<p>Future  Plans at Yatra include Promotions through readings and book camps across  India; production and broadcasting of Book-based Television Programmes  and Talk Shows and a National Level Translation Academy/University.</p>
<p>For more information on Yatra Books, do visit http://www.yatrabooks.com</p>
<p>Latest publications include:</p>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; height: 100px; margin: 1px; padding-right: 3px; padding-bottom: 16px; float: left;" src="http://www.dogearsetc.com/pubpost/images/2-92.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Banjaare Khwab</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Vicky Arya</span><br />
<span>ISBN: 978-93-80739-10-6</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; height: 100px; margin: 1px; padding-right: 3px; padding-bottom: 16px; float: left;" src="http://www.dogearsetc.com/pubpost/images/1-92.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Kuch Shabd, Kuch Lakeerein</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Vishwajeet</span><br />
<span>ISBN: 978-81-906510-3-5</span></div>
<div style="float: left; border-bottom: 0px none; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; height: 100px; margin: 1px; padding-right: 3px; padding-bottom: 10px; float: left;" src="http://www.dogearsetc.com/pubpost/images/3-92.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Ek Nayi Subah</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Arupa Kalita Patangia</span><br />
<span>ISBN: 978-81-906510-0-4</span></div>
</div>
<p><span style="font-size: 14px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Book Releases</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">To have your book listed here, write to us with all details and a cover image</span></p>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; height: 100px; margin: 1px; padding-right: 2px; padding-bottom: 24px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9788183860994.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">The Silent Monument</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Shobha Nihalani</span><br />
<span>304p/Hardcover/Rs.250<br />
ISBN: 978-81-8386-099-4<br />
Tara Press, Delhi</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; height: 100px; margin: 1px; padding-right: 2px; padding-bottom: 64px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9788190672917.png" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">One Step towards the Sun: Selection of Short Stories by Women from Orissa</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">Ed. by Valerie Henitiuk and Supriya Kar</span><br />
<span>284p/Paperback/Rs.295<br />
ISBN: 9788190672917<br />
Rupantar</span></div>
<div style="float: left; border-bottom: 1px solid #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; height: 100px; margin: 1px; padding-right: 2px; padding-bottom: 12px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9788196076014.png" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Intimate Others: Marriage and  Sexualities in India</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">Ed. by Samita Sen, Ranjita Biswas and Nandita Dhawan</span><br />
<span>400p/Paperback/Rs.450<br />
ISBN: 9788196076014<br />
Stree</span></div>
</div>
<p></span></td>
</tr>
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<td style="font-size: 12px; color: #000000; line-height: 150%; font-family: trebuchet ms;" colspan="2" valign="top" bgcolor="#ffffff"><span style="font-family: tahoma,sans-serif; font-weight: bold; color: #ff0000; font-size: 1.3em;">Blogs and Articles</span><br />
<span style="font-family: tahoma,sans-serif; color: #006600;">Comments and posts on trends and events in the book industry.</span></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">The death of books</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Hindustan Times</span><br />
The  proposed amendments to the Copyright Act will spell the end of Indian  publishing in English, writes Thomas Abraham, currently Managing  Director, Hachette India.</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>One  certain fallout of this is that the author who was planning to get  designated royalties by territory will hardly get an income stream.  Because royalties on remainders are near zero. Which also means we are  placing authors in competition with a third-party non-holder of  copyright &#8211; the remainder merchant who brings the book in against the  author&#8217;s wishes because the law permits him to do so &#8211; a completely  unjust intellectual property system.</p></blockquote>
<p><a href="http://bit.ly/e5EaF9" target="_blank">Read more »</a></p>
<p><span style="font-family: tahoma,sans-serif; color: #cb5555;">Much  is being debated about the proposed amendments to the Coyright Act and  the impact of those amendments on the Indian publishing industry. To  know more about the possible fall-outs, Divya Dubey (Gyaana Books) has  allowed us to repost a blog she wrote on the subject. View that blog <a href="../the-copyright-act/">here</a>.</span></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Good + Bad = Verse</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Mid-Day</span><br />
Mixed opinions about the state of Indian poetry in English</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>Despite short-lived bursts of publicity &#8211; when Tishani Doshi&#8217;s <em>Countries of the Body</em> won the UK&#8217;s big Forward Poetry Prize in 2006, for instance, or Tranquebar Press gave us 2007 winner Daljit Nagra&#8217;s, <em>Look We Have Coming to Dover!</em> &#8211; publishing poetry in English isn&#8217;t exactly a cakewalk.</p>
<p>Add  to this a missing tradition of criticism, and the possibility of things  changing for the better in future seem rather bleak. Still, Eunice de  Souza, one of India&#8217;s most respected poets, points out that even well  known and very fine poets like Manohar Shetty have just published their  own work instead of waiting for publishers.</p>
<p>Sampurna Chattarji, a younger poet whose debut collection <em>Sight May Strike You Blind</em> was published by the Sahitya Akademi in 2007 and reprinted a year  later, refers to online journals, and a new print journal in Mumbai  called Nether brought out by college students. She also mentions ongoing  schemes from the Sahitya Akademi, forthcoming titles from HarperCollins  and small presses like Hemant Divate&#8217;s Poetrywala, which recently  published her second collection, <em>Absent Muses</em>.</p></blockquote>
<p><a href="http://bit.ly/ewjMD8" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">The decade in literature</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Mint</span><br />
This  was a period in which Indian literature went forward and expanded  outward at the same time, bringing into its embrace many of the literary  riches of its past and present that were hitherto restricted to  specialists or speakers of a particular regional language.</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>Currently,  Indian literature is more deep and diverse than it has ever been, but  no one newspaper or journal &#8211; perhaps not even all the periodicals  collectively &#8211; is able to take full stock of this on its pages, and many  outstanding titles (particularly academic publications, books from  small presses, and works in translation) come and go without a trace.</p></blockquote>
<p><a href="http://bit.ly/eOut7v" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">With a little help from others </span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Telegraph</span><br />
Academic  authors, even experienced ones, seldom use literary agents to place  their manuscripts. Since scholarly books rarely sell in large numbers  and as agents receive a percentage of the royalties as remuneration,  authors are reluctant to share their modest royalties with agents, and  agents are averse to investing time and effort for the small fee it will  bring. <a href="http://bit.ly/e59HS0" target="_blank">Read more »</a></p>
<p><span style="font-family: tahoma,sans-serif; font-weight: bold; color: #ff0000; font-size: 1.3em;">New Book Releases and Events</span><br />
<span style="font-family: tahoma,sans-serif; color: #006600;">New book and journal releases, new imprints and other similar events.</span></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Unique experiment at Tara Books</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Tara Books Blog</span><br />
Written  by African American performance poet Arthur Flowers, the blog explains  how he became involved in an extraordinary cross-cultural project to use  traditional Patura art from Bengal to depict the life of Martin Luther  King Jr. in the format of a graphic novel.</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>The  art is by Manu Chitrakar, a scroll painter from the Bengal Patua  tradition, who speaks only Bengali, and some broken Hindi. This is the  first book he&#8217;s ever done. When we told him Martin Luther King&#8217;s story  during a visit to Tara, we were astonished by his deep reserves of  understanding. Manu had never heard about the Civil Rights Movement, but  he grasped the universal significance of it right away, and was excited  about painting it for us. Working with him was a joy &#8211; we pulled out  visual references, talked about what it all meant, and watched as he  effortlessly converted the material into his own visual idiom.</p></blockquote>
<p><a href="http://bit.ly/g0baQS" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">44-year-old authors her life&#8217;s struggle, challenges</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Hindustan Times</span><br />
&#8220;The  birth was hugely traumatic, and the pediatrician in charge kept  repeating to himself  &#8216;it was a mistake, I should have carried out a  caesarean&#8230;let&#8217;s see if she survives&#8230;I am not sure if she will  survive&#8230;at the most 72 hours&#8217;. I survived.&#8221; These are lines from the  opening chapter of <em>One Little Finger</em>, published by Sage, whose  author Malini Chib writes about her birth. Not only did the 44-year-old  Chib, who suffers from cerebral palsy survive, she has also inspired  many others to do so with her grit and determination.</p>
<p>A trustee  of Able Disabled All People Together (Adapt), formerly known as the  Spastic Society of India, Chib has a double master&#8217;s degree in Women&#8217;s  Studies from London University. She made her debut as an author with the  launch of her book on Friday, which she wanted to coincide with the  International Day of Persons with Disabilities. One little finger is  what Chib used for about 250,000 times to type 50,000 words tell the  tale of her life so far. <a href="http://bit.ly/gWiDTg" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Malayalam novel, English translation to release together</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: indianexpress.com</span><br />
For  the first time in Indian publishing history, Kendra Sahitya Akademi  Award-winning Malayalam writer Sarah Joseph&#8217;s latest novel &#8211; to be  published by Current Books &#8211; will have its English counterpart,  translated by Thampu, being brought out concurrently by Harper Collins. <a href="http://bit.ly/eUkLMV" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Morange</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: blog.prathambooks.org</span><br />
&#8220;Morange&#8221;  is the monthly magazine of children&#8217;s creative writing published by the  Rural Education Center, Sawai Madhopur. Published since July 2009 the  magazine has till now published eight volumes. The stories are written  by students studying in the four community centres run by the Centre. <a href="http://www.graminshiksha.in/morange.html" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Bamboo goes bookish</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Telegraph</span><br />
An artisan from Sivasagar district has come forward with an ambitious plan of publishing 100 bamboo books.</p>
<p>Mohan  Saikia, 51, from Na Nath village, has proved that bamboo is not only a  source of income for the poor who eke out a living by making traditional  objects but can also be used to create fanciful objects to grab urban  customers.With dexterity, Saikia has prepared pages for his books from <em>kako bah (Dendrocalamus hamiltonii)</em>, a kind of bamboo used by Assamese craftsmen to make domestic objects like <em>dola</em> and <em>saloni</em>.</p>
<p>He  dreams of opening the world&#8217;s first bamboo library this year on the  branches of a tree where all the bamboo books will be preserved. Readers  and visitors will be able to reach it with a bamboo lift.Saikia has  covered poetry, lyrics, two chapters of <em>Kirtan Ghoxa</em>, history  of his village, Ahom literature and philosophy in his books. &#8220;Excluding  the leaves and roots, every part of bamboo tree can be utilised,&#8221; he  said. <a href="http://bit.ly/eivdON" target="_blank">Read more »</a></p>
<p><span style="font-family: tahoma,sans-serif; font-weight: bold; color: #ff0000; font-size: 1.3em;">Elsewhere&#8230;</span><br />
<span style="font-family: tahoma,sans-serif; color: #006600;">News from around the world&#8230;</span></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">White Egrets awarded 2010 T.S.Eliot Prize for Poetry</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Guardian, UK</span><br />
Nobel  laureate Derek Walcott was  named winner of the TS Eliot prize for the  best new collection of poems published in the UK or Ireland.</p>
<p>He  took the prize against competition from an eclectic group of poets,  including fellow Nobel laureate Seamus Heaney, Iraq war veteran Brian  Turner and Sam Willetts, whose debut collection came after 10 years lost  to addiction to and recovery from heroin.</p>
<p>Valerie Eliot, widow of TS Eliot, awarded Walcott Â£15,000 at a ceremony at the Wallace Collection, London.</p>
<p>The winning collection, <em>White Egrets</em>, was described by the chair of judges, poet Anne Stevenson, as &#8220;moving and technically flawless&#8221;. <a href="http://bit.ly/idE3Cq" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Amazon Continues Its Push into Publishing</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: libraryjournal.com</span><br />
Amazon.com  is showing every sign that its ambition no longer just to distribute  books but also to publish them is very real and growing.</p>
<p>The  company has announced, in the past two week,s a publishing list for the  spring and early summer that includes 16 books in its AmazonEncore  imprint and eight books in its AmazonCrossing imprint, which focuses on  translations. <a href="http://bit.ly/ihNruM" target="_blank">Read more »</a></td>
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		<title>The Publisher&#8217;s Post &#8211; Dec 2010</title>
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		<pubDate>Tue, 04 Jan 2011 16:42:47 +0000</pubDate>
		<dc:creator>Editors</dc:creator>
				<category><![CDATA[Newsletters]]></category>
		<category><![CDATA[Goa Arts and Lit. Festival]]></category>
		<category><![CDATA[Jaipur literature fest]]></category>
		<category><![CDATA[the publisher's post]]></category>
		<category><![CDATA[Thiruvananthapuram Book Fair]]></category>

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		<description><![CDATA[














December 2010
Happenings
On  what&#8217;s been happening. If there’s news you have heard of and think it  would make for interesting reading, please share it with us.
Jaipur literature fest to focus on Indian languages
Source: Deccan Herald
The  2011 edition of the DSC Jaipur Literature Festival will focus on the  new movements in vernacular Indian [...]]]></description>
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<p><span style="font-family: tahoma,sans-serif; font-weight: bold; color: #ff0000; font-size: 1.3em;">Happenings</span><br />
<span style="font-family: tahoma,sans-serif; color: #006600;">On  what&#8217;s been happening. If there’s news you have heard of and think it  would make for interesting reading, please share it with us.</span></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Jaipur literature fest to focus on Indian languages</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Deccan Herald</span><br />
The  2011 edition of the DSC Jaipur Literature Festival will focus on the  new movements in vernacular Indian languages as well as on the growing  tribe of literary e-bloggers, a festival organiser said.</p>
<p>The  much-awaited Jan 21-25 event will also take a close look at works with  strong social content from northeastern India, Kashmir, China and the  Middle East.&#8221;This time the festival will try to unravel new movements in  vernacular Indian languages, especially Hindi, which is morphing to  meet the needs of a growing population of young readers, through  discussions and interactive sessions,&#8221; Namita Gokhale, writer and  coordinator of the festival, said.</p>
<p>The festival will feature more  than a dozen Indian languages &#8211; Hindi, Urdu, Sanskrit, Tamil, Bangla,  Asomiya (Assamese), Oriya, Gujarati, Malayalam, Kashmiri, Punjabi,  Nepali, Bhojpuri and Rajasthani.  <a href="http://bit.ly/fwU15Y" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Seminar on copyright and piracy issues</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Indian Printer &amp; Publisher</span><br />
On  6 January 2011 at 2pm at the IIC Annexe, IppStar along with the newly  formed CGIP (Community for Governance of Intellectual Property) will  conduct an interactive seminar on copyright and piracy issues for Indian  printers and publishers. The afternoon event is supported by the Delhi  Master Printers Welfare Association.</p>
<p>The seminar will be led by  the managing partner of Survan Attorneys-at-Law, Siddharth Arya, and  feature panelists from the Indian Society of Authors, as well as the  software and printing industries.  <a href="http://bit.ly/i50Ydn" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Litterateurs, glitterati make it memorable</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Deccan Herald</span><br />
The  response to the Goa Arts and Literary Festival that concluded on  Tuesday surpassed the expectations of its organisers and as the strains  of the last fado (Portuguese songs of fate) by singer Sonia Sirsat  drifted away at the closing dinner, everyone was making plans to return  next year.</p>
<p>Inspired by the Jaipur Literary Festival, the decision  of the Goa festival organisers Sahitya Akademi, Goa Writers Group and  The International Centre Goa (ICG) to include other art forms worked  rather to their advantage.</p>
<p>One was able to move seamlessly from a  conversation between writers U R Ananthamurthy and Damodar Mauzo on  &#8220;Who is the Outsider?&#8221; to filmmaker Saeed Mirza telling the audience  about his new-found passion for writing. &#8220;If you have a passion for  something, go out and do it,&#8221; Mirza said.</p>
<p>Four new books were released at the festival, Sudeep Chakravarti&#8217;s new novel <em>The Avenue of Kings</em>, Jerry Pinto&#8217;s <em>Leela: A Patchwork Life</em> based on the actress Leela Naidu, Manohar Shetty&#8217;s latest collection of poems <em>Personal Effects</em> and architect Charles Correa&#8217;s <em>A Place in the Shade</em>. <a href="http://bit.ly/gN3PTO" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Bibliophiles meet at Thiruvananthapuram Book Fair</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Indian Printer &amp; Publisher</span><br />
Exhibitors  included most of the Malayalam publishers as well as book promoting  organisations from France, Germany and the USA, in addition to the major  educational publishers such as Cambridge University Press, Left Word,  NBT, Oxford University Press, Orient Blackswan, Pearsons, Sage,  Scholastic, Tulika and others.</p>
<p>This time, similar to the recent  Delhi Book Fair, there was a heavy emphasis on children&#8217;s books, with a  four-day Children&#8217;s Writers and Publishers Workshop discussing  experiences from France, Germany, the USA and across India, while  Creative Writing Workshops for children taking place on almost every day  of the fair. There was also a seminar on contemporary challenges in  writing fiction for children and teenagers. A workshop for book  designers and illustrators was held by the French Book Office in India,  with the participation of production staff at French publishing giants  Flammarion, Helium and Albin Michel.</p>
<p>Following the previous  year&#8217;s Copyrights Table organised in conjunction with the Frankfurt Book  Fair&#8217;s German Book Office New Delhi, a second Rights Table on 20 and 21  December brought together some 50 publishers from India and abroad,  discussing and trading translation rights between English, Hindi and  Malayalam titles. This time, French titles were also being promoted for  translation into Indian languages, through the Tagore Publication  Assistance Programme of the French Book Office and the Alliance  Francaise.  <a href="http://bit.ly/eeeUxc" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Tamil publisher Masilamani dead</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Hindu</span><br />
Noted Tamil publisher G. Masilamani, who first published the works of many great Tamil writers, died on Sunday.</p>
<p>He was 81 and is survived by wife, two sons and a daughter.</p>
<p>Kalignan  Pathipagam, launched by Masilamani, secured an important place with its  publication of the works of many Tamil writers such as Jayakanthan,  Ashokamitran, Adhavan and Vairamuthu.</p>
<p>An avid reader, Masilamani  left his native town Nagapattinam for Chennai to start a publishing  house, a career close to his heart.</p>
<p>One of his remarkable  contributions was the publication of collected volumes of now-defunct  literary magazines. He culled out selective articles, short stories,  interviews and other works published them as volumes that would give the  reader a general idea of the nature of the magazines of yesteryear.  <a href="http://bit.ly/gP04kL" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Disney inks publishing, distribution pact with India Today Group</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Mint</span><br />
Disney  Publishing Worldwide (India) on Wednesday signed a multi-year license  agreement with the India Today Group for publishing and distributing  licensed Disney content through magazines in India.</p>
<p>The Disney  magazines will be available in single, monthly, bi-monthly and quarterly  editions at newsstands as well on a subscription basis at a price of  Rs. 50-Rs. 100.</p>
<p>The content will be based on some of Disney&#8217;s  franchises, including Disney Princess, Disney.Pixar Cars, Art Attack,  Disney Junior and much more.</p>
<p>The children&#8217;s book segment of the  publishing business in India is estimated to be worth $1.15 billion and  is growing at the rate of 25% year-on-year, according to data from  research firm Technopak. <a href="http://bit.ly/h5dxfr" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">1st Annual Indian Comic Con</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Comic Con India&#8217;s Facebook page (via Pratham Books)</span><br />
The  first Annual Indian Comic Convention is being held in Delhi on 19th and  20th February, 2011. According to the organizers, such an event was  needed because</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>India  has had a very long history of picture stories and illustrated books.  That rich history has evolved into a burgeoning comics industry, which  [we] want to celebrate and help grow, in every way possible.</p>
<p>An  event such as this [is therefore] required, in order for it to survive  and flourish. Fans of Comic books and graphic art in general need a  place to show their support, discover new endeavors in the industry.</p></blockquote>
<p><a href="http://on.fb.me/e92wfk" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Pogo designs M.A.D. books for schools</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Hindu</span><br />
Children&#8217;s  TV channel Pogo is launching books on art and craft that aim to help  children develop an artistic and creative eye. The channel has tied up  with publisher Tata McGraw Hill to distribute its books to 13,000  schools across the country from the academic year 2011. BPI is  publishing these books.</p>
<p>Speaking to Business Line, Ms Monica  Tata, Vice-President and General Manager, Entertainment Networks South  Asia, Turner International India, said there would be 10 graded books  for children from kindergarten to the eighth class.</p>
<p>These would  be branded M.A.D. Graded Books after the popular show on Pogo that is  now in its eighth season.NCERT (National Council Of Educational Research  And Training) and National Curriculum Framework (NCF) guidelines have  been followed while setting the curriculum, which makes the proposition  very credible, Ms Tata said. <a href="http://bit.ly/ezjjCy" target="_blank">Read more »</a></td>
<td style="background-color: #ffffff; border-left: 1px solid #cccccc; text-align: left;" width="200" valign="top"><span style="font-size: 11px; font-weight: normal; color: #3e1c1b; font-family: arial; line-height: 150%;"></p>
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<div style="float: left; border-top: 2px solid #7b1314; border-bottom: 2px solid #7b1314; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 195px; background-color: #e4deb0; margin-bottom: 15px;"><span style="font-size: 13px; font-weight: normal; color: #000000; font-family: arial;">Featured Publisher</span><br />
<span style="font-family: tahoma,sans-serif; color: #006600;">Every month, one publisher will be featured in this column.</span></p>
<p style="color: #000000;"><strong>Goa,1556</strong> is an unusual publisher with a name that leaves you wondering. It  reminds us of the historical accident which saw the first  Gutenberg-style press in the whole of Asia land in Goa four and half  centuries ago.</p>
<p>But Goa,1556 says it aims to &#8220;publish Goa&#8221; not  merely by accident. It is motivated by the belief of founder and  managing trustee Frederick Noronha &#8211; active for ages in alternate  cyberspace and a journalist &#8211; that smaller, peripheral cultures are  either badly misunderstood or largely ignored when it comes to the  written word.</p>
<p>Founded in 2007, Goa,1556 now publishes around 12  titles a year, mostly non-fiction, related to Goa. It has linked up with  Goa&#8217;s largest bookshop, Broadway. But it also explores the  possibilities of subsidies and sponsored projects in a determination to  &#8220;break into print anyhow&#8221;.</p>
<p>This label&#8217;s books are neatly designed  and printed. Covers are done with love and painstaking care, mainly by  Bina Nayak. But what makes Goa,1556 particularly unusual is its faith in  Copyleft models, some-rights-reserved (not &#8220;all rights reserved&#8221;) or  Creative Commons texts. If authors get convinced, then the books are put  out in sharable models. The publisher doesn&#8217;t claim copyrights in any  case. In a few instances, unpriced online versions of the books were  available online even before the priced, printed ones.</p>
<p>This does  seem like a bizarre, counter-intuitive business model, but it does work.  In part, it is inspired by the world of Free Software, Creative  Commons, Wikipedia and newer linked models of creating and sharing  information products. In keeping with its need to cater to a small  market &#8212; the tourist market is huge in Goa, but its concerns can be  quite at loggerheads with local priorities &#8212; Goa,1556 comes out with  micro-editions of books. Print runs are of 1000 copies and often just  500. In one case, it even used a print-on-demand option to print a  couple of dozen copies too.</p>
<p>Confirming the view that a small  region like Goa has many stories to be told, some of its books are  getting fast noticed. Selma Carvalho&#8217;s &#8216;Into The Diaspora Wilderness&#8217;  [ISBN 978-93-80739-02-1], a well-rendered story about Goa&#8217;s much-ignored  intense generations-old outmigration, sold out an edition in under  three months.</p>
<p>Peter Nazareth&#8217;s anthology of modern Goan writing  (including translations from Konkani and Portuguese, ISBN 9788190568258)  is getting widely noticed. Although it was first published in the  mid-1980s, it has so far been only very inadequately noticed in Goa.</p>
<p>From  village histories to alternative perspectives, literary analysis to  history, novels to a cookbook on Mediterranean food in India and books  on local theatre and business, Goa,1556 has built up a wide range of  titles. See its 20 covers at http://goa1556booklist.notlong.com</p>
<p>Balancing  deadlines, book visibility and sales, the overall concern of being  viable is always a challenge. But Goa,1556 sees itself as being &#8220;more  than just another business&#8221; and values its role in building social  capital.</p>
<p>Find out more about Goa,1556:<br />
Website: http://goa1556.goa-india.org<br />
Booklist: http://bit.ly/euv3g8<br />
Contact: goa1556@gmail.com,<br />
fn@goa-india.org<br />
Tel: +91-832-2409490 /<br />
+91 9822 122436</p>
<p>Latest publications include:</p>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; height: 100px; margin: 1px; padding-right: 3px; padding-bottom: 16px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9789380739106.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Beyond the Beach: The Village of Arossim, Goa, in Historical Perspective</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Themistocles D&#8217;silva</span><br />
<span>ISBN: 978-93-80739-10-6</span></div>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; height: 100px; margin: 1px; padding-right: 3px; padding-bottom: 16px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9789380739014.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">When the Curtains Rise: Understanding the Goan Tiatr</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Dr. Andre Rafael Fernandes</span><br />
<span>ISBN: 978-93-80739-01-4</span></div>
<div style="float: left; border-bottom: 0px none; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; height: 100px; margin: 1px; padding-right: 3px; padding-bottom: 10px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9789380739021.jpeg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Into the Diaspora Wilderness</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Selma Carvalho</span><br />
<span>ISBN: 978-93-80739-02-1</span></div>
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<p><span style="font-size: 14px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Book Releases</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">To have your book listed here, write to us with all details and a cover image</span></p>
<div style="float: left; border-bottom: 1px dashed #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; height: 100px; margin: 1px; padding-right: 2px; padding-bottom: 24px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9788184001259.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Awakening : The Story Of The Bengal Renaissance</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">by Subrata Dasgupta</span><br />
<span>416p/Hardcover/Rs.499<br />
ISBN: 9788184001259<br />
Random House</span></div>
<div style="float: left; border-bottom: 1px solid #cccccc; height: auto; overflow: hidden; padding: 5px; position: relative; text-align: left; width: 180px;"><img style="width: 66px; border: 1px solid #ffffff; height: 100px; margin: 1px; padding-right: 2px; padding-bottom: 12px; float: left;" src="http://www.dogearsetc.com/pubpost/images/9788125039204.jpg" alt="" /><span style="color: #881518; font-family: Trebuchet; font-size: 1em; font-weight: bold; text-decoration: none;">Hundred Tamil Folk and Tribal Tales</span><br />
<span style="color: #51626f; font-size: 1em; font-weight: bold; text-decoration: none;">Tr. by Sujatha Vijayaraghavan</span><br />
<span>324p/Paperback/Rs.295<br />
ISBN: 9788125039204<br />
Orient Blackswan</span></div>
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<td style="font-size: 12px; color: #000000; line-height: 150%; font-family: trebuchet ms;" colspan="2" valign="top" bgcolor="#ffffff"><span style="font-family: tahoma,sans-serif; font-weight: bold; color: #ff0000; font-size: 1.3em;">Blogs and Articles</span><br />
<span style="font-family: tahoma,sans-serif; color: #006600;">Comments and posts on trends and events in the book industry.</span></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Mass market, compact and digital</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Times of India</span><br />
Ten  years ago it would have been hard to imagine reading a book on a  computer. But it&#8217;s a reality today and in the next decade, reading a  hardcover book may be a rarity. The way we read and what we read has  changed so much that change is considered an ongoing process. So what  might it all be like in the next decade? <a href="http://bit.ly/e2k9Er" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Literature festivals take India by storm</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Economic Times</span><br />
For  Peter Florence, founder director of Hay Festival, Lit Fests were a  natural progression of Indian writing. &#8220;We&#8217;ve been taking Indian authors  around the world for years, and it seemed natural to celebrate  literature in their home country too,&#8221; says Florence, who was encouraged  by writer and MP Shashi Tharoor to come to Kerala. &#8220;People in Kerala  just joined in and made it theirs from the get-go. It&#8217;s about  willingness to share stories and ideas. This works just as well in  Malayalam as in English,&#8221; says Florence, who feels India was a natural  country to hold a literature festival since &#8220;India is more rooted in its  stories than any other culture&#8221;. <a href="http://bit.ly/fb3ySU" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Ebooks fail to take off in India</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Times of India</span><br />
Electronic  books might be giving hardcover books a run for their money worldwide  but they continue to get lukewarm response in India.</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>With  more than 15,000 publishing houses generating content in more than 24  regional languages, experts feel India has huge potential for ebooks,  specially post the IT boom but lack of cheap ereaders and technological  awareness among the people is hampering their growth here.</p>
<p>A  report by market research company Forrester indicates that the US will  lead the demand for eBooks content with sales over $500 million and for  eText books through 2010 but acknowledges that the dynamics for higher  growths vests with consumer markets like India and China. Advantage  India lies in its high quality and low cost of output.</p></blockquote>
<p><a href="http://bit.ly/fJEAC8" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">A New Idiom for Indian Graphic Novels</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: littledesignbook.in</span><br />
When  it comes to picture books, as a grown-up there are only two sides to be  on &#8211; you&#8217;re either a comic book lover or a graphic novel aficionado.  There&#8217;s no in between and there&#8217;s no confusing one for the other.</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>For  years now, the fan following for graphic novels in India has grown from  cults to crowds. Both men and women have been collecting books like  Neil Gaimen&#8217;s <em>Sandman</em> series and Marjane Satrapi&#8217;s <em>Persepolis</em> with a fervour. For young adults and picture book fans, the reading and  collecting of these books isn&#8217;t just a hobby, but a passion that speaks  to their visual minds in the language of images. At their most  essential, graphic novels set up narratives in constructed visual  worlds: one has to learn to decipher the images when one opens to the  first page, and at least for this fan, that&#8217;s the most thrilling aspect  of reading a new graphic novel.</p></blockquote>
<p><a href="http://bit.ly/dEkeOf" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Gains from translation</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Telegraph</span><br />
Bengali  works are being translated increasingly into English. But does it raise  their readership significantly, asks Anasuya Basu.</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>It  seems Bengalis, in Bengal and elsewhere, enjoy reading translations of  Bengali literature the most. While nationwide translations from Bengali  sell the most in eastern India, within Bengal, &#8220;translations sell more  in Calcutta than anywhere else,&#8221; says a sales representative of a  publishing house.</p></blockquote>
<p><a href="http://bit.ly/fIlFDM" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">The Li&#8217;l Wizard</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: Outlook India</span><br />
Children are reading. New authors, new genres and book festivals are in the air.</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>Paro  Anand, who has been writing for children since 1980, finds herself  feeling more optimistic about Indian kid-lit than ever before. &#8220;Authors  always wanted to write and push boundaries but could not find  publishers-but now bottomlines are changing and publishers are willing  to take more risks,&#8221; she says. Roopa Pai, the creator of the imaginary  world of Mithya and author of the Taranaut series, goes a step further.  &#8220;Finally, children&#8217;s literature (in India) has found a voice. It has  come of age, primarily due to awards like the Crossword Award (which has  a children&#8217;s fiction category) and festivals such as Bookaroo,&#8221; she  says, predicting an Indian-brand internationally selling author within  the next five years.</p></blockquote>
<p><a href="http://bit.ly/fX8IOF" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Bestsellers make other authors totally invisible</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: DNA</span><br />
Writer Shashi Deshpande and Owner of Strand Book Stall Vidya Virkar bring to light booksellers, young writers and more.</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>I  hardly find rare copies of good books and a decrease in display of  Indian authors on stands. When I visited a bookstore in Rome I was  surprised to see the bestsellers stand right at the end. The owner  informs that only the best of authors will be displayed at the front. I  need variety and our city never seems to give that&#8230;</p></blockquote>
<p><a href="http://bit.ly/gHQYnM" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Blueprint blunders</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Telegraph</span><br />
TThis  is the seventh year that Sutanuti Boimela is being held in the tiny  courtyard of Girish Mancha in Bagbazar where the focus is on small  publishers in Bengali struggling for survival. An interesting feature of  the book fair is the series of lectures and cultural programmes  organised on the occasion. This year being the 250th birth anniversary  of William Carey, Asish Khastagir&#8217;s lecture was on the Bengali printers  of 19th century, and pioneering printing and publishing organisations  like P.M. Bagchi &amp; Company and Calcutta Art Studio, which have  survived all these years, were felicitated. The drizzle notwithstanding,  the mela attracted a good number of people every day. <a href="http://bit.ly/fvmh9I" target="_blank">Read more »</a></p>
<p><span style="font-family: tahoma,sans-serif; font-weight: bold; color: #ff0000; font-size: 1.3em;">New Book Releases and Events</span><br />
<span style="font-family: tahoma,sans-serif; color: #006600;">New book and journal releases, new imprints and other similar events.</span></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">A Winter Carnival at the Katha StoryShop</span><br />
The  year 2010 ended with a celebration of festivities and colors at the  Katha Winter Carnival, a week long celebration of events for both kids  and adults. The 8-day festival was packed with colour and the excited  voices of many children. Here is a brief snapshot of the excitement.</p>
<p>A  four day theatre workshop from 25th to 28th December, with Arvind Gaur  was a resounding success. Each child had the opportunity to participate.  The workshop was a learning experience and will leave a lasting impact  on the children who participated.</p>
<p>There was a grand Christmas  celebration on the 25th of December 2010. Katha StoryShop was decorated  with colours by children. They sang carols along with Nupur Awasthi.  Volunteers from America and Korea also participated.  That evening came  to an end with Mariam Karimâ€™s heart-warming session of songs and Santa  stories.</p>
<p>Storytelling was the highlight every day from 5:00 to  7:00 pm. From creative workshops by Reha of Tagore International School,  to Nupur Awasthi who taught gond art and paper work, to Farah Siddiqui,  Vinnie Mathur and some Korean volunteers who brought origami alive to  children.</p>
<p>My first book workshop by Nupur Awasthi, and  Chalchitra, a movie making workshop with Samina Mishra happened  simultaneously from 27th to 30th of December, 2010. My First Book  workshop evoked some truly creative responses from children, with 15  books being made!  Look out for these books on display at the Katha  StoryShop.</p>
<p>Activities for adults took off with an exploration of  stereotypes with Yousuf Saeed. This questioning  continued into Atmaram  Bhakal&#8217;s poetic session that helped unveil the beauty and social  messages of Kabir and then moved effortlessly from Hindi poetry to Urdu  prose and poetry. Dastangoi by Delhi-based narrators, Mahmood Farooqui  and Danish Hussain attracted a huge crowd that enthusiastically helped  them create contemporary dastans. [Dastangoi is the art of storytelling  in Urdu]. A storytelling workshop of a different kind was well  orchestrated by Arka Mukhopadhyay with his adaptation of Tagore&#8217;s play <em>Visarjan</em>. Arka also gave a unique solo theatre performance &#8211; Encounters.</p>
<p>With  fabulous new books from our favourite publishers and lots of goodies  from Katha Women&#8217;s cooperative and other NGOs &#8211; the spacious and  attractive children&#8217;s StoryShop kept children and their parents happy.</p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Publishers reject book, Akademi crowns it</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Telegraph</span><br />
For two years, author Keshada Mahanta went from pillar to post looking for a publisher for her book, <em>Asomiya Ramayani Sahitya: Kathabastu Atiguri</em>,  an analysis of the influence of the Ramayan on Assamese literature,  which took her over 10 years to write. She was turned away time and  again. <a href="http://bit.ly/eXF771" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Figures of Speech</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Sunday Express, Pune (via GBO)</span><br />
Eight  Indian and international poets translated each other&#8217;s works and  performed a potpourri of pure verbal magic in the city on Saturday.</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p>It  is said poetry is difficult. It is incisive. It is beautiful. It is  glorious brevity and joyous observation. Eight souls seeped in this  world of words and deep introspection, but of varied personal styles and  regions, performed their collective by-product of a week-long  translation exercise in picturesque Pondicherry at Kala Chhaya, Pune on  Saturday. &#8216;Poetry Connections&#8217;, a multimedia and multilingual  presentation, displayed the behemoth that came out when these different  cultural strands and writing styles fused together in mutual admiration.</p>
<p>Mumbai-based  Arjun Bali says, &#8220;It was amazing &#8211; just the positive energy that flowed  so freely at the workshop. We all sat together and translated each  other&#8217;s works, but it was more about a poet&#8217;s approach to poetry than a  translator&#8217;s. Here, it was possible to ask questions, for explanations,  to understand the sounds and the rhythms. It is important while  translating not just to get the words across, it is important to retain  the angst and the perspective of the original.&#8221;</p></blockquote>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Grays that speak</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: expressbuzz.com</span><br />
Bangalore is abuzz with comic book entrepreneurs, and Prateek Thomas and Dileep Cherian are the newest kids on the block.</p>
<blockquote style="background-color: #f9f5e1; margin: 1em 0.5em; border-left: 2px solid #999999; padding-left: 0.5em; padding-right: 0.5em;"><p><em>Hush</em> is a short, silent comic written by Prateek Thomas with art work by  Rajiv Eipe. A rather dark story, the comic explores the themes of child  abuse and violence with a twist at the end. It&#8217;s a decidedly adult story  &#8211; even though its protagonist is a young child named Maya. The story  opens in a classroom. The blackboard has been shattered by a bullet, a  teacher lies slumped on the floor and Maya, grim and dark, holds the  smoking gun.</p></blockquote>
<p><a href="http://bit.ly/gi1adQ" target="_blank">Read more »</a></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">Now Kirtan Ghosa in Bengali</span><br />
<span style="font-size: 11px; font-weight: normal; color: #666666; font-style: italic; font-family: arial;">Source: The Assam Tribune</span><br />
Following the publication of Bengali translations of <em>Burhi Air Sadhu</em> and <em>Namghosa</em>, author Saktimoy Das and the Jatiya Sahitya Prakashan Trust of Kolkata are set to bring out the Bengali versions of <em>Kirtan Ghosa</em> by Srimanta Sankardev and <em>Rangmilir Hahi</em> by Rong Bong Terang.</p>
<p>Das  who is the Trust&#8217;s general secretary said that apart from Bengali  translation of Assamese works, the Trust also had a plan to translate  acclaimed creations from ethnic languages such as Bodo.</p>
<p>Das said  that all along since he took up the task of translation in 1995, his  stress has been on preserving the essence of the Assamese flavour in the  books. &#8220;The Assamese literary tradition is a rich one, and my endeavour  all along has been to introduce that to the Bengali readers,&#8221; he said. <a href="http://bit.ly/gvHEq3" target="_blank">Read more »</a></p>
<p><span style="font-family: tahoma,sans-serif; font-weight: bold; color: #ff0000; font-size: 1.3em;">Elsewhere&#8230;</span><br />
<span style="font-family: tahoma,sans-serif; color: #006600;">News from around the world&#8230;</span></p>
<p><span style="font-size: 1.5em; color: #aa0000; font-family: arial; line-height: 110%;">The World Oral Literature Project</span><br />
The  World Oral Literature Project is an urgent global initiative to  document and make accessible endangered oral literatures before they  disappear without record. The project has been established to support  local communities and committed fieldworkers engaged in the collection  and preservation of all forms of oral literature by providing funding  for original research, alongside training in fieldwork and digital  archiving methods. <a href="http://bit.ly/gwPT3N" target="_blank">Read more »</a></td>
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